The ATOMOS SHOGUN 7 Monitor offers up to DCI 4K raw recording and HDMI and 12/6/3G-SDI inputs/outputs.
The ODYSSEY 7Q+ EXTERNAL MONITOR/RECORDER (APOLO OPTION/ALL LICENSES) features a 7.7", 1280 x 800, OLED, touchscreen display with a 3400:1 contrast ratio, true blacks, and professional monitoring features such as waveform, histogram, vectorscope, anamorphic de-squeeze, and 3D LUT support.
The SOUND DEVICES PIX 270i (64 CHANNELS MULTITRACK MADI/DANTE/VIDEO) is a rack-mountable, production video recorder with extensive audio and video processing capabilities. The foundation of the PIX 270i is hardware-based, 10-bit video up/down/cross conversion, and hardware-based encoding to Apple ProRes and Avid DNxHD codecs.
The SOUND DEVICES PIX 240 EXTERNAL RECORDER provides the ability of QuickTime recording for video cameras with HDMI and HD-SDI inputs. It employs Apple ProRes or Avid DNxHD formats to record videos which offer good picture quality and processing efficiency.
The TANGO 2 SWING HEAD allows the camera operator to quickly level the horizon, regardless of the weight of the camera and lens selected. It has a convenient third axis: whatever fluid or geared head is chosen, the panoramic movement remains horizontal and the tilt stays vertical.
The O'CONNOR 2575D FLUID HEAD has become the standard for film production. The head includes OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range.
The O'CONNOR 2560 FLUID HEAD is specifically designed for modern digital cameras. Weighing under 18 pounds, it can support camera payloads of up to 66 pounds with a 6" center of gravity above the platform.
The O'CONNOR 120EX FLUID HEAD is the only product on the market capable of balancing an impressive capacity range of 30 to 240 lbs. It achieves its maximum payload at a tilt range of ±60°.
The O'CONNOR 1040 FLUID HEAD w/ FLOWTECH CF LEGS combines lightweight design with exceptional stability. It features a stepless, ultra-smooth pan and tilt fluid drag system, custom-designed for precise control. The OConnor Sinusoidal Counterbalance system ensures true, accurate balance at any point within the tilt range.
The SACHTLER VIDEO 18 HEAD S2 100mm BALL has a sliding balance plate with a 4.72" sliding range, supporting cameras and rigs from 4 to 48.5 lbs. It features seven grades of pan and tilt drag, a zero setting for completely free movement, 16 steps of counterbalance, plus a Boost Button.
The SACHTLER VIDEO 25 PLUS HEAD 150mm BALL is a remarkably lightweight fluid head designed for studio and outside broadcast use. It comfortably supports payloads of up to 35 kg and features a seven-step drag system, ensuring smooth and precise shots at any drag level.
The SACHTLER CINE 30 HEAD 150mm BALL has a sideload platform that allows for simple and secure mounting of heavily accessorised camera setups, ensuring safety without compromising efficiency. It has a payload range that spans from 3 kg to 32 kg (7 to 71 lbs).
The MANFROTTO 502 HEAD features variable fluid drag system for pan and tilt movements. It has a maximum capacity of 10kg and features a Ø75mm half ball connection to ensure compatibility with most equipment today.
The ARRI HI-5 FF // C-FORCE MINI MOTOR KIT offers advanced wireless multi-axis camera and lens control via a large knob, instant reconnection, a high-contrast touchscreen LCD, powerful signal, and a modular, highly customizable design.
The ARRI WCU-4 WIRELESS FOLLOW FOCUS SYSTEM is a lightweight and ergonomic hand unit that provides precise 3-axis lens control. It features a clear lens data display, lens mapping to pre-marked focus rings, and advanced focus tracking capabilities.
The ARRI SXU-1 WIRELESS FOLLOW FOCUS SYSTEM is a simple, single-channel hand unit that can be set up to control focus, iris or zoom. It can be used alongside the Hi-5 and WCU-4 for seperate iris control.
The AJA KI PRO ULTA 12G DCI/UHD/HD RECORDER AND PLAYER is a multi-channel Apple ProRes® recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode, a 4K/UltraHD/2K/HD Apple ProRes or Avid DNxHR® recorder and player.
The ARRI AMC-1 allows control of focus, iris, and zoom through its LBUS interface. It supports up to three daisy-chained cforce motors and is compatible with WCU-4, SXU-1, Master Grips, and cmotion units.
The ARRI UMC-4 enables remote control of focus, iris, and zoom while recording lens metadata for post-production and VFX. It supports up to three lens motors and is compatible with WCU-4, SXU-1, Master Grips, and ARRI zoom controls.
The ARRI Operator Control Unit OCU-1 enables camera operators to swiftly assume command of any lens function, even with lens motors engaged. Operators can instantly override and regain control of focus, zoom, and iris from the Hi-5 and WCU-4 with a simple button press.
The ARRI ZOOM MAIN UNIT ZMU-4 seamlessly transitions between wired and wireless configurations. The ZMU supports all the new radio module options available for the Hi-5 hand unit.
The ARRI FF-4 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 1:2 knob-to-gear ratio for smooth, accurate focus pulls on a variety of lenses.
The ARRI FF-5 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 2:1 knob-to-gear ratio for smooth, accurate focus pulls on cine-style lenses.
The CINETAPE V2 continuously calculates the distance between the camera's film plane and the subject. It features a 2-way wireless radio and Bluetooth compatibility.
The ARRI LCUBE 1 is a miniature multi-purpose signal converter that converts LBUS protocols to serial protocols and vice versa.
The CINEPED 2.0 ROTATIONAL SLIDER [3.5’] is great for any fast-paced production as it can deliver the quality, speed, and efficiency.
The DJI FOCUS 1-CHANNEL WIRELESS FIZ uses brushless motors for unheard of levels of precision and accuracy. The brushless motor puts just ±0.02° of accuracy in your hands so that turning the remote is just like turning the lens itself. It also features high torque and a fast reaction speed so you can keep your subject in focus no matter how it moves.
The EASYRIG VARIO 5 is a body-worn support system that is adjustable to support camera rigs weighing 11 to 38 lb.
The EASYRIG VARIO 5 w/ "STABIL" ARM is an adjustable, body-worn support system for camera rigs weighing 11 to 38 lb.
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