Available Focal Lengths for ROKINON CINE DS:
8mm (T3.8) 10mm (T3.1) 12mm (T3.1) 14mm (T3.1) 16mm (T2.2) 20mm (T1.9) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 100mm Macro (T3.1) 135mm (T2.2)
The ROKINON 24mm SHIFT & TILT F3.5 is designed for creative and technical photography applications, particularly architectural and perspective control photography. These lenses offer manual control over tilt and shift movements, allowing photographers to achieve specific visual results that may not be possible with standard lenses.
The BLACKMAGIC ATEM TELEVISION STUDIO HD SWITCHER // CHROMA KEY MIX features four 3G-SDI and four HDMI inputs so customers can connect a total of up to 8 different sources such as professional SDI broadcast cameras, consumer HDMI cameras, computers and even video game consoles.
The SONY FX9 6K revolutionizes full-frame cinematography by using advanced technology to improve on-the-go shooting. The full-frame electronic variable ND filter transforms possibilities for shooting in variable lightning conditions. The back-illuminated full-frame 6k sensor ensures that subtle details and textures are captured beyond those by conventional 4k sensors.
The CANON 10-18mm F/4.5-5.6 EF-S wide-angle zoom is designed for APS-C-format Canon EF-S-mount DSLRs and provides a 16-28.8mm equivalent focal length range.
With a compact design for solo shooters, travel applications, and ideal B cam footage, the SONY FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a "cage-free" design offering the ability to secure various accessories directly to the camera body.
The CANON 10-22mm F3.5 wide-angle zoom is designed for APS-C-format EF-S-mount DSLRs and provides a 16-35.2mm equivalent focal length range.
The RED V-RAPTOR XL is an 8K digital cinema camera with high frame rates, fast sensor scan, RAW recording, and cloud integration.
The RED MONSTRO 8K 40.96 x 21.6mm sensor takes advantage of full-frame 35mm lenses, recording at rates up to 60 fps at full resolution. Higher frame rates, up to 300 fps, can be made available by windowing the sensor to lower resolutions.
The CANON 16-35mm F2.8 lens is an ultrawide lens for professional news, sports, and action shooting.
RED DSMC2 HELIUM 8K has a 35.4MP S35 CMOS sensor which allows for up to 8K-resolution black-and-white (monochrome) images. It has multiple capture rates including up to 60 fps 8K, 120 fps in 4K, and 240 fps. It provides versatile workflow options with REDCODE RAW, ProRes, and DNx recording.
CANON 24-70mm F2.8 with a standard focal length zoom range is a versatile, all-purpose lens for all types of photography ventures. From portraits and landscapes to travel and everyday photography.
The RED DSMC2 GEMINI 5K is a powerful, dual sensitivity camera that offers the ability to shoot in either low light or standard modes. THE DSMC2 GEMINI offers cleaner, less-noisy images in low-light conditions as well as improved performance in shadows.
The PANASONIC VARICAM 35 features a new sensor that captures over 14 stops of dynamic range, allowing it to handle high-contrast scenes with exceptional detail. The camera supports a wide range of codecs and formats, including Panasonic's AVC-ULTRA family of advanced codecs, Apple ProRes, and 3.5 Mbps proxy recordings.
The PANASONIC AG-HPX610 features a 2/3 type lens mount, enabling the use of industry standard lenses ensuring total flexibility. The AG-HPX610 features a MOS sensor that provides excellent image quality with high sensitivity and low noise.
The GoPro HERO10 BLACK is one of the most versatile cameras in the game, delivering all-out speed and ultimate ease. Powered by the revolutionary GP2 processor, the GoPro HERO10 BLACK shoots 5.3K video with higher frame rates, 23MP photos, enhanced low-light performance and game-changing HyperSmooth 4.0 video stabilization in all modes.
Bring your subjects closer while shooting sports or wildlife with the EF CANON 300mm F4 telephoto lens.
CANON 50mm STM F1.8 is a perfect lens portraits, action, and even night time photography.
This CANON 60mm MACRO F2.8 lens is an excellent multi-purpose lens that's equally at home shooting macro shots, portraits, or available-light photos.
CANON 70-200mm EF MOUNT L IS II USM F2.8 is a great lens for portrait and sport photography.
The CANON CN-E 18-80mm T4.4 Compact-Servo Lens combines the functionality of Canon's EF lenses with the features and performance of their CN-E lineup.
The CINEPED 2.0 ROTATIONAL SLIDER [3.5’] is great for any fast-paced production as it can deliver the quality, speed, and efficiency.
The FUJINON CABRIO 20-120mm is a well-performing cinema lens that functions well as an all-around documentary zoom. The lens is solidly built, with well-designed lens rings that operate smoothly.
The DECIMATOR D-MON-6s // 6x1 MULTIVIEW can be used as either a one to six-channel Multiviewer or as a six-to-one input multiplexer. It supports six independent SDI inputs with active loop-through outputs, or you can view all six inputs on one optional monitor.
The DECIMATOR MD-CROSS V2 features both HDMI and 3G-SDI inputs, capable of cross-converting either signal to the other. It includes a built-in scaler and frame rate converter, allowing seamless conversion of the input signal to your desired output standard.
The DJI FOCUS 1-CHANNEL WIRELESS FIZ uses brushless motors for unheard of levels of precision and accuracy. The brushless motor puts just ±0.02° of accuracy in your hands so that turning the remote is just like turning the lens itself. It also features high torque and a fast reaction speed so you can keep your subject in focus no matter how it moves.
The EASYRIG VARIO 5 is a body-worn support system that is adjustable to support camera rigs weighing 11 to 38 lb.
The EASYRIG MINIMAX is designed for productions requiring extensive handheld camerawork with cameras weighing 4.4 to 15.4 lb.
The EASYRIG VARIO 5 w/ "STABIL" ARM is an adjustable, body-worn support system for camera rigs weighing 11 to 38 lb.
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