The AJA KI PRO ULTA 12G DCI/UHD/HD RECORDER AND PLAYER is a multi-channel Apple ProRes® recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode, a 4K/UltraHD/2K/HD Apple ProRes or Avid DNxHR® recorder and player.
The ARRI AMC-1 allows control of focus, iris, and zoom through its LBUS interface. It supports up to three daisy-chained cforce motors and is compatible with WCU-4, SXU-1, Master Grips, and cmotion units.
The ARRI FF-4 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 1:2 knob-to-gear ratio for smooth, accurate focus pulls on a variety of lenses.
The ARRI FF-5 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 2:1 knob-to-gear ratio for smooth, accurate focus pulls on cine-style lenses.
The ARRI HI-5 FF // C-FORCE MINI MOTOR KIT offers advanced wireless multi-axis camera and lens control via a large knob, instant reconnection, a high-contrast touchscreen LCD, powerful signal, and a modular, highly customizable design.
The ARRI LCUBE 1 is a miniature multi-purpose signal converter that converts LBUS protocols to serial protocols and vice versa.
The ARRI Operator Control Unit OCU-1 enables camera operators to swiftly assume command of any lens function, even with lens motors engaged. Operators can instantly override and regain control of focus, zoom, and iris from the Hi-5 and WCU-4 with a simple button press.
The ARRI SXU-1 WIRELESS FOLLOW FOCUS SYSTEM is a simple, single-channel hand unit that can be set up to control focus, iris or zoom. It can be used alongside the Hi-5 and WCU-4 for seperate iris control.
The ARRI UMC-4 enables remote control of focus, iris, and zoom while recording lens metadata for post-production and VFX. It supports up to three lens motors and is compatible with WCU-4, SXU-1, Master Grips, and ARRI zoom controls.
The ARRI WCU-4 WIRELESS FOLLOW FOCUS SYSTEM is a lightweight and ergonomic hand unit that provides precise 3-axis lens control. It features a clear lens data display, lens mapping to pre-marked focus rings, and advanced focus tracking capabilities.
The ARRI ZOOM MAIN UNIT ZMU-4 seamlessly transitions between wired and wireless configurations. The ZMU supports all the new radio module options available for the Hi-5 hand unit.
The ATOMOS SHOGUN 7 Monitor offers up to DCI 4K raw recording and HDMI and 12/6/3G-SDI inputs/outputs.
The CINETAPE V2 continuously calculates the distance between the camera's film plane and the subject. It features a 2-way wireless radio and Bluetooth compatibility.
The DJI FOCUS 1-CHANNEL WIRELESS FIZ uses brushless motors for unheard of levels of precision and accuracy. The brushless motor puts just ±0.02° of accuracy in your hands so that turning the remote is just like turning the lens itself. It also features high torque and a fast reaction speed so you can keep your subject in focus no matter how it moves.
The DJI RONIN 2 GIMBAL w/ EXTENSIONS is a motorized stabilization system suitable for a range of camera and lens configurations, boasting a payload capacity of 30 lbs.
The DJI RONIN RS2 is a pro camera stabilizer for DSLR and compact cinema cameras with a 1.3kg gimbal and 4.5kg payload.
The E-IMAGE G15 HEAD 100mm BALL supports cameras and accessories weighing up to 39.6 lb and features a 100mm half ball for quick leveling adjustments. It includes 10 counterbalance steps, allowing for precise adjustment when using lighter cameras.
The E-IMAGE GH03 75mm HEAD 75mm BALL supports cameras and accessories weighing up to 11 pounds. It features an Easy Lock Baseplate system that combines the balance adjustment of a sliding baseplate with the ease of a quick release system.
The E-IMAGE GH25 HEAD 100mm BALL is a heavy duty fluid specially designed to support heavier ENG and EFP camcorders weighing up to 25kg (55lbs). It features 15 steps counterbalance system with a 2.8" (70mm) sliding plate for perfect balance, and 7 steps of drag plus zero in both pan and tilt.
The E-IMAGE GH40 PLUS 150mm BALL is a heavy duty Fluid Action Head specifically designed to support Film and Studio cameras weighing up to 40kg (88lbs). Counterbalance mechanism is activated by a 9-position easy grip selector; while the fluid control system allows the damping levels to range from "0" for freewheeling to 9 for maximum drag on both pan and tilt modes.
The EASYRIG VARIO 5 is a body-worn support system that is adjustable to support camera rigs weighing 11 to 38 lb.
The EASYRIG VARIO 5 w/ "STABIL" ARM is an adjustable, body-worn support system for camera rigs weighing 11 to 38 lb.
The ELEMENT TECHNICA MANTIS HANDHELD RIG is a shoulder mounting solution for film and digital motion picture cameras. It includes a shoulder pad and dovetail, a crossbar, and a universal handle kit.
THE HD HOUSE FILTER COLLECTION INCLUDES:
- ND
- ND GRADUATED
- IRND
- POLA
- ROTA POLA
- GLIMMER GLASS
- BLACK GLIMMER GLASS
- BRONZE GLIMMER GLASS
- REGULAR PRO MIST
- BLACK PRO MIST
- HOLLYWOOD BLACK MAGIC
- BLACK SATIN
- PEARLESCENT
- CLASSIC SOFT
- RADIANT SOFT
- LOW CON
- REGULAR STREAK
- BLUE STREAK
- GOLD STREAK
- CORAL
- BLUE
- GOLD
- CORAL GRADS
- SUNSET GRADS
- ANTIQUE SUEDE GRADS
- STAR FILTERS
- DIOPTERS
- SPLIT DIOPTERS
- “STRIP” DIOPTERS
- ROTA SPLIT DIOPTERS
- CLEAR
IF YOU NEED SOMETHING THAT ISN’T ON THIS LIST, LET US KNOW!
The MANFROTTO 502 HEAD features variable fluid drag system for pan and tilt movements. It has a maximum capacity of 10kg and features a Ø75mm half ball connection to ensure compatibility with most equipment today.
The O'CONNOR 1040 FLUID HEAD w/ FLOWTECH CF LEGS combines lightweight design with exceptional stability. It features a stepless, ultra-smooth pan and tilt fluid drag system, custom-designed for precise control. The OConnor Sinusoidal Counterbalance system ensures true, accurate balance at any point within the tilt range.
The O'CONNOR 120EX FLUID HEAD is the only product on the market capable of balancing an impressive capacity range of 30 to 240 lbs. It achieves its maximum payload at a tilt range of ±60°.