The SONY 24" PVM-X2400 4K HDR TRIMASTER Monitor features a UHD 4K display resolution and supports 4K and HD signals via four SDI inputs and an HDMI input. It also allows you to create a quad-view of four HD signals for comparison and other purposes. Each signal can have a different EOTF and different LUT applied.
The SONY 25" BVM-F250 OLED Monitor delivers outstanding black performance, a quick response with virtually no motion blur, and a wide color gamut ensuring outstanding performance for reference monitoring applications in the broadcast industry.
The SONY 30" PVM-X300 4K TRIMASTER LCD Monitor incorporates Sony's exclusive TRIMASTER™ technology architecture, achieving excellent color and picture quality reproduction. The SONY PVM-X300 is ideal for 4K cinema production (onset monitoring, dailiesand editing) and 4K live production (camera control, program preview).
The SMALL HD DP 4 Monitor features HDMI, component, and composite video inputs supporting video signals up to 1920 x 1080.
The SMALL HD 502 BRIGHT Monitor brings a bright 1000 cd/m² panel to the compact platform. While the 5" display is bright it doesn't sacrifice resolution, yet it won't overwhelm a DSLR or mirrorless camera if secured to the accessory shoe.
SMALL HD 702 OLED Monitor adds a wide-gamut display solution suitable for DSLRs, mirrorless cameras, ENG camcorders, and cinema cameras.
The SMALL HD 702 BRIGHT Monitor is not only very bright (at a 1000 cd/m² brightness) but also very sharp with a Full HD 1080p display and 1000:1 contrast ratio. It has a highly more accurate daylight visibility.
THE SMALL HD 703 ULTRA BRIGHT Monitor is built for every environment, featuring a daylight viewable screen, durable design, professional software toolset, and five user function buttons.
The SMALL HD 703 Bolt Monitor is an all-in-one director's monitor solution. Borrowing the wireless technology from Teradek, the 703 Bolt can receive uncompressed HD wireless signals from Bolt 500, 1000, or 3000 transmitters up to 300' away with no perceptible latency.
The SMALL HD CINE 7 Monitor is the ultimate 7" on-camera HD monitor for cinematographers, offering a color accurate wide-gamut display, cinema camera control, and 4K and HDR compatibility.
SMALL HD 1303 13" HDR Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
SMALL HD 1703L 17" Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
SMALL HD 2403L 24" Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
SMALL HD CINE 24" 4K HIGH BRIGHT Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
FLANDERS-SCIENTIFIC 16'' DM160 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
FLANDERS-SCIENTIFIC 21.5" DM211 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
FLANDERS-SCIENTIFIC 24" DM241 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
The SONY FE 24-105mm F4 G OSS is a full-frame standard zoom lens with a constant F4 aperture, it delivers a consistent performance across the focal range.
A fast, standard zoom favored for its versatility, the SONY FE 24-70mm f/2.8 GM has a wide-angle to a short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f/2.8 constant maximum aperture.
The SONY E 16-35mm GM F2.8 lens is a top-tier wide-angle zoom lens designed for Sony E-mount mirrorless cameras. It excels in landscape, architectural, and low-light photography. With advanced optics, weather-sealing, and exceptional image quality, it's a top choice for professional photographers and enthusiasts.
The ultra-wide 12mm angle of view available with this versatile SONY FE 12-24mm F2.8 GM lens makes it possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye.
Available Focal Lengths for TRIBE BLACKWING7 T-TUNED:
17mm (T1.9) 20.7mm (T1.9) 23.7mm (T1.9) 27mm (T1.9) 37mm (T1.9) 47mm (T1.9) 57mm (T1.9) 77mm (T1.8) 107mm (T1.8) 137mm (T2.0)
[ALSO AVAILABLE "SKINNED"]The TOKINA CINEMA AT-X 100mm MACRO is a specialized cine lens ideal for close-up macro cinematography, delivering exceptional clarity and detail in close-range shots.
Available Focal Lengths for SOVIET MKII (IRONGLASS REHOUSED) :
20mm (T3.6)
28mm (T3.6)
37mm (T2.9)
50mm (T2.1)
58mm (T2.1)
85mm (T2.1)
135mm (T2.9)
The FREELENSING CINE UNIVERSAL TILT & SHIFT & SWING SYSTEM is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement.
APUTURE AMARAN PT4C 4-FOOT RGB LED TUBE LIGHT KIT:
- 2x 4-Foot Battery-Powered RGBWW LED Pixel Tubes For Creators
- Additional Mini Tripod Floor Stands & USB-C to DMX Adapters to Expand Creativity & Enhance Functionality
- Design Unique & Dynamic Pixelated Effects with 16 Independently Controllable Pixels
- Produces Stunning Skin Tones with Full Color RGBWW Tunability
- Ready-Made Mounting Solutions: 5-Sided End Caps & 3/8-16in Screw Threads for Quick Positioning & Rigging
The APUTURE AMARAN PT2C 2-FOOT RGB LED TUBE LIGHT KIT Includes:
- 2 PT2c lights
- Additional mini tripod floor stands
- USB-C to DMX adapters for expanded wireless control
APUTURE AMARAN P60C 3-LIGHT RGBWW LED PANEL KIT:
- 60W Output RGBWW Lensed LED Panel & 78W Max Power Draw
- 5,900 lux @ 1 meter (5600K) & Tunable CCT from 2,500K to 7,500K
- Tunable Green-Magenta Adjustment (Full Plus/Minus Green
- CRI: 95+, TLCI: 96+, SSI (Tungsten): ≥83, SSI (D56): ≥74
- Built-in Lighting FX: Lightning, Paparazzi, Strobe, Cop Car, Fireworks , Pulsing, Faulty Bulb, Fire, TV, Party Lights
APUTURE LS 60X BI-COLOR LED FOCUSING FLOOD LIGHT :
- 60W Expanded Bi-Color Adjustable Focusing LED
- Custom Aspherical Optics: Adjustable 15º-45º Spot-Flood Beam Angle
APUTURE AMARAN 300C:
- 300W RGBWW Full-Color Bowens Mount Point Source LED
- Picture-Perfect Color Quality with Color Tunable RGBWW Chipset
- Color-Blending Optical Design: Compatible with Soft Light and Optical Bowens Mount Modifiers
- High-Quality Output: 26,580+ lux @ 1m with Hyper Reflector (5,600K)
Available Focal Lengths for SIGMA CINE:
14mm (T2) 20mm (T1.5) 24mm (T1.5) 28mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 105mm (T1.5) 135mm (T2)
APUTURE 300X LED LIGHT STORM (GOLD MOUNT):
- 300W Bi-Color Bowens Mount Point-Source LED
- Expanded Vari-White CCT Range: 2,700K-6,500K Tunable White Point
- Color-Blending Optical Design: Compatible with Optical & Soft Light Bowens Mount Modifiers
- Enhanced Output: Up to 56,000+ lux with Fresnel 2X
- Robust Design: Handbrake Locking Yoke with 360º Rotation, All-In-One Silent Control Box
Available Focal Lengths for SECOND REEF CORAL ANAMORPHIC FF:
50mm (T2.6)
75mm (T2.8)
90mm (T2.8)
The SCHNEIDER XENON FF 75mm is an excellent portrait and interview lens with a narrow, isolated field of view.
APUTURE 600D LED LIGHT STORM (GOLD MOUNT):
- 600W Daylight-Balanced Bowens Mount Point-Source LED
- Comparable to 1,200W HMI: 8,500+ lux @ 3m with LS 600c Series Hyper Reflector
- Streamlined Control Box: Maintains Many LS 600d Pro's Controls at 50% Weight
- Controls: Sidus Link, 5-Pin DMX512 In & Out, 2.4GHz Remote
- Universal Bowens Mount: Compatible with Soft Light and Optical Bowens Mount Modifiers
Available Focal Lengths for SCHNEIDER ISCO4ALL SET:
43mm (T2.4) 58mm (T2.4) 85mm (T2.4)
+ ISCORAMA 54 CU - 1.5X
Available Focal Lengths for ROKINON XEEN:
14mm (T3.1) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 135mm (T2.2)
Available Focal Lengths for NIKON-NIKKOR AIS:
14mm (T2.9) 18mm (T2.9) 24mm (T2.1) 28mm (T2.1) 35mm (T1.5) 50mm (T1.3) 58mm (T1.3) 85mm (T1.5) 105mm (T1.9) 135mm (T2.1)
Available Focal Lengths for MINOLTA ROKKOR:
21mm (T2.9) 24mm (T2.9) 28mm (T2.1) 35mm (T1.9) 45mm (T2.1) 50mm (T1.3) 58mm (T1.3) 85mm (T1.8) 100mm (T2.1) 135mm (T2.9) 200mm (T2.9)
APUTURE 600X PRO LED LIGHT STORM (GOLD MOUNT):
- 600W Bi-Color Bowens Mount Point-Source LED with Precision Color-Blending Optical Design
- Impressive Output: 5,610+ lux @ 3m with LS 600 Series Hyper Reflector (5,600K)
- Expanded Bi-Color CCT Range: 2,700K 6,500K
MASTERBUILT 160mm T1.8 ANASTIGMAT is a single 160mm focal length prime that provides a sharp, even image with attractive focus roll-off and a warm aesthetic flare with minimal chromatic aberration. The lens renders a painterly background and a sharp foreground. Available in LPL mount only.
The MASTERBUILT SUPERSCOPE 13mm X FLARE lens delivers stunning super flares, soft contrast, edge fall-off, and beautiful background separation.
FUJINON DUVO 37.5mm-1500mm F4.2-7.5 PL MOUNT BOX lens is the Fujinon HZK25-1000mm with integrated 1.5X extender engaged.
FUJINON PREMISTA 80-250mm T2.9-3.5 is well-suited for a wide range of shooting scenarios, from documentary and event videography to high-end commercial and feature film productions.
The FUJINON DUVO HZK14-100mm T2.9 lens is a lightweight, user-friendly option weighing just 2.54kg (5.6lb). It offers an exceptionally wide field of view, extending to telephoto with a 7.1x zoom range, allowing for virtually limitless camera positioning on any production
The COOKE VAROTAL/i 85-215mm T2.9 is a full-frame zoom lens for digital cinema and film cameras. It has a wide to telephoto focal length range of 85 to 215mm and a T2.9 to T22 aperture. It is ideal for shooting scenarios that require a wide range of focal lengths.
The COOKE VAROTAL/i 30-95mm T2.9 is a full-frame zoom lens for digital cinema and film cameras. It has a wide to telephoto focal length range of 30 to 95mm and a T2.9 to T22 aperture. The lens is ideal for shooting scenarios that require a wide range of focal lengths.
The CANON FD 50-300mm T4.9 lens is a versatile zoom lens with full-frame sensor coverage, a 6 ft. close focus, and a 15-blade iris for smooth bokeh. Its compact design and extensive zoom range make it ideal for various shooting situations, from documentaries to wildlife photography.
CANON CN-E 20-50mm T2.4 is a versatile cinema zoom lens with a constant T2.4 aperture, providing excellent low-light performance and cinematic depth of field.
The CANON CINE-SERVO 37.5-375mm T4.4-5.9 (25-250mm with integrated 1.5X extender engaged) is suitable for various shooting scenarios, including ENG/EFP and documentary-style shoots.
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