The FUJINON DUVO HZK14-100mm T2.9 lens is a lightweight, user-friendly option weighing just 2.54kg (5.6lb). It offers an exceptionally wide field of view, extending to telephoto with a 7.1x zoom range, allowing for virtually limitless camera positioning on any production
The MASTERBUILT SUPERSCOPE 13mm X FLARE lens delivers stunning super flares, soft contrast, edge fall-off, and beautiful background separation.
The CANON FD 50-300mm T4.9 lens is a versatile zoom lens with full-frame sensor coverage, a 6 ft. close focus, and a 15-blade iris for smooth bokeh. Its compact design and extensive zoom range make it ideal for various shooting situations, from documentaries to wildlife photography.
The FUJINON DUVO HZK25-1000mm box lens is primarily designed for professional broadcast and cinematography applications. However, it can be used to shoot a wide range of content, including sports events, wildlife documentaries, news broadcasts, concerts, and feature films.
The FUJINON DUVO HZK 24-300mm PORTABLE PL MOUNT ZOOM lens is a compact and lightweight powerhouse. With a 12.5x zoom range (24mm to 300mm, expandable to 36mm to 450mm), its superior optical quality and remote control options make it a versatile choice for professional shooting.
Available Focal Lengths for MASTERBUILT SOFT FLARE:
14.5mm (T1.4) 18mm (T1.4) 25mm (T1.4) 35mm (T1.4) 50mm (T1.4) 85mm (T1.4) 105mm (T 1.4) 135mm (T1.4)
MASTERBUILT 160mm T1.8 ANASTIGMAT is a single 160mm focal length prime that provides a sharp, even image with attractive focus roll-off and a warm aesthetic flare with minimal chromatic aberration. The lens renders a painterly background and a sharp foreground. Available in LPL mount only.
Available Focal Lengths for TRIBE BLACKWING7 T-TUNED:
17mm (T1.9) 20.7mm (T1.9) 23.7mm (T1.9) 27mm (T1.9) 37mm (T1.9) 47mm (T1.9) 57mm (T1.9) 77mm (T1.8) 107mm (T1.8) 137mm (T2.0)
[ALSO AVAILABLE "SKINNED"]Available Focal Lengths for COOKE PANCHRO/i CLASSIC FF:
18mm (T2.2) 25mm (T2.2) 32mm (T2.2) 50mm(T2.2) 65mm Macro (T2.4) 75mm (T2.2) 100mm (T2.6) 135mm (T2.8)
Available Focal Lengths for CANON FD:
14mm (T2.9) 20mm (T2.9) 24mm (T1.5) 28mm (T2.1) 35mm (T2.1) 55mm (T1.3) 85mm (T1.3) 135mm (T2.1) 600mm (f/4.5)
Available Focal Lengths for MINOLTA ROKKOR:
21mm (T2.9) 24mm (T2.9) 28mm (T2.1) 35mm (T1.9) 45mm (T2.1) 50mm (T1.3) 58mm (T1.3) 85mm (T1.8) 100mm (T2.1) 135mm (T2.9) 200mm (T2.9)
The ARRI SIGNATURE 65-300mm T2.8 Signature Zoom with 1.7x Extender produces attractive, organic images while covering sensor sizes ranging from Super35 to full-frame.
FUJINON PREMISTA 80-250mm T2.9-3.5 is well-suited for a wide range of shooting scenarios, from documentary and event videography to high-end commercial and feature film productions.
Available Focal Lengths for NIKON-NIKKOR AIS:
14mm (T2.9) 18mm (T2.9) 24mm (T2.1) 28mm (T2.1) 35mm (T1.5) 50mm (T1.3) 58mm (T1.3) 85mm (T1.5) 105mm (T1.9) 135mm (T2.1)
Available Focal Lengths for CANON RANGEFINDER:
28mm (T2.9) 35mm (T2) 50mm (T1.5) 85mm (T1.9) 100mm (T2) 135mm (T3.5)
The COOKE VAROTAL/i 30-95mm T2.9 is a full-frame zoom lens for digital cinema and film cameras. It has a wide to telephoto focal length range of 30 to 95mm and a T2.9 to T22 aperture. The lens is ideal for shooting scenarios that require a wide range of focal lengths.
Available Focal Lengths for MAMIYA DUCLOS SEKOR-C:
24mm (f/4) 35mm (f/3.5) 45mm (f/2.8) 55mm (f/2.8) 70mm (f/2.8) 80mm (f/2.8) 110mm (f/2.8) 150mm (f/4) 210mm (f/4)
Available Focal Lengths for COOKE ANAMORPHIC/i SPECIAL FLAIR 1.8X FF:
32mm (T2.3) 40mm (T2.3) 50mm (T2.3) 75mm (T2.3) 85mm Macro (T2.8) 100mm (T2.3) 135mm (T2.3) 180mm (T2.9)
The COOKE VAROTAL/i 85-215mm T2.9 is a full-frame zoom lens for digital cinema and film cameras. It has a wide to telephoto focal length range of 85 to 215mm and a T2.9 to T22 aperture. It is ideal for shooting scenarios that require a wide range of focal lengths.
The focal length of the ANGENIEUX OPTIMO 28-340mm T3.2 with the addition of the Optima Magnus extender becomes 32-385mm.
The ANGENIEUX OPTIMO 28-340mm T3.2 captures various shots, from wide landscape shots to close-ups, making it a versatile choice for feature film productions.
ANGENIEUX OPTIMO 19.5-94mm provides cinematographers and videographers with a flexible and reliable lens that can handle a wide range of shooting scenarios.
The ultra-wide 12mm angle of view available with this versatile SONY FE 12-24mm F2.8 GM lens makes it possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye.
The SONY E 16-35mm GM F2.8 lens is a top-tier wide-angle zoom lens designed for Sony E-mount mirrorless cameras. It excels in landscape, architectural, and low-light photography. With advanced optics, weather-sealing, and exceptional image quality, it's a top choice for professional photographers and enthusiasts.
A fast, standard zoom favored for its versatility, the SONY FE 24-70mm f/2.8 GM has a wide-angle to a short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f/2.8 constant maximum aperture.
The SONY FE 24-105mm F4 G OSS is a full-frame standard zoom lens with a constant F4 aperture, it delivers a consistent performance across the focal range.
The Canon DIGISUPER 95 - XJ95 X8.6B 8.6-820MM 1:1.7 COMPLETE is a super-telephoto lens with a 95x zoom range and a wide focal length of 8.6mm.
The ANGENIEUX EZ-1 S35 30-90mm T2 lens is a versatile and high-quality cinema lens designed for professional filmmakers. With a constant wide aperture, interchangeable mounts, and a zoom range from 30mm to 90mm, it offers flexibility in framing. It suits various shooting scenarios, including narrative filmmaking, documentaries, and low-light conditions.
The ANGENIEUX EZ-2 S35 15-40mm T2 is a professional cinema zoom lens known for its exceptional versatility and image quality. With a focal length range of 15mm to 40mm and a fast T2 aperture, it's perfect for capturing a wide range of cinematic shots, from wide-angle to standard perspectives.
The ANGENIEUX EZ-3 S35 45-165mm T2.3 lens is convertible between Super 35 and Full-Frame format.
ANGENIEUX OPTIMO STYLE 16-40mm T2.8 is suitable for a wide range of film and video productions, including feature films, documentaries, commercials, music videos, and more.
ANGENIEUX OPTIMO STYLE 30-76mm ZOOM T2.8 lens is commonly used in film and television production, offering high image quality, accurate color reproduction, smooth focus, and zoom control.
The ANGENIEUX EZ-1 FF/VV 45-135mm T3 provides versatility, high image quality, and a compact size making it a popular choice for many productions.
ANGENIEUX EZ-2 FF/VV 22-60mm T3 lens is designed for professional filmmakers, providing high image quality and versatility in a compact and lightweight package.
CANON CINE-SERVO 25-250mm T2.95-3.95 has a wide focal length range, fast aperture, and a servo zoom that makes it suitable for various shooting scenarios.
The ANGENIEUX EZ-3 FF/VV 68-250mm T3.5 lens is a versatile cinema zoom lens that is compatible with both Super35 and Full Frame/VistaVision cameras. It features interchangeable rear optics, manual lens control rings, and a fast maximum aperture of T3.5.
The CANON CINE-SERVO 37.5-375mm T4.4-5.9 (25-250mm with integrated 1.5X extender engaged) is suitable for various shooting scenarios, including ENG/EFP and documentary-style shoots.
CANON CN-E 20-50mm T2.4 is a versatile cinema zoom lens with a constant T2.4 aperture, providing excellent low-light performance and cinematic depth of field.
Available Focal Lengths for ARRI ULTRA PRIME:
12mm (T2) 14mm (T1.9) 16mm (T1.9) 20mm (T1.9) 24mm (T1.9) 28mm (T1.9) 32mm (T1.9) 40mm (T1.9) 50mm (T1.9) 65mm (T1.9) 85mm (T1.9) 100mm (T1.9) 135mm (T1.9)
Available Focal Lengths for COOKE ANAMORPHIC/i 2x SPECIAL FLAIR:
25mm (T2.3) 32mm (T2.3) 40mm (T2.3) 50mm (T2.3) 65mm Macro (T2.6) 75mm (T2.3) 100mm (T2.3) 135mm (T2.3) 180mm (T2.8)
Available Focal Lengths for COOKE ANAMORPHIC/i 2X:
25mm (T2.3) 32mm (T2.3) 50mm (T2.3) 65mm Macro (T2.6) 75mm (T2.3) 100mm (T2.3)
For those who want the ultimate in image quality for tabletop cinematography, product shots, close-up inserts on feature films, or any other applications that require a macro lens, the ARRI MACRO 100mm T3 delivers images of breathtaking beauty.
The CENTURY/NIKKOR 8MM FISHEYE WIDE ANGLE T2.8 lens can be used creatively in other shooting scenarios. It's important to experiment and explore different compositions and subjects to make the most of this lens's unique perspective and distortion characteristics.
Available Focal Lengths for COOKE S8/i:
18mm (T1.4) 25mm (T1.4) 32mm (T1.4) 40mm (T1.4) 50mm (T1.4) 75mm (T1.4) 100mm (T1.4) 135mm (T1.4)
Available Focal Lengths for COOKE S7/i:
16mm (T2) 18mm (T2) 21mm (T2) 25mm (T2) 32mm (T2) 40mm (T2) 50mm (T2) 60mm Macro (T2) 65mm (T2) 75mm (T2) 100mm (T2) 135mm (T2) 180mm (T2)
Available Focal Lengths for ARRI SIGNATURE PRIME:
15mm (T1.8) 18mm (T1.8) 21mm (T1.8) 25mm (T1.8) 29mm (T1.8) 35mm (T1.8) 47mm (T1.8) 58mm (T1.8) 75mm (T1.8) 95mm (T1.8) 125mm (T1.8) 150mm (T1.8)
Available Focal Lengths for ZEISS SUPREME:
18mm (T1.5) 21mm (T1.5) 25mm (T1.5) 29mm (T1.5) 35mm (T1.5) 50mm (T1.5) 65mm (T1.5) 85mm (T1.5) 100mm (T1.5) 135mm (T1.5) 150mm (T1.8)
Available Focal Lengths for SIGMA CINE:
14mm (T2) 20mm (T1.5) 24mm (T1.5) 28mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 105mm (T1.5) 135mm (T2)
Available Focal Lengths for SCHNEIDER ISCO4ALL SET:
43mm (T2.4) 58mm (T2.4) 85mm (T2.4)
+ ISCORAMA 54 CU - 1.5X
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