The LECTROSONICS WIRELESS IFB SYSTEMS is a high-quality IFB transmitter designed for applications where long operating range and great audio quality are needed, such as broadcasting, film, and theater. The sleek, simple box can be used as a stand-alone unit, or patched into other widely-used intercom systems.
The SOURCE 4 LEKO light uses revolutionary technology that gives you a clean white beam for unequaled imaging, crisp pattern projection, and a bright, even field.
- C-STANDS, COMBO AND ROLLING COMBO STANDS, FLAGS AND NETS, GELLED FRAMES, RAGS, FRAMES, APPLE BOXES, CLAMPS, SANDBAGS, STINGERS, AND MORE.
The READY RIG w/ "VEGA" UPGRADE support unit enhances boom movements while reducing footsteps and bounce motion.
The SONY E 16-35mm GM F2.8 lens is a top-tier wide-angle zoom lens designed for Sony E-mount mirrorless cameras. It excels in landscape, architectural, and low-light photography. With advanced optics, weather-sealing, and exceptional image quality, it's a top choice for professional photographers and enthusiasts.
The Canon DIGISUPER 95 - XJ95 X8.6B 8.6-820MM 1:1.7 COMPLETE is a super-telephoto lens with a 95x zoom range and a wide focal length of 8.6mm.
The LAOWA 12mm T2.9 ZERO-D CINE is a wide-angle lens optimized for digital cinematography. It has a wide 122° angle of view and is lightweight and compact. It is ideal for shooting scenarios that require a wide range of focal lengths.
FUJINON DUVO 37.5mm-1500mm F4.2-7.5 PL MOUNT BOX lens is the Fujinon HZK25-1000mm with integrated 1.5X extender engaged.
The RED 18-50mm T3 ZOOM PL is a compact and versatile zoom lens with a T3 aperture, suitable for a wide range of filming applications.
Available Focal Lengths forCANON RANGEFINDER (by GL OPTICS) [LPL]:
28mm (T2.9) 35mm (T2) 50mm (T1.5) 85mm (T1.9) 100mm (T2) 135mm (T3.5)
The ARRI SIGNATURE ZOOM 45-135mm T2.8 [LPL] lens produces attractive, organic images while covering sensor sizes ranging from Super 25 to full-frame.
Available Focal Lengths for SECOND REEF CORAL ANAMORPHIC FF:
50mm (T2.6)
75mm (T2.8)
90mm (T2.8)
The LAOWA 10mm ZERO-D (by GL OPTICS) [LPL] lens renders the world with breathtaking rectilinear accuracy. Its 15-element design delivers pristine clarity, while the T3.1 aperture unlocks stunning low-light performance.
The LAOWA 9mm ZERO-D is a compact, ultra-wide rectilinear lens with a 134.8° field of view and minimal distortion, allowing for precise framing. Its close-focusing capability lets you capture subjects as near as 4.7 inches with ease.
Available Focal Lengths for SOVIET MKII (IRONGLASS REHOUSED) :
20mm (T3.6)
28mm (T3.6)
37mm (T2.9)
50mm (T2.1)
58mm (T2.1)
85mm (T2.1)
135mm (T2.9)
The EASYRIG MINIMAX is designed for productions requiring extensive handheld camerawork with cameras weighing 4.4 to 15.4 lb.
UP TO 50 UNITS AVAILABLE WITH SURVEILLANCE-STYLE HEADSETS AND MULTI CHARGING HUB
The RED MONSTRO 8K 40.96 x 21.6mm sensor takes advantage of full-frame 35mm lenses, recording at rates up to 60 fps at full resolution. Higher frame rates, up to 300 fps, can be made available by windowing the sensor to lower resolutions.
The SONY VENICE + RIALTO EXTENSION SYSTEM enables cabled separation of the VENICE camera body and image sensor block. It provides a flexible design configuration within a single camera body, increasing its mobility without lessening the full-frame image quality.
The RED DSMC2 GEMINI 5K is a powerful, dual sensitivity camera that offers the ability to shoot in either low light or standard modes. THE DSMC2 GEMINI offers cleaner, less-noisy images in low-light conditions as well as improved performance in shadows.
The LITEPANELS CROMA LED features the newest LED Surface Mount Technology which guarantees images with perfect color rendition. The LED panel embeds innovative lenses which have been designed to achieve improved optical efficiency.
The TILTA NUCLEUS-NANO 1- CHANNEL can be used to wirelessly control the focus of most DSLR, mirrorless, or cine-style lenses. The core of the system is the pairing of the focus control motor and the focus handwheel. The units can connect to each other from 300' away, and can be mounted in a variety of ways.
The MANFROTTO 502 HEAD features variable fluid drag system for pan and tilt movements. It has a maximum capacity of 10kg and features a Ø75mm half ball connection to ensure compatibility with most equipment today.
The SONY VENICE 6K is a professional cinema camera with a newly developed full-frame sensor, customizable features, and exceptional color science. It offers high frame rates, dual base ISO, and a user-friendly design.
RED DSMC2 HELIUM 8K has a 35.4MP S35 CMOS sensor which allows for up to 8K-resolution black-and-white (monochrome) images. It has multiple capture rates including up to 60 fps 8K, 120 fps in 4K, and 240 fps. It provides versatile workflow options with REDCODE RAW, ProRes, and DNx recording.
Described as "weird but genius," the CANON LAOWA 24mm F14 2x MACRO PROBE LENS w/ LIGHT from Venus Optics is a unique lens designed for close-up shooting.
The E-IMAGE GH03 75mm HEAD 75mm BALL supports cameras and accessories weighing up to 11 pounds. It features an Easy Lock Baseplate system that combines the balance adjustment of a sliding baseplate with the ease of a quick release system.
Available Focal Lengths for ROKINON CINE DS:
8mm (T3.8) 10mm (T3.1) 12mm (T3.1) 14mm (T3.1) 16mm (T2.2) 20mm (T1.9) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 100mm Macro (T3.1) 135mm (T2.2)
The CANON 10-22mm F3.5 wide-angle zoom is designed for APS-C-format EF-S-mount DSLRs and provides a 16-35.2mm equivalent focal length range.
The CANON 10-18mm F/4.5-5.6 EF-S wide-angle zoom is designed for APS-C-format Canon EF-S-mount DSLRs and provides a 16-28.8mm equivalent focal length range.
The ARRI LCUBE 1 is a miniature multi-purpose signal converter that converts LBUS protocols to serial protocols and vice versa.


















































