The TV LOGIC 5.6" VFM-056W is available in two configurations and is ideal for HD-SLR production.
The SHURE PSM 300 delivers reliable wireless freedom across every corner of the stage. Its patented Audio Reference Companding technology ensures crystal-clear sound with ultra-low noise and no artifacts.
The ZOOM H6 HANDY RECORDER (4 INPUTS) features advanced preamps and interchangeable capsules, offering unmatched versatility and award-winning audio quality.
The ELEMENT TECHNICA MANTIS HANDHELD RIG is a shoulder mounting solution for film and digital motion picture cameras. It includes a shoulder pad and dovetail, a crossbar, and a universal handle kit.
The APUTURE AMARAN PT2C 2-FOOT RGB LED TUBE LIGHT KIT Includes:
- 2 PT2c lights
- Additional mini tripod floor stands
- USB-C to DMX adapters for expanded wireless control
The ARRI FF-4 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 1:2 knob-to-gear ratio for smooth, accurate focus pulls on a variety of lenses.
The ARRI FF-5 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 2:1 knob-to-gear ratio for smooth, accurate focus pulls on cine-style lenses.
The E-IMAGE G15 HEAD 100mm BALL supports cameras and accessories weighing up to 39.6 lb and features a 100mm half ball for quick leveling adjustments. It includes 10 counterbalance steps, allowing for precise adjustment when using lighter cameras.
The E-IMAGE GH25 HEAD 100mm BALL is a heavy duty fluid specially designed to support heavier ENG and EFP camcorders weighing up to 25kg (55lbs). It features 15 steps counterbalance system with a 2.8" (70mm) sliding plate for perfect balance, and 7 steps of drag plus zero in both pan and tilt.
Available Focal Lengths for ROKINON XEEN:
14mm (T3.1) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 135mm (T2.2)
GLOBAL DYNAMICS UNITED 24mm F2.8 is perfect for RED cameras with Canon Mount, Canon 7D and other Canon APS-C cameras, Sony Nex / A7 with AF Canon adapter.
The GLOBAL DYNAMICS UNITED 40mm F2.8 lens is a very artful and beautiful lens for close-up shots of small objects.
CANON 50mm STM F1.8 is a perfect lens portraits, action, and even night time photography.
This CANON 60mm MACRO F2.8 lens is an excellent multi-purpose lens that's equally at home shooting macro shots, portraits, or available-light photos.
The CANON 16-35mm F2.8 lens is an ultrawide lens for professional news, sports, and action shooting.
CANON 24-70mm F2.8 with a standard focal length zoom range is a versatile, all-purpose lens for all types of photography ventures. From portraits and landscapes to travel and everyday photography.
CANON 70-200mm EF MOUNT L IS II USM F2.8 is a great lens for portrait and sport photography.
Available Focal Lengths for SONY G MASTER (GM) FOCAL LENS FE SERIES:
14mm (F1.8) 20mm (F1.8) 24mm (F1.4) 35mm (F1.4) 50mm (F1.4) 85mm (F1.4) 90mm Macro (F2.8) 100mm (F2.8) 135mm (F1.8)
Designed to satisfy 4K production requirements, the SONY FE PZ 28-135mm G OSS F4 lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system.
The SACHTLER VIDEO 18 HEAD S2 100mm BALL has a sliding balance plate with a 4.72" sliding range, supporting cameras and rigs from 4 to 48.5 lbs. It features seven grades of pan and tilt drag, a zero setting for completely free movement, 16 steps of counterbalance, plus a Boost Button.
The SACHTLER VIDEO 25 PLUS HEAD 150mm BALL is a remarkably lightweight fluid head designed for studio and outside broadcast use. It comfortably supports payloads of up to 35 kg and features a seven-step drag system, ensuring smooth and precise shots at any drag level.
The E-IMAGE GH40 PLUS 150mm BALL is a heavy duty Fluid Action Head specifically designed to support Film and Studio cameras weighing up to 40kg (88lbs). Counterbalance mechanism is activated by a 9-position easy grip selector; while the fluid control system allows the damping levels to range from "0" for freewheeling to 9 for maximum drag on both pan and tilt modes.
The SOUND DEVICES 552 (5 ANA in, 3 SPLIT OUT, 2 TRACK) combines professional-quality analog and digital technologies in a robust metal housing to provide a compact and lightweight mixing and recording solution for a variety of applications. The unit features 5 transformer-balanced XLR mic inputs, each with its own limiter and sweepable high-pass filter.
The RED CLUTCH HANDHELD RIG is an assembly of support accessories that form a highly configurable and adjustable shoulder support shooting rig.
The SMALL HD 502 BRIGHT Monitor brings a bright 1000 cd/m² panel to the compact platform. While the 5" display is bright it doesn't sacrifice resolution, yet it won't overwhelm a DSLR or mirrorless camera if secured to the accessory shoe.
APUTURE LS 60X BI-COLOR LED FOCUSING FLOOD LIGHT :
- 60W Expanded Bi-Color Adjustable Focusing LED
- Custom Aspherical Optics: Adjustable 15º-45º Spot-Flood Beam Angle
APUTURE AMARAN P60C 3-LIGHT RGBWW LED PANEL KIT:
- 60W Output RGBWW Lensed LED Panel & 78W Max Power Draw
- 5,900 lux @ 1 meter (5600K) & Tunable CCT from 2,500K to 7,500K
- Tunable Green-Magenta Adjustment (Full Plus/Minus Green
- CRI: 95+, TLCI: 96+, SSI (Tungsten): ≥83, SSI (D56): ≥74
- Built-in Lighting FX: Lightning, Paparazzi, Strobe, Cop Car, Fireworks , Pulsing, Faulty Bulb, Fire, TV, Party Lights
With a compact design for solo shooters, travel applications, and ideal B cam footage, the SONY FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a "cage-free" design offering the ability to secure various accessories directly to the camera body.
Available Focal Lengths for SIGMA CINE:
14mm (T2) 20mm (T1.5) 24mm (T1.5) 28mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 105mm (T1.5) 135mm (T2)
Bring your subjects closer while shooting sports or wildlife with the EF CANON 300mm F4 telephoto lens.
A fast, standard zoom favored for its versatility, the SONY FE 24-70mm f/2.8 GM has a wide-angle to a short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f/2.8 constant maximum aperture.
The GoPro HERO10 BLACK is one of the most versatile cameras in the game, delivering all-out speed and ultimate ease. Powered by the revolutionary GP2 processor, the GoPro HERO10 BLACK shoots 5.3K video with higher frame rates, 23MP photos, enhanced low-light performance and game-changing HyperSmooth 4.0 video stabilization in all modes.
The ARRI AMC-1 allows control of focus, iris, and zoom through its LBUS interface. It supports up to three daisy-chained cforce motors and is compatible with WCU-4, SXU-1, Master Grips, and cmotion units.
The TV LOGIC 7.4" LVW-074W is an ideal monitor for the latest compact cinema cameras. The LVM-074W offers a wide range of professional features including: Waveform/Vectorscope, built-in HDMI to HD-SDI conversion output, Horizontal and Vertical Image Flip, Focus Assist, Audio Level Meter and more.
The DECIMATOR D-MON-6s // 6x1 MULTIVIEW can be used as either a one to six-channel Multiviewer or as a six-to-one input multiplexer. It supports six independent SDI inputs with active loop-through outputs, or you can view all six inputs on one optional monitor.
The SACHTLER CINE 30 HEAD 150mm BALL has a sideload platform that allows for simple and secure mounting of heavily accessorised camera setups, ensuring safety without compromising efficiency. It has a payload range that spans from 3 kg to 32 kg (7 to 71 lbs).
The SOUND DEVICES SCORPIO (32-CHANNEL/36-TRACK) features 16 mic/line preamplifiers, 32 channels of Dante input and output, AES input and output, 12 analog outputs, and multiple headphone outputs.
