The GoPro HERO10 BLACK is one of the most versatile cameras in the game, delivering all-out speed and ultimate ease. Powered by the revolutionary GP2 processor, the GoPro HERO10 BLACK shoots 5.3K video with higher frame rates, 23MP photos, enhanced low-light performance and game-changing HyperSmooth 4.0 video stabilization in all modes.
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The ARRI AMC-1 allows control of focus, iris, and zoom through its LBUS interface. It supports up to three daisy-chained cforce motors and is compatible with WCU-4, SXU-1, Master Grips, and cmotion units.
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The TV LOGIC 7.4" LVW-074W is an ideal monitor for the latest compact cinema cameras. The LVM-074W offers a wide range of professional features including: Waveform/Vectorscope, built-in HDMI to HD-SDI conversion output, Horizontal and Vertical Image Flip, Focus Assist, Audio Level Meter and more.
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The DECIMATOR D-MON-6s // 6x1 MULTIVIEW can be used as either a one to six-channel Multiviewer or as a six-to-one input multiplexer. It supports six independent SDI inputs with active loop-through outputs, or you can view all six inputs on one optional monitor.
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The SACHTLER CINE 30 HEAD 150mm BALL has a sideload platform that allows for simple and secure mounting of heavily accessorised camera setups, ensuring safety without compromising efficiency. It has a payload range that spans from 3 kg to 32 kg (7 to 71 lbs).
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The SOUND DEVICES SCORPIO (32-CHANNEL/36-TRACK) features 16 mic/line preamplifiers, 32 channels of Dante input and output, AES input and output, 12 analog outputs, and multiple headphone outputs.
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The SOUND DEVICES 633 (6 ANA in, 10 TRACKS) is designed for production audio mixing and recording on set and in the field. The unit is housed in a compact lightweight molded metalized carbon-fiber chassis and features six analog inputs: three XLR microphone preamplifier inputs with selectable phantom power, high-pass filters, input limiters, faders and variable pans, as well as three line-level TA3 (mini-XLR) inputs.
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The DJI RONIN RS2 is a pro camera stabilizer for DSLR and compact cinema cameras with a 1.3kg gimbal and 4.5kg payload.
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The SONY FE 24-105mm F4 G OSS is a full-frame standard zoom lens with a constant F4 aperture, it delivers a consistent performance across the focal range.
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The ARRI Operator Control Unit OCU-1 enables camera operators to swiftly assume command of any lens function, even with lens motors engaged. Operators can instantly override and regain control of focus, zoom, and iris from the Hi-5 and WCU-4 with a simple button press.
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APUTURE AMARAN PT4C 4-FOOT RGB LED TUBE LIGHT KIT:
- 2x 4-Foot Battery-Powered RGBWW LED Pixel Tubes For Creators
- Additional Mini Tripod Floor Stands & USB-C to DMX Adapters to Expand Creativity & Enhance Functionality
- Design Unique & Dynamic Pixelated Effects with 16 Independently Controllable Pixels
- Produces Stunning Skin Tones with Full Color RGBWW Tunability
- Ready-Made Mounting Solutions: 5-Sided End Caps & 3/8-16in Screw Threads for Quick Positioning & Rigging
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The TILTA NUCLEUS-M 2-MOTOR WIRELESS features a 1000' transmission range and comes with two lens drive motors. The lens drive motors each feature a cine standard 0.8 MOD drive gear and two 7-pin connectors, enabling you to freely swap or interchange each motor.
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The SMALL HD 702 BRIGHT Monitor is not only very bright (at a 1000 cd/m² brightness) but also very sharp with a Full HD 1080p display and 1000:1 contrast ratio. It has a highly more accurate daylight visibility.
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SMALL HD 702 OLED Monitor adds a wide-gamut display solution suitable for DSLRs, mirrorless cameras, ENG camcorders, and cinema cameras.
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The SMALL HD CINE 7 Monitor is the ultimate 7" on-camera HD monitor for cinematographers, offering a color accurate wide-gamut display, cinema camera control, and 4K and HDR compatibility.
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The O'CONNOR 1040 FLUID HEAD w/ FLOWTECH CF LEGS combines lightweight design with exceptional stability. It features a stepless, ultra-smooth pan and tilt fluid drag system, custom-designed for precise control. The OConnor Sinusoidal Counterbalance system ensures true, accurate balance at any point within the tilt range.
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The LITEPANELS ASTRA 1'x 1' (BI-COLOR) LED PANEL Light is adjustable from 3200K to 5600K and adapts to fit your lighting needs, all in a lightweight and compact fixture.
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APUTURE 300X LED LIGHT STORM (GOLD MOUNT):
- 300W Bi-Color Bowens Mount Point-Source LED
- Expanded Vari-White CCT Range: 2,700K-6,500K Tunable White Point
- Color-Blending Optical Design: Compatible with Optical & Soft Light Bowens Mount Modifiers
- Enhanced Output: Up to 56,000+ lux with Fresnel 2X
- Robust Design: Handbrake Locking Yoke with 360º Rotation, All-In-One Silent Control Box
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APUTURE 600D LED LIGHT STORM (GOLD MOUNT):
- 600W Daylight-Balanced Bowens Mount Point-Source LED
- Comparable to 1,200W HMI: 8,500+ lux @ 3m with LS 600c Series Hyper Reflector
- Streamlined Control Box: Maintains Many LS 600d Pro's Controls at 50% Weight
- Controls: Sidus Link, 5-Pin DMX512 In & Out, 2.4GHz Remote
- Universal Bowens Mount: Compatible with Soft Light and Optical Bowens Mount Modifiers
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APUTURE AMARAN 300C:
- 300W RGBWW Full-Color Bowens Mount Point Source LED
- Picture-Perfect Color Quality with Color Tunable RGBWW Chipset
- Color-Blending Optical Design: Compatible with Soft Light and Optical Bowens Mount Modifiers
- High-Quality Output: 26,580+ lux @ 1m with Hyper Reflector (5,600K)
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The TOKINA CINEMA AT-X 100mm MACRO is a specialized cine lens ideal for close-up macro cinematography, delivering exceptional clarity and detail in close-range shots.
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The ZEISS 50mm MACRO T2.1 lens is a top-quality macro lens that provides excellent image quality and precise focusing for capturing detailed close-up shots.
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The SCHNEIDER XENON FF 75mm is an excellent portrait and interview lens with a narrow, isolated field of view.
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Available Focal Lengths for ARRI ULTRA PRIME:
12mm (T2) 14mm (T1.9) 16mm (T1.9) 20mm (T1.9) 24mm (T1.9) 28mm (T1.9) 32mm (T1.9) 40mm (T1.9) 50mm (T1.9) 65mm (T1.9) 85mm (T1.9) 100mm (T1.9) 135mm (T1.9)
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The RED ZOOM 18-85mm T2.9 lens has a focal length range of 18mm to 85mm, providing a wide variety of creative options for capturing different shots. From expansive landscapes to intimate close-ups, the lens allows filmmakers to adapt swiftly to changing shooting conditions without having to switch lenses. Its aperture ensures excellent low-light performance and the ability to achieve a shallow depth of field for artistic focus effects.
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The RED 50-150mm T2.8 ZOOM is excellent for wide shots and capturing expansive landscapes. While the 150mm end is ideal for telephoto shots, such as portraits and action scenes, the T2.8 aperture allows for low-light performance and shallow depth of field, which is helpful for many shots, including portraits, landscapes, and action scenes.
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The SIGMA 24-70mm has the performance and functionality that pros in all fields required.
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SIGMA 50-100mm DC HSM Art F1.8 A mid-tele zoom lens that delivers prime lens-level image quality.
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The CANON CN-E 18-80mm T4.4 Compact-Servo Lens combines the functionality of Canon's EF lenses with the features and performance of their CN-E lineup.
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The ultra-wide 12mm angle of view available with this versatile SONY FE 12-24mm F2.8 GM lens makes it possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye.
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The CINETAPE V2 continuously calculates the distance between the camera's film plane and the subject. It features a 2-way wireless radio and Bluetooth compatibility.
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THE SMALL HD 703 ULTRA BRIGHT Monitor is built for every environment, featuring a daylight viewable screen, durable design, professional software toolset, and five user function buttons.
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SMALL HD 1703L 17" Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
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The ATOMOS SHOGUN 7 Monitor offers up to DCI 4K raw recording and HDMI and 12/6/3G-SDI inputs/outputs.
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The SOUND DEVICES PIX 240 EXTERNAL RECORDER provides the ability of QuickTime recording for video cameras with HDMI and HD-SDI inputs. It employs Apple ProRes or Avid DNxHD formats to record videos which offer good picture quality and processing efficiency.
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The BLACKMAGIC ATEM TELEVISION STUDIO HD SWITCHER // CHROMA KEY MIX features four 3G-SDI and four HDMI inputs so customers can connect a total of up to 8 different sources such as professional SDI broadcast cameras, consumer HDMI cameras, computers and even video game consoles.
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The KESSLER 3-FOOT CINESLIDER (AVAILABLE w/ MOTOR) is an extremely heavy-duty and durable camera slider designed for the heaviest rigs while still remaining portable and lightweight.
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The O'CONNOR 120EX FLUID HEAD is the only product on the market capable of balancing an impressive capacity range of 30 to 240 lbs. It achieves its maximum payload at a tilt range of ±60°.
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The O'CONNOR 2575D FLUID HEAD has become the standard for film production. The head includes OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range.
