The AJA KI PRO ULTA 12G DCI/UHD/HD RECORDER AND PLAYER is a multi-channel Apple ProRes® recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode, a 4K/UltraHD/2K/HD Apple ProRes or Avid DNxHR® recorder and player.
The ANGENIEUX EZ-1 FF/VV 45-135mm T3 provides versatility, high image quality, and a compact size making it a popular choice for many productions.
The ANGENIEUX EZ-1 S35 30-90mm T2 lens is a versatile and high-quality cinema lens designed for professional filmmakers. With a constant wide aperture, interchangeable mounts, and a zoom range from 30mm to 90mm, it offers flexibility in framing. It suits various shooting scenarios, including narrative filmmaking, documentaries, and low-light conditions.
ANGENIEUX EZ-2 FF/VV 22-60mm T3 lens is designed for professional filmmakers, providing high image quality and versatility in a compact and lightweight package.
The ANGENIEUX EZ-2 S35 15-40mm T2 is a professional cinema zoom lens known for its exceptional versatility and image quality. With a focal length range of 15mm to 40mm and a fast T2 aperture, it's perfect for capturing a wide range of cinematic shots, from wide-angle to standard perspectives.
The ANGENIEUX EZ-3 FF/VV 68-250mm T3.5 lens is a versatile cinema zoom lens that is compatible with both Super35 and Full Frame/VistaVision cameras. It features interchangeable rear optics, manual lens control rings, and a fast maximum aperture of T3.5.
The ANGENIEUX EZ-3 S35 45-165mm T2.3 lens is convertible between Super 35 and Full-Frame format.
ANGENIEUX OPTIMO 19.5-94mm provides cinematographers and videographers with a flexible and reliable lens that can handle a wide range of shooting scenarios.
The ANGENIEUX OPTIMO 28-340mm T3.2 captures various shots, from wide landscape shots to close-ups, making it a versatile choice for feature film productions.
The focal length of the ANGENIEUX OPTIMO 28-340mm T3.2 with the addition of the Optima Magnus extender becomes 32-385mm.
ANGENIEUX OPTIMO STYLE 16-40mm T2.8 is suitable for a wide range of film and video productions, including feature films, documentaries, commercials, music videos, and more.
ANGENIEUX OPTIMO STYLE 30-76mm ZOOM T2.8 lens is commonly used in film and television production, offering high image quality, accurate color reproduction, smooth focus, and zoom control.
APUTURE 300X LED LIGHT STORM (GOLD MOUNT):
- 300W Bi-Color Bowens Mount Point-Source LED
- Expanded Vari-White CCT Range: 2,700K-6,500K Tunable White Point
- Color-Blending Optical Design: Compatible with Optical & Soft Light Bowens Mount Modifiers
- Enhanced Output: Up to 56,000+ lux with Fresnel 2X
- Robust Design: Handbrake Locking Yoke with 360º Rotation, All-In-One Silent Control Box
APUTURE 600D LED LIGHT STORM (GOLD MOUNT):
- 600W Daylight-Balanced Bowens Mount Point-Source LED
- Comparable to 1,200W HMI: 8,500+ lux @ 3m with LS 600c Series Hyper Reflector
- Streamlined Control Box: Maintains Many LS 600d Pro's Controls at 50% Weight
- Controls: Sidus Link, 5-Pin DMX512 In & Out, 2.4GHz Remote
- Universal Bowens Mount: Compatible with Soft Light and Optical Bowens Mount Modifiers
APUTURE 600X PRO LED LIGHT STORM (GOLD MOUNT):
- 600W Bi-Color Bowens Mount Point-Source LED with Precision Color-Blending Optical Design
- Impressive Output: 5,610+ lux @ 3m with LS 600 Series Hyper Reflector (5,600K)
- Expanded Bi-Color CCT Range: 2,700K 6,500K
APUTURE AMARAN 300C:
- 300W RGBWW Full-Color Bowens Mount Point Source LED
- Picture-Perfect Color Quality with Color Tunable RGBWW Chipset
- Color-Blending Optical Design: Compatible with Soft Light and Optical Bowens Mount Modifiers
- High-Quality Output: 26,580+ lux @ 1m with Hyper Reflector (5,600K)
APUTURE AMARAN P60C 3-LIGHT RGBWW LED PANEL KIT:
- 60W Output RGBWW Lensed LED Panel & 78W Max Power Draw
- 5,900 lux @ 1 meter (5600K) & Tunable CCT from 2,500K to 7,500K
- Tunable Green-Magenta Adjustment (Full Plus/Minus Green
- CRI: 95+, TLCI: 96+, SSI (Tungsten): ≥83, SSI (D56): ≥74
- Built-in Lighting FX: Lightning, Paparazzi, Strobe, Cop Car, Fireworks , Pulsing, Faulty Bulb, Fire, TV, Party Lights
The APUTURE AMARAN PT2C 2-FOOT RGB LED TUBE LIGHT KIT Includes:
- 2 PT2c lights
- Additional mini tripod floor stands
- USB-C to DMX adapters for expanded wireless control
APUTURE AMARAN PT4C 4-FOOT RGB LED TUBE LIGHT KIT:
- 2x 4-Foot Battery-Powered RGBWW LED Pixel Tubes For Creators
- Additional Mini Tripod Floor Stands & USB-C to DMX Adapters to Expand Creativity & Enhance Functionality
- Design Unique & Dynamic Pixelated Effects with 16 Independently Controllable Pixels
- Produces Stunning Skin Tones with Full Color RGBWW Tunability
- Ready-Made Mounting Solutions: 5-Sided End Caps & 3/8-16in Screw Threads for Quick Positioning & Rigging
APUTURE LS 60X BI-COLOR LED FOCUSING FLOOD LIGHT :
- 60W Expanded Bi-Color Adjustable Focusing LED
- Custom Aspherical Optics: Adjustable 15º-45º Spot-Flood Beam Angle
The ARRI ALEXA 35 raises the bar with a new Super 35 Format 4.6K sensor and REVEAL color science.
The ARRI ALEXA MINI LF 4.5K is ARRI’s flagship large-format camera. Versatile and adaptable due to its compact size, low weight, and multiple recording formats, the Mini LF offers exceptional image quality for large format. It also features the exciting new REVEAL Color Science post workflow.
The ARRI AMC-1 allows control of focus, iris, and zoom through its LBUS interface. It supports up to three daisy-chained cforce motors and is compatible with WCU-4, SXU-1, Master Grips, and cmotion units.
The ARRI FF-4 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 1:2 knob-to-gear ratio for smooth, accurate focus pulls on a variety of lenses.
The ARRI FF-5 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 2:1 knob-to-gear ratio for smooth, accurate focus pulls on cine-style lenses.
The ARRI HI-5 FF // C-FORCE MINI MOTOR KIT offers advanced wireless multi-axis camera and lens control via a large knob, instant reconnection, a high-contrast touchscreen LCD, powerful signal, and a modular, highly customizable design.
The ARRI LCUBE 1 is a miniature multi-purpose signal converter that converts LBUS protocols to serial protocols and vice versa.
For those who want the ultimate in image quality for tabletop cinematography, product shots, close-up inserts on feature films, or any other applications that require a macro lens, the ARRI MACRO 100mm T3 delivers images of breathtaking beauty.
The ARRI Operator Control Unit OCU-1 enables camera operators to swiftly assume command of any lens function, even with lens motors engaged. Operators can instantly override and regain control of focus, zoom, and iris from the Hi-5 and WCU-4 with a simple button press.
The ARRI SIGNATURE 65-300mm T2.8 w/ 1.7X EXTENDER [LPL] produces attractive, organic images while covering sensor sizes ranging from Super35 to full-frame.
Available Focal Lengths for ARRI SIGNATURE PRIME:
15mm (T1.8) 18mm (T1.8) 21mm (T1.8) 25mm (T1.8) 29mm (T1.8) 35mm (T1.8) 47mm (T1.8) 58mm (T1.8) 75mm (T1.8) 95mm (T1.8) 125mm (T1.8) 150mm (T1.8)
The ARRI SIGNATURE ZOOM 45-135mm T2.8 [LPL] lens produces attractive, organic images while covering sensor sizes ranging from Super 25 to full-frame.
The ARRI SXU-1 WIRELESS FOLLOW FOCUS SYSTEM is a simple, single-channel hand unit that can be set up to control focus, iris or zoom. It can be used alongside the Hi-5 and WCU-4 for seperate iris control.
Available Focal Lengths for ARRI ULTRA PRIME:
12mm (T2) 14mm (T1.9) 16mm (T1.9) 20mm (T1.9) 24mm (T1.9) 28mm (T1.9) 32mm (T1.9) 40mm (T1.9) 50mm (T1.9) 65mm (T1.9) 85mm (T1.9) 100mm (T1.9) 135mm (T1.9)
The ARRI UMC-4 enables remote control of focus, iris, and zoom while recording lens metadata for post-production and VFX. It supports up to three lens motors and is compatible with WCU-4, SXU-1, Master Grips, and ARRI zoom controls.
The ARRI WCU-4 WIRELESS FOLLOW FOCUS SYSTEM is a lightweight and ergonomic hand unit that provides precise 3-axis lens control. It features a clear lens data display, lens mapping to pre-marked focus rings, and advanced focus tracking capabilities.
The ARRI ZOOM MAIN UNIT ZMU-4 seamlessly transitions between wired and wireless configurations. The ZMU supports all the new radio module options available for the Hi-5 hand unit.
The ATOMOS SHOGUN 7 Monitor offers up to DCI 4K raw recording and HDMI and 12/6/3G-SDI inputs/outputs.
The BLACKMAGIC ATEM TELEVISION STUDIO HD SWITCHER // CHROMA KEY MIX features four 3G-SDI and four HDMI inputs so customers can connect a total of up to 8 different sources such as professional SDI broadcast cameras, consumer HDMI cameras, computers and even video game consoles.
The BLACKMAGIC TERANEX 2D is an advanced-quality standards converter as well as video format converter and capture and playback device all-in-one. It can convert from most any television format to any other television format in the highest quality.
The CANON 10-18mm F/4.5-5.6 EF-S wide-angle zoom is designed for APS-C-format Canon EF-S-mount DSLRs and provides a 16-28.8mm equivalent focal length range.
The CANON 10-22mm F3.5 wide-angle zoom is designed for APS-C-format EF-S-mount DSLRs and provides a 16-35.2mm equivalent focal length range.
The CANON 16-35mm F2.8 lens is an ultrawide lens for professional news, sports, and action shooting.
CANON 24-70mm F2.8 with a standard focal length zoom range is a versatile, all-purpose lens for all types of photography ventures. From portraits and landscapes to travel and everyday photography.
CANON 30-300mm T2.95-3.7 is ideal for filmmakers who need a versatile lens that can cover a wide range of focal lengths. Its fast aperture, smooth manual focus, and zoom control make it well-suited for capturing high-quality cinematic shots.
Bring your subjects closer while shooting sports or wildlife with the EF CANON 300mm F4 telephoto lens.
CANON 50mm STM F1.8 is a perfect lens portraits, action, and even night time photography.
This CANON 60mm MACRO F2.8 lens is an excellent multi-purpose lens that's equally at home shooting macro shots, portraits, or available-light photos.
CANON 70-200mm EF MOUNT L IS II USM F2.8 is a great lens for portrait and sport photography.
CANON CINE-SERVO 17-120mm T2.95 is a high-end cine lens designed for professional filmmakers and videographers who require a high-quality zoom lens for their projects.
CANON CINE-SERVO 25-250mm T2.95-3.95 has a wide focal length range, fast aperture, and a servo zoom that makes it suitable for various shooting scenarios.
The CANON CINE-SERVO 37.5-375mm T4.4-5.9 (25-250mm with integrated 1.5X extender engaged) is suitable for various shooting scenarios, including ENG/EFP and documentary-style shoots.
The CANON CN-E 18-80mm T4.4 Compact-Servo Lens combines the functionality of Canon's EF lenses with the features and performance of their CN-E lineup.
CANON CN-E 20-50mm T2.4 is a versatile cinema zoom lens with a constant T2.4 aperture, providing excellent low-light performance and cinematic depth of field.
The Canon DIGISUPER 95 - XJ95 X8.6B 8.6-820MM 1:1.7 COMPLETE is a super-telephoto lens with a 95x zoom range and a wide focal length of 8.6mm.
The CANON DREAM 50mm T0.95 FF LPL lens is an exceptional and highly creative lens with an ultra-wide aperture, perfect for achieving a cinematic aesthetic with ultra-shallow depth of field, artistic focus control, and stunning low-light performance.
Available Focal Lengths for CANON FD:
14mm (T2.9) 20mm (T2.9) 24mm (T1.5) 28mm (T2.1) 35mm (T2.1) 55mm (T1.3) 85mm (T1.3) 135mm (T2.1) 300mm (f/2.8) 600mm (f/4.5)
The CANON FD 50-300mm T4.9 lens is a versatile zoom lens with full-frame sensor coverage, a 6 ft. close focus, and a 15-blade iris for smooth bokeh. Its compact design and extensive zoom range make it ideal for various shooting situations, from documentaries to wildlife photography.
Available Focal Lengths forCANON RANGEFINDER (by GL OPTICS) [LPL]:
28mm (T2.9) 35mm (T2) 50mm (T1.5) 85mm (T1.9) 100mm (T2) 135mm (T3.5)
The CENTURY/NIKKOR 8MM FISHEYE WIDE ANGLE T2.8 lens can be used creatively in other shooting scenarios. It's important to experiment and explore different compositions and subjects to make the most of this lens's unique perspective and distortion characteristics.
The CINEPED 2.0 ROTATIONAL SLIDER [3.5’] is great for any fast-paced production as it can deliver the quality, speed, and efficiency.
The CINETAPE V2 continuously calculates the distance between the camera's film plane and the subject. It features a 2-way wireless radio and Bluetooth compatibility.
Available Focal Lengths for COOKE ANAMORPHIC/i 2X:
25mm (T2.3) 32mm (T2.3) 50mm (T2.3) 65mm Macro (T2.6) 75mm (T2.3) 100mm (T2.3)
Available Focal Lengths for COOKE ANAMORPHIC/i 2x SPECIAL FLAIR:
25mm (T2.3) 32mm (T2.3) 40mm (T2.3) 50mm (T2.3) 65mm Macro (T2.6) 75mm (T2.3) 100mm (T2.3) 135mm (T2.3) 180mm (T2.8)
Available Focal Lengths for COOKE ANAMORPHIC/i SPECIAL FLAIR 1.8X FF:
32mm (T2.3) 40mm (T2.3) 50mm (T2.3) 75mm (T2.3) 85mm Macro (T2.8) 100mm (T2.3) 135mm (T2.3) 180mm (T2.9)
Available Focal Lengths for COOKE PANCHRO/i CLASSIC FF:
18mm (T2.2) 25mm (T2.2) 32mm (T2.2) 50mm(T2.2) 65mm Macro (T2.4) 75mm (T2.2) 100mm (T2.6) 135mm (T2.8) 152mm (T3)Available Focal Lengths for COOKE S7/i:
16mm (T2) 18mm (T2) 21mm (T2) 25mm (T2) 32mm (T2) 40mm (T2) 50mm (T2) 60mm Macro (T2) 65mm (T2) 75mm (T2) 100mm (T2) 135mm (T2) 180mm (T2)
Available Focal Lengths for COOKE S8/i:
18mm (T1.4) 25mm (T1.4) 32mm (T1.4) 40mm (T1.4) 50mm (T1.4) 75mm (T1.4) 100mm (T1.4) 135mm (T1.4)
The COOKE VAROTAL 18-100mm T3 lens is suitable for use in various applications, including documentary, narrative, and commercial production, where the ability to adjust the framing and focus of the shot quickly may be necessary.
The COOKE VAROTAL/i 30-95mm T2.9 is a full-frame zoom lens for digital cinema and film cameras. It has a wide to telephoto focal length range of 30 to 95mm and a T2.9 to T22 aperture. The lens is ideal for shooting scenarios that require a wide range of focal lengths.
The COOKE VAROTAL/i 85-215mm T2.9 is a full-frame zoom lens for digital cinema and film cameras. It has a wide to telephoto focal length range of 85 to 215mm and a T2.9 to T22 aperture. It is ideal for shooting scenarios that require a wide range of focal lengths.
COMES WITH ADJUSTABLE PIPE RAILS KIT AND BABY COMBO STANDS
The DANA DOLLY is a heavy duty camera dolly platform that rides on 16 custom modified soft polyurethane wheels that resist flat spotting and use ABEC-7-rated precision bearings providing you with extremely smooth dolly shots.
The DECIMATOR D-MON-6s // 6x1 MULTIVIEW can be used as either a one to six-channel Multiviewer or as a six-to-one input multiplexer. It supports six independent SDI inputs with active loop-through outputs, or you can view all six inputs on one optional monitor.
The DECIMATOR MD-CROSS V2 features both HDMI and 3G-SDI inputs, capable of cross-converting either signal to the other. It includes a built-in scaler and frame rate converter, allowing seamless conversion of the input signal to your desired output standard.
The DJI FOCUS 1-CHANNEL WIRELESS FIZ uses brushless motors for unheard of levels of precision and accuracy. The brushless motor puts just ±0.02° of accuracy in your hands so that turning the remote is just like turning the lens itself. It also features high torque and a fast reaction speed so you can keep your subject in focus no matter how it moves.
The DJI RONIN 2 GIMBAL w/ EXTENSIONS is a motorized stabilization system suitable for a range of camera and lens configurations, boasting a payload capacity of 30 lbs.
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