The SOUND DEVICES 633 (6 ANA in, 10 TRACKS) is designed for production audio mixing and recording on set and in the field. The unit is housed in a compact lightweight molded metalized carbon-fiber chassis and features six analog inputs: three XLR microphone preamplifier inputs with selectable phantom power, high-pass filters, input limiters, faders and variable pans, as well as three line-level TA3 (mini-XLR) inputs.
The DJI RONIN RS2 is a pro camera stabilizer for DSLR and compact cinema cameras with a 1.3kg gimbal and 4.5kg payload.
The SONY FE 24-105mm F4 G OSS is a full-frame standard zoom lens with a constant F4 aperture, it delivers a consistent performance across the focal range.
The ARRI Operator Control Unit OCU-1 enables camera operators to swiftly assume command of any lens function, even with lens motors engaged. Operators can instantly override and regain control of focus, zoom, and iris from the Hi-5 and WCU-4 with a simple button press.
APUTURE AMARAN PT4C 4-FOOT RGB LED TUBE LIGHT KIT:
- 2x 4-Foot Battery-Powered RGBWW LED Pixel Tubes For Creators
- Additional Mini Tripod Floor Stands & USB-C to DMX Adapters to Expand Creativity & Enhance Functionality
- Design Unique & Dynamic Pixelated Effects with 16 Independently Controllable Pixels
- Produces Stunning Skin Tones with Full Color RGBWW Tunability
- Ready-Made Mounting Solutions: 5-Sided End Caps & 3/8-16in Screw Threads for Quick Positioning & Rigging
The TILTA NUCLEUS-M 2-MOTOR WIRELESS features a 1000' transmission range and comes with two lens drive motors. The lens drive motors each feature a cine standard 0.8 MOD drive gear and two 7-pin connectors, enabling you to freely swap or interchange each motor.
The SMALL HD 702 BRIGHT Monitor is not only very bright (at a 1000 cd/m² brightness) but also very sharp with a Full HD 1080p display and 1000:1 contrast ratio. It has a highly more accurate daylight visibility.
SMALL HD 702 OLED Monitor adds a wide-gamut display solution suitable for DSLRs, mirrorless cameras, ENG camcorders, and cinema cameras.
The SMALL HD CINE 7 Monitor is the ultimate 7" on-camera HD monitor for cinematographers, offering a color accurate wide-gamut display, cinema camera control, and 4K and HDR compatibility.
The O'CONNOR 1040 FLUID HEAD w/ FLOWTECH CF LEGS combines lightweight design with exceptional stability. It features a stepless, ultra-smooth pan and tilt fluid drag system, custom-designed for precise control. The OConnor Sinusoidal Counterbalance system ensures true, accurate balance at any point within the tilt range.
The LITEPANELS ASTRA 1'x 1' (BI-COLOR) LED PANEL Light is adjustable from 3200K to 5600K and adapts to fit your lighting needs, all in a lightweight and compact fixture.
APUTURE 300X LED LIGHT STORM (GOLD MOUNT):
- 300W Bi-Color Bowens Mount Point-Source LED
- Expanded Vari-White CCT Range: 2,700K-6,500K Tunable White Point
- Color-Blending Optical Design: Compatible with Optical & Soft Light Bowens Mount Modifiers
- Enhanced Output: Up to 56,000+ lux with Fresnel 2X
- Robust Design: Handbrake Locking Yoke with 360º Rotation, All-In-One Silent Control Box
APUTURE 600D LED LIGHT STORM (GOLD MOUNT):
- 600W Daylight-Balanced Bowens Mount Point-Source LED
- Comparable to 1,200W HMI: 8,500+ lux @ 3m with LS 600c Series Hyper Reflector
- Streamlined Control Box: Maintains Many LS 600d Pro's Controls at 50% Weight
- Controls: Sidus Link, 5-Pin DMX512 In & Out, 2.4GHz Remote
- Universal Bowens Mount: Compatible with Soft Light and Optical Bowens Mount Modifiers
APUTURE AMARAN 300C:
- 300W RGBWW Full-Color Bowens Mount Point Source LED
- Picture-Perfect Color Quality with Color Tunable RGBWW Chipset
- Color-Blending Optical Design: Compatible with Soft Light and Optical Bowens Mount Modifiers
- High-Quality Output: 26,580+ lux @ 1m with Hyper Reflector (5,600K)
The TOKINA CINEMA AT-X 100mm MACRO is a specialized cine lens ideal for close-up macro cinematography, delivering exceptional clarity and detail in close-range shots.
The ZEISS 50mm MACRO T2.1 lens is a top-quality macro lens that provides excellent image quality and precise focusing for capturing detailed close-up shots.
The SCHNEIDER XENON FF 75mm is an excellent portrait and interview lens with a narrow, isolated field of view.
Available Focal Lengths for ARRI ULTRA PRIME:
12mm (T2) 14mm (T1.9) 16mm (T1.9) 20mm (T1.9) 24mm (T1.9) 28mm (T1.9) 32mm (T1.9) 40mm (T1.9) 50mm (T1.9) 65mm (T1.9) 85mm (T1.9) 100mm (T1.9) 135mm (T1.9)
The RED ZOOM 18-85mm T2.9 lens has a focal length range of 18mm to 85mm, providing a wide variety of creative options for capturing different shots. From expansive landscapes to intimate close-ups, the lens allows filmmakers to adapt swiftly to changing shooting conditions without having to switch lenses. Its aperture ensures excellent low-light performance and the ability to achieve a shallow depth of field for artistic focus effects.
The RED 50-150mm T2.8 ZOOM is excellent for wide shots and capturing expansive landscapes. While the 150mm end is ideal for telephoto shots, such as portraits and action scenes, the T2.8 aperture allows for low-light performance and shallow depth of field, which is helpful for many shots, including portraits, landscapes, and action scenes.
The SIGMA 24-70mm has the performance and functionality that pros in all fields required.
SIGMA 50-100mm DC HSM Art F1.8 A mid-tele zoom lens that delivers prime lens-level image quality.
The CANON CN-E 18-80mm T4.4 Compact-Servo Lens combines the functionality of Canon's EF lenses with the features and performance of their CN-E lineup.
The ultra-wide 12mm angle of view available with this versatile SONY FE 12-24mm F2.8 GM lens makes it possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye.
The CINETAPE V2 continuously calculates the distance between the camera's film plane and the subject. It features a 2-way wireless radio and Bluetooth compatibility.
THE SMALL HD 703 ULTRA BRIGHT Monitor is built for every environment, featuring a daylight viewable screen, durable design, professional software toolset, and five user function buttons.
SMALL HD 1703L 17" Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
The ATOMOS SHOGUN 7 Monitor offers up to DCI 4K raw recording and HDMI and 12/6/3G-SDI inputs/outputs.
The SOUND DEVICES PIX 240 EXTERNAL RECORDER provides the ability of QuickTime recording for video cameras with HDMI and HD-SDI inputs. It employs Apple ProRes or Avid DNxHD formats to record videos which offer good picture quality and processing efficiency.
The BLACKMAGIC ATEM TELEVISION STUDIO HD SWITCHER // CHROMA KEY MIX features four 3G-SDI and four HDMI inputs so customers can connect a total of up to 8 different sources such as professional SDI broadcast cameras, consumer HDMI cameras, computers and even video game consoles.
The KESSLER 3-FOOT CINESLIDER (AVAILABLE w/ MOTOR) is an extremely heavy-duty and durable camera slider designed for the heaviest rigs while still remaining portable and lightweight.
The O'CONNOR 120EX FLUID HEAD is the only product on the market capable of balancing an impressive capacity range of 30 to 240 lbs. It achieves its maximum payload at a tilt range of ±60°.
The O'CONNOR 2575D FLUID HEAD has become the standard for film production. The head includes OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range.
The O'CONNOR 2560 FLUID HEAD is specifically designed for modern digital cameras. Weighing under 18 pounds, it can support camera payloads of up to 66 pounds with a 6" center of gravity above the platform.
The TANGO 2 SWING HEAD allows the camera operator to quickly level the horizon, regardless of the weight of the camera and lens selected. It has a convenient third axis: whatever fluid or geared head is chosen, the panoramic movement remains horizontal and the tilt stays vertical.
IKAN IFB576 PANEL 3- LIGHT KIT:
- Color Temperature of 3200K – 5600K
- (3) IFB576 Fixtures with Stands and Bags
- Ultra-Light, Compact, Dual-Color Light
- LCD Touch-Screen Controller with Dimmer Knobs
- Includes Pro Battery Plate for Anton Bauer & Sony V-Mount
- Includes Yoke Mount, Barn Doors with Intensifiers, and Diffuser
IKAN HELIA HF40 3-LIGHT KIT:
- Bi-Color Light adjustable from 2700K-5600K
- 4″ Fresnel with flood to spot
- High CRI and TLCI
- Can be powered by Pro V-Mount Battery
- Flicker feature allows slow to fast strobe
- Large digital readout for easy adjustment
- Long LED Lifespan
- Barn Doors Included
- Includes Hard Case with Wheels
The TOKINA DUCLOS 11-16mm PL MOUNT T2.8 is a cine zoom lens designed for wide-angle cinematography with a focus on optical quality and cine-friendly features. Its fast aperture and wide perspective makes it a valuable tool for various filmmaking scenarios.
The TOKINA 11-16mm PL MOUNT T3.0 is a professional cine ideal for wide-angle cinematograph. This includes landscape shots, architectural photography, and dynamic scenes, making it a versatile choice for filmmakers seeking high optical quality in a wide-angle zoom lens.
The ROKINON 24mm SHIFT & TILT F3.5 is designed for creative and technical photography applications, particularly architectural and perspective control photography. These lenses offer manual control over tilt and shift movements, allowing photographers to achieve specific visual results that may not be possible with standard lenses.
The SONY FE 70-200mm f/2.8 GM OSS II is a premium telephoto zoom lens designed for professional and advanced photographers. It excels in terms of optical quality, autofocus performance, and versatility, making it a top choice for a wide range of photography applications.
The SIGMA 18-35mm f/1.8 is a versatile, high-quality zoom lens with exceptional optical performance and fast aperture. It's a valuable tool for photographers looking for excellent image quality and creative control in a wide range of photographic scenarios.
