The FUJINON DUVO HZK 24-300mm PORTABLE PL MOUNT ZOOM lens is a compact and lightweight powerhouse. With a 12.5x zoom range (24mm to 300mm, expandable to 36mm to 450mm), its superior optical quality and remote control options make it a versatile choice for professional shooting.
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The FUJINON DUVO HZK25-1000mm box lens is primarily designed for professional broadcast and cinematography applications. However, it can be used to shoot a wide range of content, including sports events, wildlife documentaries, news broadcasts, concerts, and feature films.
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The FUJINON HA42X9.7-BERD-U48 its a high-quality broadcast zoom lenses designed for professional ENG and HDTV production. These lenses are known for their optical precision, versatile zoom ranges, and rugged build quality. This makes them indispensable tools for broadcasting professionals who require reliability and image quality in various shooting scenarios.
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FUJINON PREMISTA 80-250mm T2.9-3.5 is well-suited for a wide range of shooting scenarios, from documentary and event videography to high-end commercial and feature film productions.
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GLOBAL DYNAMICS UNITED 24mm F2.8 is perfect for RED cameras with Canon Mount, Canon 7D and other Canon APS-C cameras, Sony Nex / A7 with AF Canon adapter.
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The GLOBAL DYNAMICS UNITED 40mm F2.8 lens is a very artful and beautiful lens for close-up shots of small objects.
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The IBE Raptor Macro Primes are a full-frame T2.9 macro lens set — 100mm, 150mm, and 180mm — delivering true 1:1 magnification from macro focus to infinity with the shallow depth of field and organic look of large-format cine glass.
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The IBE Raptor Scope FF is a full-frame, snorkel-style periscope lens delivering unlimited 360° pan, tilt, and roll with continuous image rotation — opening up camera angles and moves that no conventional lens can reach.
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The LAOWA 10mm ZERO-D (by GL OPTICS) [LPL] lens renders the world with breathtaking rectilinear accuracy. Its 15-element design delivers pristine clarity, while the T3.1 aperture unlocks stunning low-light performance.
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The LAOWA 12mm T2.9 ZERO-D CINE is a wide-angle lens optimized for digital cinematography. It has a wide 122° angle of view and is lightweight and compact. It is ideal for shooting scenarios that require a wide range of focal lengths.
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The Laowa 15-24mm T8 Probe Zoom is the widest full-frame probe lens on the market, combining a 1.6x zoom range with four interchangeable viewing modules — Direct, 35°, 90°, and Periscope — for perspectives no conventional lens can reach.
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Described as "weird but genius," the CANON LAOWA 24mm F14 2x MACRO PROBE LENS w/ LIGHT from Venus Optics is a unique lens designed for close-up shooting.
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The LAOWA 24mm T14 2X PERIPROBE captures sharp magnified shots with full frame camera sensors using their Leica L-mount and has a focal length of 24mm.
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The LAOWA 24mm T8.0 FF PRO2BE MACRO 3-LENS SET contains:
- LAOWA 24mm T8.0 2X FF DIRECT VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF 35-DEGREE VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF PERISCOPE VIEW PRO2BE MACRO PL LENS
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The LAOWA 9mm ZERO-D is a compact, ultra-wide rectilinear lens with a 134.8° field of view and minimal distortion, allowing for precise framing. Its close-focusing capability lets you capture subjects as near as 4.7 inches with ease.
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The Laowa FF 8-15mm T2.9 Fisheye Zoom is a full-frame cine lens that swings from a 180° circular fisheye at 8mm to a full-frame rectangular fisheye at 15mm, holding a constant T2.9 aperture across the entire range.
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Available Focal Lengths for MAMIYA DUCLOS SEKOR-C:
24mm (f/4) 35mm (f/3.5) 45mm (f/2.8) 55mm (f/2.8) 70mm (f/2.8) 80mm (f/2.8) 110mm (f/2.8) 150mm (f/4) 210mm (f/4)
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MASTERBUILT 160mm T1.8 ANASTIGMAT is a single 160mm focal length prime that provides a sharp, even image with attractive focus roll-off and a warm aesthetic flare with minimal chromatic aberration. The lens renders a painterly background and a sharp foreground. Available in LPL mount only.
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Available Focal Lengths for MASTERBUILT SOFT FLARE:
14.5mm (T1.4) 18mm (T1.4) 25mm (T1.4) 35mm (T1.4) 50mm (T1.4) 85mm (T1.4) 105mm (T 1.4) 135mm (T1.4)
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The MASTERBUILT SUPERSCOPE 13mm X FLARE lens delivers stunning super flares, soft contrast, edge fall-off, and beautiful background separation.
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Available Focal Lengths for MINOLTA ROKKOR:
21mm (T2.9) 24mm (T2.9) 28mm (T2.1) 35mm (T1.9) 45mm (T2.1) 50mm (T1.3) 58mm (T1.3) 85mm (T1.8) 100mm (T2.1) 135mm (T2.9) 200mm (T2.9)
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Available Focal Lengths for NIKON-NIKKOR AIS:
14mm (T2.9) 18mm (T2.9) 24mm (T2.1) 28mm (T2.1) 35mm (T1.5) 50mm (T1.3) 58mm (T1.3) 85mm (T1.5) 105mm (T1.9) 135mm (T2.1)
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The RED 18-50mm T3 ZOOM PL is a compact and versatile zoom lens with a T3 aperture, suitable for a wide range of filming applications.
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The RED 50-150mm T2.8 ZOOM is excellent for wide shots and capturing expansive landscapes. While the 150mm end is ideal for telephoto shots, such as portraits and action scenes, the T2.8 aperture allows for low-light performance and shallow depth of field, which is helpful for many shots, including portraits, landscapes, and action scenes.
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The RED ZOOM 18-85mm T2.9 lens has a focal length range of 18mm to 85mm, providing a wide variety of creative options for capturing different shots. From expansive landscapes to intimate close-ups, the lens allows filmmakers to adapt swiftly to changing shooting conditions without having to switch lenses. Its aperture ensures excellent low-light performance and the ability to achieve a shallow depth of field for artistic focus effects.
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The ROKINON 24mm SHIFT & TILT F3.5 is designed for creative and technical photography applications, particularly architectural and perspective control photography. These lenses offer manual control over tilt and shift movements, allowing photographers to achieve specific visual results that may not be possible with standard lenses.
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Available Focal Lengths for ROKINON CINE DS:
8mm (T3.8) 10mm (T3.1) 12mm (T3.1) 14mm (T3.1) 16mm (T2.2) 20mm (T1.9) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 100mm Macro (T3.1) 135mm (T2.2)
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Available Focal Lengths for ROKINON XEEN:
14mm (T3.1) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 135mm (T2.2)
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Available Focal Lengths for SCHNEIDER ISCO4ALL SET:
43mm (T2.4) 58mm (T2.4) 85mm (T2.4)
+ ISCORAMA 54 CU - 1.5X
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The SCHNEIDER XENON FF 75mm is an excellent portrait and interview lens with a narrow, isolated field of view.
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Available Focal Lengths for SECOND REEF CORAL ANAMORPHIC FF:
50mm (T2.6)
75mm (T2.8)
90mm (T2.8)
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SIGMA 18-35mm CINE covers everything from wide-angle to telephoto, enabling cinematographers to achieve a wide range of expressive goals.
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The SIGMA 18-35mm f/1.8 is a versatile, high-quality zoom lens with exceptional optical performance and fast aperture. It's a valuable tool for photographers looking for excellent image quality and creative control in a wide range of photographic scenarios.
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The SIGMA 24-70mm has the performance and functionality that pros in all fields required.
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The SIGMA 50-100mm CINE T2 is a good choice for various video production scenarios, such as interviews, medium to close-up shots, and even some wide-angle shots. Additionally, its Hyper Sonic Motor (HSM) for fast, quiet autofocus and full-time manual focus override makes it great for situations where noise needs to be minimized, like live events, conferences, stage performances, etc.
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SIGMA 50-100mm DC HSM Art F1.8 A mid-tele zoom lens that delivers prime lens-level image quality.
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Available Focal Lengths for SIGMA CINE:
14mm (T2) 20mm (T1.5) 24mm (T1.5) 28mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 105mm (T1.5) 135mm (T2)
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The SONY E 16-35mm GM F2.8 lens is a top-tier wide-angle zoom lens designed for Sony E-mount mirrorless cameras. It excels in landscape, architectural, and low-light photography. With advanced optics, weather-sealing, and exceptional image quality, it's a top choice for professional photographers and enthusiasts.
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The ultra-wide 12mm angle of view available with this versatile SONY FE 12-24mm F2.8 GM lens makes it possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye.
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The SONY FE 200-600mm F/5.6-6.3 is a super-telephoto zoom lens with a variable aperture, ideal for capturing distant subjects with high clarity.
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The SONY FE 24-105mm F4 G OSS is a full-frame standard zoom lens with a constant F4 aperture, it delivers a consistent performance across the focal range.
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A fast, standard zoom favored for its versatility, the SONY FE 24-70mm f/2.8 GM has a wide-angle to a short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f/2.8 constant maximum aperture.
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The SONY FE 70-200mm f/2.8 GM OSS II is a premium telephoto zoom lens designed for professional and advanced photographers. It excels in terms of optical quality, autofocus performance, and versatility, making it a top choice for a wide range of photography applications.
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Designed to satisfy 4K production requirements, the SONY FE PZ 28-135mm G OSS F4 lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system.
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Available Focal Lengths for SONY G MASTER (GM) FOCAL LENS FE SERIES:
14mm (F1.8) 20mm (F1.8) 24mm (F1.4) 35mm (F1.4) 50mm (F1.4) 85mm (F1.4) 90mm Macro (F2.8) 100mm (F2.8) 135mm (F1.8)
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Available Focal Lengths for SOVIET MKII (IRONGLASS REHOUSED) :
20mm (T3.6)
28mm (T3.6)
37mm (T2.9)
50mm (T2.1)
58mm (T2.1)
85mm (T2.1)
135mm (T2.9)
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The TOKINA 11-16mm PL MOUNT T3.0 is a professional cine ideal for wide-angle cinematograph. This includes landscape shots, architectural photography, and dynamic scenes, making it a versatile choice for filmmakers seeking high optical quality in a wide-angle zoom lens.
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The TOKINA CINEMA AT-X 100mm MACRO is a specialized cine lens ideal for close-up macro cinematography, delivering exceptional clarity and detail in close-range shots.
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The TOKINA DUCLOS 11-16mm PL MOUNT T2.8 is a cine zoom lens designed for wide-angle cinematography with a focus on optical quality and cine-friendly features. Its fast aperture and wide perspective makes it a valuable tool for various filmmaking scenarios.
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