The ARRI WCU-4 WIRELESS FOLLOW FOCUS SYSTEM is a lightweight and ergonomic hand unit that provides precise 3-axis lens control. It features a clear lens data display, lens mapping to pre-marked focus rings, and advanced focus tracking capabilities.
The ARRI SXU-1 WIRELESS FOLLOW FOCUS SYSTEM is a simple, single-channel hand unit that can be set up to control focus, iris or zoom. It can be used alongside the Hi-5 and WCU-4 for seperate iris control.
The ARRI AMC-1 allows control of focus, iris, and zoom through its LBUS interface. It supports up to three daisy-chained cforce motors and is compatible with WCU-4, SXU-1, Master Grips, and cmotion units.
The ARRI UMC-4 enables remote control of focus, iris, and zoom while recording lens metadata for post-production and VFX. It supports up to three lens motors and is compatible with WCU-4, SXU-1, Master Grips, and ARRI zoom controls.
The ARRI LCUBE 1 is a miniature multi-purpose signal converter that converts LBUS protocols to serial protocols and vice versa.
The TILTA NUCLEUS-M 2-MOTOR WIRELESS features a 1000' transmission range and comes with two lens drive motors. The lens drive motors each feature a cine standard 0.8 MOD drive gear and two 7-pin connectors, enabling you to freely swap or interchange each motor.
The TILTA NUCLEUS-NANO 1- CHANNEL can be used to wirelessly control the focus of most DSLR, mirrorless, or cine-style lenses. The core of the system is the pairing of the focus control motor and the focus handwheel. The units can connect to each other from 300' away, and can be mounted in a variety of ways.
The DJI FOCUS 1-CHANNEL WIRELESS FIZ uses brushless motors for unheard of levels of precision and accuracy. The brushless motor puts just ±0.02° of accuracy in your hands so that turning the remote is just like turning the lens itself. It also features high torque and a fast reaction speed so you can keep your subject in focus no matter how it moves.
The GoPro HERO10 BLACK is one of the most versatile cameras in the game, delivering all-out speed and ultimate ease. Powered by the revolutionary GP2 processor, the GoPro HERO10 BLACK shoots 5.3K video with higher frame rates, 23MP photos, enhanced low-light performance and game-changing HyperSmooth 4.0 video stabilization in all modes.
The ARRI FF-4 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 1:2 knob-to-gear ratio for smooth, accurate focus pulls on a variety of lenses.
The ARRI FF-5 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 2:1 knob-to-gear ratio for smooth, accurate focus pulls on cine-style lenses.
Available Focal Lengths for COOKE PANCHRO/i CLASSIC FF:
18mm (T2.2) 25mm (T2.2) 32mm (T2.2) 50mm(T2.2) 65mm Macro (T2.4) 75mm (T2.2) 100mm (T2.6) 135mm (T2.8) 152mm (T3)Available Focal Lengths for COOKE ANAMORPHIC/i SPECIAL FLAIR 1.8X FF:
32mm (T2.3) 40mm (T2.3) 50mm (T2.3) 75mm (T2.3) 85mm Macro (T2.8) 100mm (T2.3) 135mm (T2.3) 180mm (T2.9)
Available Focal Lengths for MASTERBUILT SOFT FLARE:
14.5mm (T1.4) 18mm (T1.4) 25mm (T1.4) 35mm (T1.4) 50mm (T1.4) 85mm (T1.4) 105mm (T 1.4) 135mm (T1.4)
The ARRI ALEXA 35 raises the bar with a new Super 35 Format 4.6K sensor and REVEAL color science.
The FUJINON DUVO HZK25-1000mm box lens is primarily designed for professional broadcast and cinematography applications. However, it can be used to shoot a wide range of content, including sports events, wildlife documentaries, news broadcasts, concerts, and feature films.
CANON 70-200mm EF MOUNT L IS II USM F2.8 is a great lens for portrait and sport photography.
The CANON 10-22mm F3.5 wide-angle zoom is designed for APS-C-format EF-S-mount DSLRs and provides a 16-35.2mm equivalent focal length range.
The CANON 10-18mm F/4.5-5.6 EF-S wide-angle zoom is designed for APS-C-format Canon EF-S-mount DSLRs and provides a 16-28.8mm equivalent focal length range.
The ultra-wide 12mm angle of view available with this versatile SONY FE 12-24mm F2.8 GM lens makes it possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye.
Available Focal Lengths for SONY G MASTER (GM) FOCAL LENS FE SERIES:
14mm (F1.8) 20mm (F1.8) 24mm (F1.4) 35mm (F1.4) 50mm (F1.4) 85mm (F1.4) 90mm Macro (F2.8) 100mm (F2.8) 135mm (F1.8)
A fast, standard zoom favored for its versatility, the SONY FE 24-70mm f/2.8 GM has a wide-angle to a short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f/2.8 constant maximum aperture.
Designed to satisfy 4K production requirements, the SONY FE PZ 28-135mm G OSS F4 lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system.
The SIGMA 24-70mm has the performance and functionality that pros in all fields required.
SIGMA 50-100mm DC HSM Art F1.8 A mid-tele zoom lens that delivers prime lens-level image quality.
The CANON CN-E 18-80mm T4.4 Compact-Servo Lens combines the functionality of Canon's EF lenses with the features and performance of their CN-E lineup.
The CANON 16-35mm F2.8 lens is an ultrawide lens for professional news, sports, and action shooting.
CANON 24-70mm F2.8 with a standard focal length zoom range is a versatile, all-purpose lens for all types of photography ventures. From portraits and landscapes to travel and everyday photography.
The GLOBAL DYNAMICS UNITED 40mm F2.8 lens is a very artful and beautiful lens for close-up shots of small objects.
Bring your subjects closer while shooting sports or wildlife with the EF CANON 300mm F4 telephoto lens.
CANON 50mm STM F1.8 is a perfect lens portraits, action, and even night time photography.
This CANON 60mm MACRO F2.8 lens is an excellent multi-purpose lens that's equally at home shooting macro shots, portraits, or available-light photos.
GLOBAL DYNAMICS UNITED 24mm F2.8 is perfect for RED cameras with Canon Mount, Canon 7D and other Canon APS-C cameras, Sony Nex / A7 with AF Canon adapter.
CANON 30-300mm T2.95-3.7 is ideal for filmmakers who need a versatile lens that can cover a wide range of focal lengths. Its fast aperture, smooth manual focus, and zoom control make it well-suited for capturing high-quality cinematic shots.
The FUJINON CABRIO 20-120mm is a well-performing cinema lens that functions well as an all-around documentary zoom. The lens is solidly built, with well-designed lens rings that operate smoothly.
The COOKE VAROTAL 18-100mm T3 lens is suitable for use in various applications, including documentary, narrative, and commercial production, where the ability to adjust the framing and focus of the shot quickly may be necessary.
SIGMA 18-35mm CINE covers everything from wide-angle to telephoto, enabling cinematographers to achieve a wide range of expressive goals.
The SIGMA 50-100mm CINE T2 is a good choice for various video production scenarios, such as interviews, medium to close-up shots, and even some wide-angle shots. Additionally, its Hyper Sonic Motor (HSM) for fast, quiet autofocus and full-time manual focus override makes it great for situations where noise needs to be minimized, like live events, conferences, stage performances, etc.
The RED ZOOM 18-85mm T2.9 lens has a focal length range of 18mm to 85mm, providing a wide variety of creative options for capturing different shots. From expansive landscapes to intimate close-ups, the lens allows filmmakers to adapt swiftly to changing shooting conditions without having to switch lenses. Its aperture ensures excellent low-light performance and the ability to achieve a shallow depth of field for artistic focus effects.
The RED 50-150mm T2.8 ZOOM is excellent for wide shots and capturing expansive landscapes. While the 150mm end is ideal for telephoto shots, such as portraits and action scenes, the T2.8 aperture allows for low-light performance and shallow depth of field, which is helpful for many shots, including portraits, landscapes, and action scenes.
Available Focal Lengths for ROKINON CINE DS:
8mm (T3.8) 10mm (T3.1) 12mm (T3.1) 14mm (T3.1) 16mm (T2.2) 20mm (T1.9) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 100mm Macro (T3.1) 135mm (T2.2)
Available Focal Lengths for SCHNEIDER ISCO4ALL SET:
43mm (T2.4) 58mm (T2.4) 85mm (T2.4)
+ ISCORAMA 54 CU - 1.5X
The ANGENIEUX EZ-1 FF/VV 45-135mm T3 provides versatility, high image quality, and a compact size making it a popular choice for many productions.
ANGENIEUX EZ-2 FF/VV 22-60mm T3 lens is designed for professional filmmakers, providing high image quality and versatility in a compact and lightweight package.
Available Focal Lengths for COOKE S8/i:
18mm (T1.4) 25mm (T1.4) 32mm (T1.4) 40mm (T1.4) 50mm (T1.4) 75mm (T1.4) 100mm (T1.4) 135mm (T1.4)
The ANGENIEUX OPTIMO 28-340mm T3.2 captures various shots, from wide landscape shots to close-ups, making it a versatile choice for feature film productions.
ANGENIEUX OPTIMO 19.5-94mm provides cinematographers and videographers with a flexible and reliable lens that can handle a wide range of shooting scenarios.
