The O'CONNOR 2560 FLUID HEAD is specifically designed for modern digital cameras. Weighing under 18 pounds, it can support camera payloads of up to 66 pounds with a 6" center of gravity above the platform.
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The TANGO 2 SWING HEAD allows the camera operator to quickly level the horizon, regardless of the weight of the camera and lens selected. It has a convenient third axis: whatever fluid or geared head is chosen, the panoramic movement remains horizontal and the tilt stays vertical.
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IKAN IFB576 PANEL 3- LIGHT KIT:
- Color Temperature of 3200K – 5600K
- (3) IFB576 Fixtures with Stands and Bags
- Ultra-Light, Compact, Dual-Color Light
- LCD Touch-Screen Controller with Dimmer Knobs
- Includes Pro Battery Plate for Anton Bauer & Sony V-Mount
- Includes Yoke Mount, Barn Doors with Intensifiers, and Diffuser
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IKAN HELIA HF40 3-LIGHT KIT:
- Bi-Color Light adjustable from 2700K-5600K
- 4″ Fresnel with flood to spot
- High CRI and TLCI
- Can be powered by Pro V-Mount Battery
- Flicker feature allows slow to fast strobe
- Large digital readout for easy adjustment
- Long LED Lifespan
- Barn Doors Included
- Includes Hard Case with Wheels
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The TOKINA DUCLOS 11-16mm PL MOUNT T2.8 is a cine zoom lens designed for wide-angle cinematography with a focus on optical quality and cine-friendly features. Its fast aperture and wide perspective makes it a valuable tool for various filmmaking scenarios.
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The TOKINA 11-16mm PL MOUNT T3.0 is a professional cine ideal for wide-angle cinematograph. This includes landscape shots, architectural photography, and dynamic scenes, making it a versatile choice for filmmakers seeking high optical quality in a wide-angle zoom lens.
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The ROKINON 24mm SHIFT & TILT F3.5 is designed for creative and technical photography applications, particularly architectural and perspective control photography. These lenses offer manual control over tilt and shift movements, allowing photographers to achieve specific visual results that may not be possible with standard lenses.
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The SONY FE 70-200mm f/2.8 GM OSS II is a premium telephoto zoom lens designed for professional and advanced photographers. It excels in terms of optical quality, autofocus performance, and versatility, making it a top choice for a wide range of photography applications.
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The SIGMA 18-35mm f/1.8 is a versatile, high-quality zoom lens with exceptional optical performance and fast aperture. It's a valuable tool for photographers looking for excellent image quality and creative control in a wide range of photographic scenarios.
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The SONY FE 200-600mm F/5.6-6.3 is a super-telephoto zoom lens with a variable aperture, ideal for capturing distant subjects with high clarity.
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APUTURE 600X PRO LED LIGHT STORM (GOLD MOUNT):
- 600W Bi-Color Bowens Mount Point-Source LED with Precision Color-Blending Optical Design
- Impressive Output: 5,610+ lux @ 3m with LS 600 Series Hyper Reflector (5,600K)
- Expanded Bi-Color CCT Range: 2,700K 6,500K
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The EARTECH WIRELESS COMMUNICATION HEADSETS w/ HUB provide professional full duplex wireless communication literally right “Out of The Box”.
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For those who want the ultimate in image quality for tabletop cinematography, product shots, close-up inserts on feature films, or any other applications that require a macro lens, the ARRI MACRO 100mm T3 delivers images of breathtaking beauty.
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The LAOWA 24mm T14 2X PERIPROBE captures sharp magnified shots with full frame camera sensors using their Leica L-mount and has a focal length of 24mm.
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The CENTURY/NIKKOR 8MM FISHEYE WIDE ANGLE T2.8 lens can be used creatively in other shooting scenarios. It's important to experiment and explore different compositions and subjects to make the most of this lens's unique perspective and distortion characteristics.
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SIGMA 18-35mm CINE covers everything from wide-angle to telephoto, enabling cinematographers to achieve a wide range of expressive goals.
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The SIGMA 50-100mm CINE T2 is a good choice for various video production scenarios, such as interviews, medium to close-up shots, and even some wide-angle shots. Additionally, its Hyper Sonic Motor (HSM) for fast, quiet autofocus and full-time manual focus override makes it great for situations where noise needs to be minimized, like live events, conferences, stage performances, etc.
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The ARRI UMC-4 enables remote control of focus, iris, and zoom while recording lens metadata for post-production and VFX. It supports up to three lens motors and is compatible with WCU-4, SXU-1, Master Grips, and ARRI zoom controls.
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The ODYSSEY 7Q+ EXTERNAL MONITOR/RECORDER (APOLO OPTION/ALL LICENSES) features a 7.7", 1280 x 800, OLED, touchscreen display with a 3400:1 contrast ratio, true blacks, and professional monitoring features such as waveform, histogram, vectorscope, anamorphic de-squeeze, and 3D LUT support.
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The LAOWA 24mm T8.0 FF PRO2BE MACRO 3-LENS SET contains:
- LAOWA 24mm T8.0 2X FF DIRECT VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF 35-DEGREE VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF PERISCOPE VIEW PRO2BE MACRO PL LENS
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Available Focal Lengths for NIKON-NIKKOR AIS:
14mm (T2.9) 18mm (T2.9) 24mm (T2.1) 28mm (T2.1) 35mm (T1.5) 50mm (T1.3) 58mm (T1.3) 85mm (T1.5) 105mm (T1.9) 135mm (T2.1)
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The ARRI ZOOM MAIN UNIT ZMU-4 seamlessly transitions between wired and wireless configurations. The ZMU supports all the new radio module options available for the Hi-5 hand unit.
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SMALL HD 2403L 24" Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
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SONY 17" PVM-A170 OLED Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
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The SMALL HD 703 Bolt Monitor is an all-in-one director's monitor solution. Borrowing the wireless technology from Teradek, the 703 Bolt can receive uncompressed HD wireless signals from Bolt 500, 1000, or 3000 transmitters up to 300' away with no perceptible latency.
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SMALL HD 1303 13" HDR Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
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The LITEPANELS GEMINI 2x1 BI-COLOR LED SOFT PANEL has more creative options than ever, from a beautiful soft white light to full RGBWW. Gemini delivers the instant flexibility you need for endless creative lighting options in one unique easy-to-handle fixture.
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The EASYRIG VARIO 5 is a body-worn support system that is adjustable to support camera rigs weighing 11 to 38 lb.
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The ARRI HI-5 FF // C-FORCE MINI MOTOR KIT offers advanced wireless multi-axis camera and lens control via a large knob, instant reconnection, a high-contrast touchscreen LCD, powerful signal, and a modular, highly customizable design.
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Available Focal Lengths for CANON FD:
14mm (T2.9) 20mm (T2.9) 24mm (T1.5) 28mm (T2.1) 35mm (T2.1) 55mm (T1.3) 85mm (T1.3) 135mm (T2.1) 300mm (f/2.8) 600mm (f/4.5)
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FLANDERS-SCIENTIFIC 16'' DM160 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
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Available Focal Lengths for TRIBE BLACKWING7 T-TUNED:
17mm (T1.9) 20.7mm (T1.9) 23.7mm (T1.9) 27mm (T1.9) 37mm (T1.9) 47mm (T1.9) 57mm (T1.9) 77mm (T1.8) 107mm (T1.8) 137mm (T2.0)
[ALSO AVAILABLE "SKINNED"] -
Available Focal Lengths for SCHNEIDER ISCO4ALL SET:
43mm (T2.4) 58mm (T2.4) 85mm (T2.4)
+ ISCORAMA 54 CU - 1.5X
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The FUJINON CABRIO 20-120mm is a well-performing cinema lens that functions well as an all-around documentary zoom. The lens is solidly built, with well-designed lens rings that operate smoothly.
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SONY 24" LMD- A240 LCD VIDEO Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
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Available Focal Lengths for MINOLTA ROKKOR:
21mm (T2.9) 24mm (T2.9) 28mm (T2.1) 35mm (T1.9) 45mm (T2.1) 50mm (T1.3) 58mm (T1.3) 85mm (T1.8) 100mm (T2.1) 135mm (T2.9) 200mm (T2.9)
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Available Focal Lengths for COOKE ANAMORPHIC/i 2x SPECIAL FLAIR:
25mm (T2.3) 32mm (T2.3) 40mm (T2.3) 50mm (T2.3) 65mm Macro (T2.6) 75mm (T2.3) 100mm (T2.3) 135mm (T2.3) 180mm (T2.8)
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Available Focal Lengths for ZEISS SUPREME:
18mm (T1.5) 21mm (T1.5) 25mm (T1.5) 29mm (T1.5) 35mm (T1.5) 50mm (T1.5) 65mm (T1.5) 85mm (T1.5) 100mm (T1.5) 135mm (T1.5) 150mm (T1.8)
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ANGENIEUX OPTIMO STYLE 16-40mm T2.8 is suitable for a wide range of film and video productions, including feature films, documentaries, commercials, music videos, and more.
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ANGENIEUX OPTIMO STYLE 30-76mm ZOOM T2.8 lens is commonly used in film and television production, offering high image quality, accurate color reproduction, smooth focus, and zoom control.
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Available Focal Lengths for MASTERBUILT SOFT FLARE:
14.5mm (T1.4) 18mm (T1.4) 25mm (T1.4) 35mm (T1.4) 50mm (T1.4) 85mm (T1.4) 105mm (T 1.4) 135mm (T1.4)
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Available Focal Lengths for COOKE PANCHRO/i CLASSIC FF:
18mm (T2.2) 25mm (T2.2) 32mm (T2.2) 50mm(T2.2) 65mm Macro (T2.4) 75mm (T2.2) 100mm (T2.6) 135mm (T2.8) 152mm (T3) -
FLANDERS-SCIENTIFIC 24" DM241 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
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The DJI RONIN 2 GIMBAL w/ EXTENSIONS is a motorized stabilization system suitable for a range of camera and lens configurations, boasting a payload capacity of 30 lbs.








































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