The ARRI ALEXA MINI LF 4.5K is ARRI’s flagship large-format camera. Versatile and adaptable due to its compact size, low weight, and multiple recording formats, the Mini LF offers exceptional image quality for large format. It also features the exciting new REVEAL Color Science post workflow.
The SONY VENICE 6K is a professional cinema camera with a newly developed full-frame sensor, customizable features, and exceptional color science. It offers high frame rates, dual base ISO, and a user-friendly design.
The SONY VENICE + RIALTO EXTENSION SYSTEM enables cabled separation of the VENICE camera body and image sensor block. It provides a flexible design configuration within a single camera body, increasing its mobility without lessening the full-frame image quality.
The RED MONSTRO 8K 40.96 x 21.6mm sensor takes advantage of full-frame 35mm lenses, recording at rates up to 60 fps at full resolution. Higher frame rates, up to 300 fps, can be made available by windowing the sensor to lower resolutions.
With a compact design for solo shooters, travel applications, and ideal B cam footage, the SONY FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a "cage-free" design offering the ability to secure various accessories directly to the camera body.
The ARRI ALEXA 35 raises the bar with a new Super 35 Format 4.6K sensor and REVEAL color science.
RED DSMC2 HELIUM 8K has a 35.4MP S35 CMOS sensor which allows for up to 8K-resolution black-and-white (monochrome) images. It has multiple capture rates including up to 60 fps 8K, 120 fps in 4K, and 240 fps. It provides versatile workflow options with REDCODE RAW, ProRes, and DNx recording.
The RED DSMC2 GEMINI 5K is a powerful, dual sensitivity camera that offers the ability to shoot in either low light or standard modes. THE DSMC2 GEMINI offers cleaner, less-noisy images in low-light conditions as well as improved performance in shadows.
The PANASONIC VARICAM 35 features a new sensor that captures over 14 stops of dynamic range, allowing it to handle high-contrast scenes with exceptional detail. The camera supports a wide range of codecs and formats, including Panasonic's AVC-ULTRA family of advanced codecs, Apple ProRes, and 3.5 Mbps proxy recordings.
The SONY FX9 6K revolutionizes full-frame cinematography by using advanced technology to improve on-the-go shooting. The full-frame electronic variable ND filter transforms possibilities for shooting in variable lightning conditions. The back-illuminated full-frame 6k sensor ensures that subtle details and textures are captured beyond those by conventional 4k sensors.
Described as "weird but genius," the CANON LAOWA 24mm F14 2x MACRO PROBE LENS w/ LIGHT from Venus Optics is a unique lens designed for close-up shooting.
The TOKINA CINEMA AT-X 100mm MACRO is a specialized cine lens ideal for close-up macro cinematography, delivering exceptional clarity and detail in close-range shots.
For those who want the ultimate in image quality for tabletop cinematography, product shots, close-up inserts on feature films, or any other applications that require a macro lens, the ARRI MACRO 100mm T3 delivers images of breathtaking beauty.
The ZEISS 50mm MACRO T2.1 lens is a top-quality macro lens that provides excellent image quality and precise focusing for capturing detailed close-up shots.
The LAOWA 24mm T14 2X PERIPROBE captures sharp magnified shots with full frame camera sensors using their Leica L-mount and has a focal length of 24mm.
The CENTURY/NIKKOR 8MM FISHEYE WIDE ANGLE T2.8 lens can be used creatively in other shooting scenarios. It's important to experiment and explore different compositions and subjects to make the most of this lens's unique perspective and distortion characteristics.
The SCHNEIDER XENON FF 75mm is an excellent portrait and interview lens with a narrow, isolated field of view.
Available Focal Lengths for MAMIYA DUCLOS SEKOR-C:
24mm (f/4) 35mm (f/3.5) 45mm (f/2.8) 55mm (f/2.8) 70mm (f/2.8) 80mm (f/2.8) 110mm (f/2.8) 150mm (f/4) 210mm (f/4)
Available Focal Lengths for COOKE ANAMORPHIC/i 2X:
25mm (T2.3) 32mm (T2.3) 50mm (T2.3) 65mm Macro (T2.6) 75mm (T2.3) 100mm (T2.3)
Available Focal Lengths for COOKE ANAMORPHIC/i 2x SPECIAL FLAIR:
25mm (T2.3) 32mm (T2.3) 40mm (T2.3) 50mm (T2.3) 65mm Macro (T2.6) 75mm (T2.3) 100mm (T2.3) 135mm (T2.3) 180mm (T2.8)
Available Focal Lengths for COOKE S7/i:
16mm (T2) 18mm (T2) 21mm (T2) 25mm (T2) 32mm (T2) 40mm (T2) 50mm (T2) 60mm Macro (T2) 65mm (T2) 75mm (T2) 100mm (T2) 135mm (T2) 180mm (T2)
Available Focal Lengths for ARRI SIGNATURE PRIME:
15mm (T1.8) 18mm (T1.8) 21mm (T1.8) 25mm (T1.8) 29mm (T1.8) 35mm (T1.8) 47mm (T1.8) 58mm (T1.8) 75mm (T1.8) 95mm (T1.8) 125mm (T1.8) 150mm (T1.8)
Available Focal Lengths for ZEISS SUPREME:
18mm (T1.5) 21mm (T1.5) 25mm (T1.5) 29mm (T1.5) 35mm (T1.5) 50mm (T1.5) 65mm (T1.5) 85mm (T1.5) 100mm (T1.5) 135mm (T1.5) 150mm (T1.8)
Available Focal Lengths for ARRI ULTRA PRIME:
12mm (T2) 14mm (T1.9) 16mm (T1.9) 20mm (T1.9) 24mm (T1.9) 28mm (T1.9) 32mm (T1.9) 40mm (T1.9) 50mm (T1.9) 65mm (T1.9) 85mm (T1.9) 100mm (T1.9) 135mm (T1.9)
Available Focal Lengths for SIGMA CINE:
14mm (T2) 20mm (T1.5) 24mm (T1.5) 28mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 105mm (T1.5) 135mm (T2)
Available Focal Lengths for ROKINON XEEN:
14mm (T3.1) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 135mm (T2.2)
The PANASONIC AG-HPX610 features a 2/3 type lens mount, enabling the use of industry standard lenses ensuring total flexibility. The AG-HPX610 features a MOS sensor that provides excellent image quality with high sensitivity and low noise.
The ARRI SIGNATURE 65-300mm T2.8 w/ 1.7X EXTENDER [LPL] produces attractive, organic images while covering sensor sizes ranging from Super35 to full-frame.
FUJINON PREMISTA 80-250mm T2.9-3.5 is well-suited for a wide range of shooting scenarios, from documentary and event videography to high-end commercial and feature film productions.
ZEISS 15-30mm T2.9 COMPACT ZOOM advanced optics and build quality make it ideal for high-end cinematography and demanding shooting conditions.
ZEISS 28-80mm T2.9 COMPACT ZOOM lens is versatile and reliable for a wide range of professional filming and photography needs.
The ZEISS 70-200mm T2.9 COMPACT ZOOM is ideal for various shooting situations, including portraits, sports, and nature photography. It is often used by professional videographers and photographers.
Available Focal Lengths for TRIBE BLACKWING7 T-TUNED:
17mm (T1.9) 20.7mm (T1.9) 23.7mm (T1.9) 27mm (T1.9) 37mm (T1.9) 47mm (T1.9) 57mm (T1.9) 77mm (T1.8) 107mm (T1.8) 137mm (T2.0)
[ALSO AVAILABLE "SKINNED"]Available Focal Lengths for SCHNEIDER ISCO4ALL SET:
43mm (T2.4) 58mm (T2.4) 85mm (T2.4)
+ ISCORAMA 54 CU - 1.5X
The ANGENIEUX EZ-1 FF/VV 45-135mm T3 provides versatility, high image quality, and a compact size making it a popular choice for many productions.
ANGENIEUX EZ-2 FF/VV 22-60mm T3 lens is designed for professional filmmakers, providing high image quality and versatility in a compact and lightweight package.
Available Focal Lengths for COOKE S8/i:
18mm (T1.4) 25mm (T1.4) 32mm (T1.4) 40mm (T1.4) 50mm (T1.4) 75mm (T1.4) 100mm (T1.4) 135mm (T1.4)
The ANGENIEUX OPTIMO 28-340mm T3.2 captures various shots, from wide landscape shots to close-ups, making it a versatile choice for feature film productions.
ANGENIEUX OPTIMO 19.5-94mm provides cinematographers and videographers with a flexible and reliable lens that can handle a wide range of shooting scenarios.
ANGENIEUX OPTIMO STYLE 16-40mm T2.8 is suitable for a wide range of film and video productions, including feature films, documentaries, commercials, music videos, and more.
ANGENIEUX OPTIMO STYLE 30-76mm ZOOM T2.8 lens is commonly used in film and television production, offering high image quality, accurate color reproduction, smooth focus, and zoom control.
CANON CINE-SERVO 17-120mm T2.95 is a high-end cine lens designed for professional filmmakers and videographers who require a high-quality zoom lens for their projects.
CANON CINE-SERVO 25-250mm T2.95-3.95 has a wide focal length range, fast aperture, and a servo zoom that makes it suitable for various shooting scenarios.
CANON 30-300mm T2.95-3.7 is ideal for filmmakers who need a versatile lens that can cover a wide range of focal lengths. Its fast aperture, smooth manual focus, and zoom control make it well-suited for capturing high-quality cinematic shots.
The FUJINON CABRIO 20-120mm is a well-performing cinema lens that functions well as an all-around documentary zoom. The lens is solidly built, with well-designed lens rings that operate smoothly.
The COOKE VAROTAL 18-100mm T3 lens is suitable for use in various applications, including documentary, narrative, and commercial production, where the ability to adjust the framing and focus of the shot quickly may be necessary.
SIGMA 18-35mm CINE covers everything from wide-angle to telephoto, enabling cinematographers to achieve a wide range of expressive goals.
The SIGMA 50-100mm CINE T2 is a good choice for various video production scenarios, such as interviews, medium to close-up shots, and even some wide-angle shots. Additionally, its Hyper Sonic Motor (HSM) for fast, quiet autofocus and full-time manual focus override makes it great for situations where noise needs to be minimized, like live events, conferences, stage performances, etc.
