The SONY FE 200-600mm F/5.6-6.3 is a super-telephoto zoom lens with a variable aperture, ideal for capturing distant subjects with high clarity.
APUTURE 600X PRO LED LIGHT STORM (GOLD MOUNT):
- 600W Bi-Color Bowens Mount Point-Source LED with Precision Color-Blending Optical Design
- Impressive Output: 5,610+ lux @ 3m with LS 600 Series Hyper Reflector (5,600K)
- Expanded Bi-Color CCT Range: 2,700K 6,500K
The EARTECH WIRELESS COMMUNICATION HEADSETS w/ HUB provide professional full duplex wireless communication literally right “Out of The Box”.
For those who want the ultimate in image quality for tabletop cinematography, product shots, close-up inserts on feature films, or any other applications that require a macro lens, the ARRI MACRO 100mm T3 delivers images of breathtaking beauty.
The LAOWA 24mm T14 2X PERIPROBE captures sharp magnified shots with full frame camera sensors using their Leica L-mount and has a focal length of 24mm.
The CENTURY/NIKKOR 8MM FISHEYE WIDE ANGLE T2.8 lens can be used creatively in other shooting scenarios. It's important to experiment and explore different compositions and subjects to make the most of this lens's unique perspective and distortion characteristics.
SIGMA 18-35mm CINE covers everything from wide-angle to telephoto, enabling cinematographers to achieve a wide range of expressive goals.
The SIGMA 50-100mm CINE T2 is a good choice for various video production scenarios, such as interviews, medium to close-up shots, and even some wide-angle shots. Additionally, its Hyper Sonic Motor (HSM) for fast, quiet autofocus and full-time manual focus override makes it great for situations where noise needs to be minimized, like live events, conferences, stage performances, etc.
The ARRI UMC-4 enables remote control of focus, iris, and zoom while recording lens metadata for post-production and VFX. It supports up to three lens motors and is compatible with WCU-4, SXU-1, Master Grips, and ARRI zoom controls.
The ODYSSEY 7Q+ EXTERNAL MONITOR/RECORDER (APOLO OPTION/ALL LICENSES) features a 7.7", 1280 x 800, OLED, touchscreen display with a 3400:1 contrast ratio, true blacks, and professional monitoring features such as waveform, histogram, vectorscope, anamorphic de-squeeze, and 3D LUT support.
The LAOWA 24mm T8.0 FF PRO2BE MACRO 3-LENS SET contains:
- LAOWA 24mm T8.0 2X FF DIRECT VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF 35-DEGREE VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF PERISCOPE VIEW PRO2BE MACRO PL LENS
Available Focal Lengths for NIKON-NIKKOR AIS:
14mm (T2.9) 18mm (T2.9) 24mm (T2.1) 28mm (T2.1) 35mm (T1.5) 50mm (T1.3) 58mm (T1.3) 85mm (T1.5) 105mm (T1.9) 135mm (T2.1)
The ARRI ZOOM MAIN UNIT ZMU-4 seamlessly transitions between wired and wireless configurations. The ZMU supports all the new radio module options available for the Hi-5 hand unit.
SMALL HD 2403L 24" Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
SONY 17" PVM-A170 OLED Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
The SMALL HD 703 Bolt Monitor is an all-in-one director's monitor solution. Borrowing the wireless technology from Teradek, the 703 Bolt can receive uncompressed HD wireless signals from Bolt 500, 1000, or 3000 transmitters up to 300' away with no perceptible latency.
SMALL HD 1303 13" HDR Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
The LITEPANELS GEMINI 2x1 BI-COLOR LED SOFT PANEL has more creative options than ever, from a beautiful soft white light to full RGBWW. Gemini delivers the instant flexibility you need for endless creative lighting options in one unique easy-to-handle fixture.
The EASYRIG VARIO 5 is a body-worn support system that is adjustable to support camera rigs weighing 11 to 38 lb.
The ARRI HI-5 FF // C-FORCE MINI MOTOR KIT offers advanced wireless multi-axis camera and lens control via a large knob, instant reconnection, a high-contrast touchscreen LCD, powerful signal, and a modular, highly customizable design.
Available Focal Lengths for CANON FD:
14mm (T2.9) 20mm (T2.9) 24mm (T1.5) 28mm (T2.1) 35mm (T2.1) 55mm (T1.3) 85mm (T1.3) 135mm (T2.1) 300mm (f/2.8) 600mm (f/4.5)
FLANDERS-SCIENTIFIC 16'' DM160 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
Available Focal Lengths for TRIBE BLACKWING7 T-TUNED:
17mm (T1.9) 20.7mm (T1.9) 23.7mm (T1.9) 27mm (T1.9) 37mm (T1.9) 47mm (T1.9) 57mm (T1.9) 77mm (T1.8) 107mm (T1.8) 137mm (T2.0)
[ALSO AVAILABLE "SKINNED"]Available Focal Lengths for SCHNEIDER ISCO4ALL SET:
43mm (T2.4) 58mm (T2.4) 85mm (T2.4)
+ ISCORAMA 54 CU - 1.5X
The FUJINON CABRIO 20-120mm is a well-performing cinema lens that functions well as an all-around documentary zoom. The lens is solidly built, with well-designed lens rings that operate smoothly.
SONY 24" LMD- A240 LCD VIDEO Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
Available Focal Lengths for MINOLTA ROKKOR:
21mm (T2.9) 24mm (T2.9) 28mm (T2.1) 35mm (T1.9) 45mm (T2.1) 50mm (T1.3) 58mm (T1.3) 85mm (T1.8) 100mm (T2.1) 135mm (T2.9) 200mm (T2.9)
Available Focal Lengths for COOKE ANAMORPHIC/i 2x SPECIAL FLAIR:
25mm (T2.3) 32mm (T2.3) 40mm (T2.3) 50mm (T2.3) 65mm Macro (T2.6) 75mm (T2.3) 100mm (T2.3) 135mm (T2.3) 180mm (T2.8)
Available Focal Lengths for ZEISS SUPREME:
18mm (T1.5) 21mm (T1.5) 25mm (T1.5) 29mm (T1.5) 35mm (T1.5) 50mm (T1.5) 65mm (T1.5) 85mm (T1.5) 100mm (T1.5) 135mm (T1.5) 150mm (T1.8)
ANGENIEUX OPTIMO STYLE 16-40mm T2.8 is suitable for a wide range of film and video productions, including feature films, documentaries, commercials, music videos, and more.
ANGENIEUX OPTIMO STYLE 30-76mm ZOOM T2.8 lens is commonly used in film and television production, offering high image quality, accurate color reproduction, smooth focus, and zoom control.
Available Focal Lengths for MASTERBUILT SOFT FLARE:
14.5mm (T1.4) 18mm (T1.4) 25mm (T1.4) 35mm (T1.4) 50mm (T1.4) 85mm (T1.4) 105mm (T 1.4) 135mm (T1.4)
Available Focal Lengths for COOKE PANCHRO/i CLASSIC FF:
18mm (T2.2) 25mm (T2.2) 32mm (T2.2) 50mm(T2.2) 65mm Macro (T2.4) 75mm (T2.2) 100mm (T2.6) 135mm (T2.8) 152mm (T3)FLANDERS-SCIENTIFIC 24" DM241 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
The DJI RONIN 2 GIMBAL w/ EXTENSIONS is a motorized stabilization system suitable for a range of camera and lens configurations, boasting a payload capacity of 30 lbs.
The EASYRIG VARIO 5 w/ "STABIL" ARM is an adjustable, body-worn support system for camera rigs weighing 11 to 38 lb.
The CANON DREAM 50mm T0.95 FF LPL lens is an exceptional and highly creative lens with an ultra-wide aperture, perfect for achieving a cinematic aesthetic with ultra-shallow depth of field, artistic focus control, and stunning low-light performance.
FLANDERS-SCIENTIFIC 21.5" DM211 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
Available Focal Lengths for COOKE ANAMORPHIC/i 2X:
25mm (T2.3) 32mm (T2.3) 50mm (T2.3) 65mm Macro (T2.6) 75mm (T2.3) 100mm (T2.3)
ZEISS 15-30mm T2.9 COMPACT ZOOM advanced optics and build quality make it ideal for high-end cinematography and demanding shooting conditions.
ZEISS 28-80mm T2.9 COMPACT ZOOM lens is versatile and reliable for a wide range of professional filming and photography needs.
The ZEISS 70-200mm T2.9 COMPACT ZOOM is ideal for various shooting situations, including portraits, sports, and nature photography. It is often used by professional videographers and photographers.
The COOKE VAROTAL 18-100mm T3 lens is suitable for use in various applications, including documentary, narrative, and commercial production, where the ability to adjust the framing and focus of the shot quickly may be necessary.
The SONY 24" PVM-X2400 4K HDR TRIMASTER Monitor features a UHD 4K display resolution and supports 4K and HD signals via four SDI inputs and an HDMI input. It also allows you to create a quad-view of four HD signals for comparison and other purposes. Each signal can have a different EOTF and different LUT applied.































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