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The ARRI Alexa 35 Xtreme raises the bar even further with a high-speed ARRICORE codec and Sensor Overdrive, pushing frame rates up to 660 fps while keeping the same 4.6K sensor and REVEAL color science.
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The DJI Ronin 4D fuses a full-frame cinema camera, 4-axis active stabilization, LiDAR autofocus, and long-range wireless transmission into one highly integrated, modular system — delivering dolly-smooth handheld footage without a separate gimbal operator.
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The IBE Raptor Macro Primes are a full-frame T2.9 macro lens set — 100mm, 150mm, and 180mm — delivering true 1:1 magnification from macro focus to infinity with the shallow depth of field and organic look of large-format cine glass.
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The IBE Raptor Scope FF is a full-frame, snorkel-style periscope lens delivering unlimited 360° pan, tilt, and roll with continuous image rotation — opening up camera angles and moves that no conventional lens can reach.
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The Laowa 15-24mm T8 Probe Zoom is the widest full-frame probe lens on the market, combining a 1.6x zoom range with four interchangeable viewing modules — Direct, 35°, 90°, and Periscope — for perspectives no conventional lens can reach.
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The Laowa FF 8-15mm T2.9 Fisheye Zoom is a full-frame cine lens that swings from a 180° circular fisheye at 8mm to a full-frame rectangular fisheye at 15mm, holding a constant T2.9 aperture across the entire range.
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The Pixboom Spark is a compact 4.6K Super 35 global shutter cinema camera built for extreme slow motion, capturing up to 1000 fps at 4K and 4.6K Open Gate at 670 fps with clean, low-light performance and unlimited RAW recording.
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The Sony Burano 8K digital cinema camera offers up to 8.6K video capture in a compact, full-frame form.
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The UNDEAD OPTICS AIRES is a single-coated set of LPL-mount rehoused vintage cinema lenses with a 95mm front diameter and full-frame coverage. Available focal lengths in this listing: 32mm (f1.8) and 45mm (f1.7).
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Available Focal Lengths for ARRI SIGNATURE PRIME:
15mm (T1.8) 18mm (T1.8) 21mm (T1.8) 25mm (T1.8) 29mm (T1.8) 35mm (T1.8) 47mm (T1.8) 58mm (T1.8) 75mm (T1.8) 95mm (T1.8) 125mm (T1.8) 150mm (T1.8)
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Available Focal Lengths for CANON FD:
14mm (T2.9) 20mm (T2.9) 24mm (T1.5) 28mm (T2.1) 35mm (T2.1) 55mm (T1.3) 85mm (T1.3) 135mm (T2.1) 300mm (f/2.8) 600mm (f/4.5)
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The CANON DREAM 50mm T0.95 FF LPL lens is an exceptional and highly creative lens with an ultra-wide aperture, perfect for achieving a cinematic aesthetic with ultra-shallow depth of field, artistic focus control, and stunning low-light performance.
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Available Focal Lengths forCANON RANGEFINDER (by GL OPTICS) [LPL]:
28mm (T2.9) 35mm (T2) 50mm (T1.5) 85mm (T1.9) 100mm (T2) 135mm (T3.5)
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Available Focal Lengths for COOKE PANCHRO/i CLASSIC FF:
18mm (T2.2) 25mm (T2.2) 32mm (T2.2) 50mm(T2.2) 65mm Macro (T2.4) 75mm (T2.2) 100mm (T2.6) 135mm (T2.8) 152mm (T3) -
The ANGENIEUX EZ-1 S35 30-90mm T2 lens is a versatile and high-quality cinema lens designed for professional filmmakers. With a constant wide aperture, interchangeable mounts, and a zoom range from 30mm to 90mm, it offers flexibility in framing. It suits various shooting scenarios, including narrative filmmaking, documentaries, and low-light conditions.
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Available Focal Lengths for COOKE ANAMORPHIC/i SPECIAL FLAIR 1.8X FF:
32mm (T2.3) 40mm (T2.3) 50mm (T2.3) 75mm (T2.3) 85mm Macro (T2.8) 100mm (T2.3) 135mm (T2.3) 180mm (T2.9)
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The ANGENIEUX EZ-2 S35 15-40mm T2 is a professional cinema zoom lens known for its exceptional versatility and image quality. With a focal length range of 15mm to 40mm and a fast T2 aperture, it's perfect for capturing a wide range of cinematic shots, from wide-angle to standard perspectives.
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Available Focal Lengths for COOKE S8/i:
18mm (T1.4) 25mm (T1.4) 32mm (T1.4) 40mm (T1.4) 50mm (T1.4) 75mm (T1.4) 100mm (T1.4) 135mm (T1.4)
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The ANGENIEUX EZ-3 S35 45-165mm T2.3 lens is convertible between Super 35 and Full-Frame format.
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The ANGENIEUX OPTIMO 28-340mm T3.2 captures various shots, from wide landscape shots to close-ups, making it a versatile choice for feature film productions.
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ANGENIEUX OPTIMO 19.5-94mm provides cinematographers and videographers with a flexible and reliable lens that can handle a wide range of shooting scenarios.
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ANGENIEUX OPTIMO STYLE 16-40mm T2.8 is suitable for a wide range of film and video productions, including feature films, documentaries, commercials, music videos, and more.
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ANGENIEUX OPTIMO STYLE 30-76mm ZOOM T2.8 lens is commonly used in film and television production, offering high image quality, accurate color reproduction, smooth focus, and zoom control.
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CANON CINE-SERVO 17-120mm T2.95 is a high-end cine lens designed for professional filmmakers and videographers who require a high-quality zoom lens for their projects.
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CANON CINE-SERVO 25-250mm T2.95-3.95 has a wide focal length range, fast aperture, and a servo zoom that makes it suitable for various shooting scenarios.
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CANON 30-300mm T2.95-3.7 is ideal for filmmakers who need a versatile lens that can cover a wide range of focal lengths. Its fast aperture, smooth manual focus, and zoom control make it well-suited for capturing high-quality cinematic shots.
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The COOKE VAROTAL 18-100mm T3 lens is suitable for use in various applications, including documentary, narrative, and commercial production, where the ability to adjust the framing and focus of the shot quickly may be necessary.
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The FUJINON DUVO HZK25-1000mm box lens is primarily designed for professional broadcast and cinematography applications. However, it can be used to shoot a wide range of content, including sports events, wildlife documentaries, news broadcasts, concerts, and feature films.
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Available Focal Lengths for COOKE S7/i:
16mm (T2) 18mm (T2) 21mm (T2) 25mm (T2) 32mm (T2) 40mm (T2) 50mm (T2) 60mm Macro (T2) 65mm (T2) 75mm (T2) 100mm (T2) 135mm (T2) 180mm (T2)
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The FUJINON DUVO HZK 24-300mm PORTABLE PL MOUNT ZOOM lens is a compact and lightweight powerhouse. With a 12.5x zoom range (24mm to 300mm, expandable to 36mm to 450mm), its superior optical quality and remote control options make it a versatile choice for professional shooting.
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COMES WITH ADJUSTABLE PIPE RAILS KIT AND BABY COMBO STANDS
The DANA DOLLY is a heavy duty camera dolly platform that rides on 16 custom modified soft polyurethane wheels that resist flat spotting and use ABEC-7-rated precision bearings providing you with extremely smooth dolly shots.
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The LAOWA 9mm ZERO-D is a compact, ultra-wide rectilinear lens with a 134.8° field of view and minimal distortion, allowing for precise framing. Its close-focusing capability lets you capture subjects as near as 4.7 inches with ease.
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The LAOWA 10mm ZERO-D (by GL OPTICS) [LPL] lens renders the world with breathtaking rectilinear accuracy. Its 15-element design delivers pristine clarity, while the T3.1 aperture unlocks stunning low-light performance.
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The LAOWA 12mm T2.9 ZERO-D CINE is a wide-angle lens optimized for digital cinematography. It has a wide 122° angle of view and is lightweight and compact. It is ideal for shooting scenarios that require a wide range of focal lengths.
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The LAOWA 24mm T8.0 FF PRO2BE MACRO 3-LENS SET contains:
- LAOWA 24mm T8.0 2X FF DIRECT VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF 35-DEGREE VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF PERISCOPE VIEW PRO2BE MACRO PL LENS
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Described as "weird but genius," the CANON LAOWA 24mm F14 2x MACRO PROBE LENS w/ LIGHT from Venus Optics is a unique lens designed for close-up shooting.
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The LAOWA 24mm T14 2X PERIPROBE captures sharp magnified shots with full frame camera sensors using their Leica L-mount and has a focal length of 24mm.
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Available Focal Lengths for MAMIYA DUCLOS SEKOR-C:
24mm (f/4) 35mm (f/3.5) 45mm (f/2.8) 55mm (f/2.8) 70mm (f/2.8) 80mm (f/2.8) 110mm (f/2.8) 150mm (f/4) 210mm (f/4)
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The ANGENIEUX EZ-1 FF/VV 45-135mm T3 provides versatility, high image quality, and a compact size making it a popular choice for many productions.
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ANGENIEUX EZ-2 FF/VV 22-60mm T3 lens is designed for professional filmmakers, providing high image quality and versatility in a compact and lightweight package.
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The ANGENIEUX EZ-3 FF/VV 68-250mm T3.5 lens is a versatile cinema zoom lens that is compatible with both Super35 and Full Frame/VistaVision cameras. It features interchangeable rear optics, manual lens control rings, and a fast maximum aperture of T3.5.
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The focal length of the ANGENIEUX OPTIMO 28-340mm T3.2 with the addition of the Optima Magnus extender becomes 32-385mm.
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The ARRI SIGNATURE ZOOM 45-135mm T2.8 [LPL] lens produces attractive, organic images while covering sensor sizes ranging from Super 25 to full-frame.
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Available Focal Lengths for MASTERBUILT SOFT FLARE:
14.5mm (T1.4) 18mm (T1.4) 25mm (T1.4) 35mm (T1.4) 50mm (T1.4) 85mm (T1.4) 105mm (T 1.4) 135mm (T1.4)
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The ARRI SIGNATURE 65-300mm T2.8 w/ 1.7X EXTENDER [LPL] produces attractive, organic images while covering sensor sizes ranging from Super35 to full-frame.
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The CANON CINE-SERVO 37.5-375mm T4.4-5.9 (25-250mm with integrated 1.5X extender engaged) is suitable for various shooting scenarios, including ENG/EFP and documentary-style shoots.
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CANON CN-E 20-50mm T2.4 is a versatile cinema zoom lens with a constant T2.4 aperture, providing excellent low-light performance and cinematic depth of field.
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The CANON FD 50-300mm T4.9 lens is a versatile zoom lens with full-frame sensor coverage, a 6 ft. close focus, and a 15-blade iris for smooth bokeh. Its compact design and extensive zoom range make it ideal for various shooting situations, from documentaries to wildlife photography.
JUST IN!FUJINON DUVO HZK25-1000mm FUJINON DUVO HZK25-1000mmCALL TODAY TO PLACE YOUR NEXT RENTAL ORDER! (+1) 305 597 7359
Florida’s leading Digital Cinema Rental House offering the largest collection of high-end digital cinema optics in Florida. Call us for camera and lens rentals for your next production! CALL (305) 597-7359!
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