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The IBE Raptor Scope FF is a full-frame, snorkel-style periscope lens delivering unlimited 360° pan, tilt, and roll with continuous image rotation — opening up camera angles and moves that no conventional lens can reach.
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The IBE Raptor Macro Primes are a full-frame T2.9 macro lens set — 100mm, 150mm, and 180mm — delivering true 1:1 magnification from macro focus to infinity with the shallow depth of field and organic look of large-format cine glass.
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The Laowa 15-24mm T8 Probe Zoom is the widest full-frame probe lens on the market, combining a 1.6x zoom range with four interchangeable viewing modules — Direct, 35°, 90°, and Periscope — for perspectives no conventional lens can reach.
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The Laowa FF 8-15mm T2.9 Fisheye Zoom is a full-frame cine lens that swings from a 180° circular fisheye at 8mm to a full-frame rectangular fisheye at 15mm, holding a constant T2.9 aperture across the entire range.
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The Pixboom Spark is a compact 4.6K Super 35 global shutter cinema camera built for extreme slow motion, capturing up to 1000 fps at 4K and 4.6K Open Gate at 670 fps with clean, low-light performance and unlimited RAW recording.
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The DJI Ronin 4D fuses a full-frame cinema camera, 4-axis active stabilization, LiDAR autofocus, and long-range wireless transmission into one highly integrated, modular system — delivering dolly-smooth handheld footage without a separate gimbal operator.
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The ARRI Alexa 35 Xtreme raises the bar even further with a high-speed ARRICORE codec and Sensor Overdrive, pushing frame rates up to 660 fps while keeping the same 4.6K sensor and REVEAL color science.
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The UNDEAD OPTICS AIRES is a single-coated set of LPL-mount rehoused vintage cinema lenses with a 95mm front diameter and full-frame coverage. Available focal lengths in this listing: 32mm (f1.8) and 45mm (f1.7).
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The Sony Burano 8K digital cinema camera offers up to 8.6K video capture in a compact, full-frame form.
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The EASYRIG MINIMAX is designed for productions requiring extensive handheld camerawork with cameras weighing 4.4 to 15.4 lb.
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Available Focal Lengths for SOVIET MKII (IRONGLASS REHOUSED) :
20mm (T3.6)
28mm (T3.6)
37mm (T2.9)
50mm (T2.1)
58mm (T2.1)
85mm (T2.1)
135mm (T2.9)
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The LAOWA 9mm ZERO-D is a compact, ultra-wide rectilinear lens with a 134.8° field of view and minimal distortion, allowing for precise framing. Its close-focusing capability lets you capture subjects as near as 4.7 inches with ease.
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The LAOWA 10mm ZERO-D (by GL OPTICS) [LPL] lens renders the world with breathtaking rectilinear accuracy. Its 15-element design delivers pristine clarity, while the T3.1 aperture unlocks stunning low-light performance.
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COMES WITH ADJUSTABLE PIPE RAILS KIT AND BABY COMBO STANDS
The DANA DOLLY is a heavy duty camera dolly platform that rides on 16 custom modified soft polyurethane wheels that resist flat spotting and use ABEC-7-rated precision bearings providing you with extremely smooth dolly shots.
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Available Focal Lengths for SECOND REEF CORAL ANAMORPHIC FF:
50mm (T2.6)
75mm (T2.8)
90mm (T2.8)
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The ARRI SIGNATURE ZOOM 45-135mm T2.8 [LPL] lens produces attractive, organic images while covering sensor sizes ranging from Super 25 to full-frame.
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The MASTERBUILT SUPERSCOPE 13mm X FLARE lens delivers stunning super flares, soft contrast, edge fall-off, and beautiful background separation.
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The FUJINON DUVO HZK14-100mm T2.9 lens is a lightweight, user-friendly option weighing just 2.54kg (5.6lb). It offers an exceptionally wide field of view, extending to telephoto with a 7.1x zoom range, allowing for virtually limitless camera positioning on any production
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FLANDERS-SCIENTIFIC 16'' DM160 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
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The CANON FD 50-300mm T4.9 lens is a versatile zoom lens with full-frame sensor coverage, a 6 ft. close focus, and a 15-blade iris for smooth bokeh. Its compact design and extensive zoom range make it ideal for various shooting situations, from documentaries to wildlife photography.
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Available Focal Lengths forCANON RANGEFINDER (by GL OPTICS) [LPL]:
28mm (T2.9) 35mm (T2) 50mm (T1.5) 85mm (T1.9) 100mm (T2) 135mm (T3.5)
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APUTURE AMARAN PT4C 4-FOOT RGB LED TUBE LIGHT KIT:
- 2x 4-Foot Battery-Powered RGBWW LED Pixel Tubes For Creators
- Additional Mini Tripod Floor Stands & USB-C to DMX Adapters to Expand Creativity & Enhance Functionality
- Design Unique & Dynamic Pixelated Effects with 16 Independently Controllable Pixels
- Produces Stunning Skin Tones with Full Color RGBWW Tunability
- Ready-Made Mounting Solutions: 5-Sided End Caps & 3/8-16in Screw Threads for Quick Positioning & Rigging
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The APUTURE AMARAN PT2C 2-FOOT RGB LED TUBE LIGHT KIT Includes:
- 2 PT2c lights
- Additional mini tripod floor stands
- USB-C to DMX adapters for expanded wireless control
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APUTURE AMARAN P60C 3-LIGHT RGBWW LED PANEL KIT:
- 60W Output RGBWW Lensed LED Panel & 78W Max Power Draw
- 5,900 lux @ 1 meter (5600K) & Tunable CCT from 2,500K to 7,500K
- Tunable Green-Magenta Adjustment (Full Plus/Minus Green
- CRI: 95+, TLCI: 96+, SSI (Tungsten): ≥83, SSI (D56): ≥74
- Built-in Lighting FX: Lightning, Paparazzi, Strobe, Cop Car, Fireworks , Pulsing, Faulty Bulb, Fire, TV, Party Lights
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APUTURE AMARAN 300C:
- 300W RGBWW Full-Color Bowens Mount Point Source LED
- Picture-Perfect Color Quality with Color Tunable RGBWW Chipset
- Color-Blending Optical Design: Compatible with Soft Light and Optical Bowens Mount Modifiers
- High-Quality Output: 26,580+ lux @ 1m with Hyper Reflector (5,600K)
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APUTURE LS 60X BI-COLOR LED FOCUSING FLOOD LIGHT :
- 60W Expanded Bi-Color Adjustable Focusing LED
- Custom Aspherical Optics: Adjustable 15º-45º Spot-Flood Beam Angle
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APUTURE 600X PRO LED LIGHT STORM (GOLD MOUNT):
- 600W Bi-Color Bowens Mount Point-Source LED with Precision Color-Blending Optical Design
- Impressive Output: 5,610+ lux @ 3m with LS 600 Series Hyper Reflector (5,600K)
- Expanded Bi-Color CCT Range: 2,700K 6,500K
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The ARRI ZOOM MAIN UNIT ZMU-4 seamlessly transitions between wired and wireless configurations. The ZMU supports all the new radio module options available for the Hi-5 hand unit.
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The ARRI Operator Control Unit OCU-1 enables camera operators to swiftly assume command of any lens function, even with lens motors engaged. Operators can instantly override and regain control of focus, zoom, and iris from the Hi-5 and WCU-4 with a simple button press.
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The FUJINON DUVO HZK 24-300mm PORTABLE PL MOUNT ZOOM lens is a compact and lightweight powerhouse. With a 12.5x zoom range (24mm to 300mm, expandable to 36mm to 450mm), its superior optical quality and remote control options make it a versatile choice for professional shooting.
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Available Focal Lengths for CANON FD:
14mm (T2.9) 20mm (T2.9) 24mm (T1.5) 28mm (T2.1) 35mm (T2.1) 55mm (T1.3) 85mm (T1.3) 135mm (T2.1) 300mm (f/2.8) 600mm (f/4.5)
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The FREELENSING CINE UNIVERSAL TILT & SHIFT & SWING SYSTEM is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement.
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SMALL HD CINE 24" 4K HIGH BRIGHT Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
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Available Focal Lengths for MINOLTA ROKKOR:
21mm (T2.9) 24mm (T2.9) 28mm (T2.1) 35mm (T1.9) 45mm (T2.1) 50mm (T1.3) 58mm (T1.3) 85mm (T1.8) 100mm (T2.1) 135mm (T2.9) 200mm (T2.9)
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The RED 18-50mm T3 ZOOM PL is a compact and versatile zoom lens with a T3 aperture, suitable for a wide range of filming applications.
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The SONY FE 200-600mm F/5.6-6.3 is a super-telephoto zoom lens with a variable aperture, ideal for capturing distant subjects with high clarity.
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The SONY FE 24-105mm F4 G OSS is a full-frame standard zoom lens with a constant F4 aperture, it delivers a consistent performance across the focal range.
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CANON CN-E 20-50mm T2.4 is a versatile cinema zoom lens with a constant T2.4 aperture, providing excellent low-light performance and cinematic depth of field.
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FLANDERS-SCIENTIFIC 21.5" DM211 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
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The SONY 25" BVM-F250 OLED Monitor delivers outstanding black performance, a quick response with virtually no motion blur, and a wide color gamut ensuring outstanding performance for reference monitoring applications in the broadcast industry.
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SONY 24" LMD- A240 LCD VIDEO Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
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The SMALL HD 502 BRIGHT Monitor brings a bright 1000 cd/m² panel to the compact platform. While the 5" display is bright it doesn't sacrifice resolution, yet it won't overwhelm a DSLR or mirrorless camera if secured to the accessory shoe.
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FUJINON DUVO 37.5mm-1500mm F4.2-7.5 PL MOUNT BOX lens is the Fujinon HZK25-1000mm with integrated 1.5X extender engaged.
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The CANON CINE-SERVO 37.5-375mm T4.4-5.9 (25-250mm with integrated 1.5X extender engaged) is suitable for various shooting scenarios, including ENG/EFP and documentary-style shoots.
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The focal length of the ANGENIEUX OPTIMO 28-340mm T3.2 with the addition of the Optima Magnus extender becomes 32-385mm.
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The ANGENIEUX EZ-3 S35 45-165mm T2.3 lens is convertible between Super 35 and Full-Frame format.
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The ANGENIEUX EZ-3 FF/VV 68-250mm T3.5 lens is a versatile cinema zoom lens that is compatible with both Super35 and Full Frame/VistaVision cameras. It features interchangeable rear optics, manual lens control rings, and a fast maximum aperture of T3.5.
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The LAOWA 12mm T2.9 ZERO-D CINE is a wide-angle lens optimized for digital cinematography. It has a wide 122° angle of view and is lightweight and compact. It is ideal for shooting scenarios that require a wide range of focal lengths.
JUST IN!FUJINON DUVO HZK25-1000mm FUJINON DUVO HZK25-1000mmCALL TODAY TO PLACE YOUR NEXT RENTAL ORDER! (+1) 305 597 7359
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