The PANASONIC VARICAM 35 features a new sensor that captures over 14 stops of dynamic range, allowing it to handle high-contrast scenes with exceptional detail. The camera supports a wide range of codecs and formats, including Panasonic's AVC-ULTRA family of advanced codecs, Apple ProRes, and 3.5 Mbps proxy recordings.
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The SONY FX9 6K revolutionizes full-frame cinematography by using advanced technology to improve on-the-go shooting. The full-frame electronic variable ND filter transforms possibilities for shooting in variable lightning conditions. The back-illuminated full-frame 6k sensor ensures that subtle details and textures are captured beyond those by conventional 4k sensors.
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Available Focal Lengths for MAMIYA DUCLOS SEKOR-C:
24mm (f/4) 35mm (f/3.5) 45mm (f/2.8) 55mm (f/2.8) 70mm (f/2.8) 80mm (f/2.8) 110mm (f/2.8) 150mm (f/4) 210mm (f/4)
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The PANASONIC AG-HPX610 features a 2/3 type lens mount, enabling the use of industry standard lenses ensuring total flexibility. The AG-HPX610 features a MOS sensor that provides excellent image quality with high sensitivity and low noise.
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The FUJINON DUVO HZK25-1000mm box lens is primarily designed for professional broadcast and cinematography applications. However, it can be used to shoot a wide range of content, including sports events, wildlife documentaries, news broadcasts, concerts, and feature films.
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The TERADEK RT MOTION 3-CHANNEL WIRELESS FIZ wirelessly controls lens focus, iris, and zoom, featuring the upgraded MOTR.S lens motor.
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The ARRI WCU-4 WIRELESS FOLLOW FOCUS SYSTEM is a lightweight and ergonomic hand unit that provides precise 3-axis lens control. It features a clear lens data display, lens mapping to pre-marked focus rings, and advanced focus tracking capabilities.
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The ARRI SXU-1 WIRELESS FOLLOW FOCUS SYSTEM is a simple, single-channel hand unit that can be set up to control focus, iris or zoom. It can be used alongside the Hi-5 and WCU-4 for seperate iris control.
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The DJI FOCUS 1-CHANNEL WIRELESS FIZ uses brushless motors for unheard of levels of precision and accuracy. The brushless motor puts just ±0.02° of accuracy in your hands so that turning the remote is just like turning the lens itself. It also features high torque and a fast reaction speed so you can keep your subject in focus no matter how it moves.
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THE HD HOUSE FILTER COLLECTION INCLUDES:
- ND
- ND GRADUATED
- IRND
- POLA
- ROTA POLA
- GLIMMER GLASS
- BLACK GLIMMER GLASS
- BRONZE GLIMMER GLASS
- REGULAR PRO MIST
- BLACK PRO MIST
- HOLLYWOOD BLACK MAGIC
- BLACK SATIN
- PEARLESCENT
- CLASSIC SOFT
- RADIANT SOFT
- LOW CON
- REGULAR STREAK
- BLUE STREAK
- GOLD STREAK
- CORAL
- BLUE
- GOLD
- CORAL GRADS
- SUNSET GRADS
- ANTIQUE SUEDE GRADS
- STAR FILTERS
- DIOPTERS
- SPLIT DIOPTERS
- “STRIP” DIOPTERS
- ROTA SPLIT DIOPTERS
- CLEAR
IF YOU NEED SOMETHING THAT ISN’T ON THIS LIST, LET US KNOW!
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The SMALL HD DP 4 Monitor features HDMI, component, and composite video inputs supporting video signals up to 1920 x 1080.
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The AJA KI PRO ULTA 12G DCI/UHD/HD RECORDER AND PLAYER is a multi-channel Apple ProRes® recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode, a 4K/UltraHD/2K/HD Apple ProRes or Avid DNxHR® recorder and player.
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The SOUND DEVICES PIX 270i (64 CHANNELS MULTITRACK MADI/DANTE/VIDEO) is a rack-mountable, production video recorder with extensive audio and video processing capabilities. The foundation of the PIX 270i is hardware-based, 10-bit video up/down/cross conversion, and hardware-based encoding to Apple ProRes and Avid DNxHD codecs.
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The DECIMATOR MD-CROSS V2 features both HDMI and 3G-SDI inputs, capable of cross-converting either signal to the other. It includes a built-in scaler and frame rate converter, allowing seamless conversion of the input signal to your desired output standard.
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The BLACKMAGIC TERANEX 2D is an advanced-quality standards converter as well as video format converter and capture and playback device all-in-one. It can convert from most any television format to any other television format in the highest quality.
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The ROSS NK-3G ROUTER 34x34 can be integrated into larger NK router systems with combinations of audio, video and machine control routers, and iscompatible with all NK control panels or external control via the NK-3RD, NK-SCP/A or NK-GPI.
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The OPENGEAR oGx FRAME w/ CARDS (DA'S, TC, AUDIO, TRI LEVEL SYNC, ETC...) has superior flexibility, power and control. uilt for today’s baseband, hybrid and IP facilities it is the broadcast world’s first and only open-hardware platform.
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The TERADEK CUBE 655 ENCODER s a real-time H.264 encoder with 3G-SDI and HDMI inputs. It encodes up to 1080p video at bit rates up to 15 Mbps, allowing for high-quality images to be streamed over Ethernet, Wi-Fi, or USB.
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The LIVEU LU600 w/ BACKPACK has set the standard for portable video transmission, providing excellent video performance with extreme bandwidth efficiency.
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The CINEPED 2.0 ROTATIONAL SLIDER [3.5’] is great for any fast-paced production as it can deliver the quality, speed, and efficiency.
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The TERADEK BOLT 500 WIRELESS VIDEO SYSTEM wirelessly transmits lossless SDI video over distances of up to 500 feet.
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The TERADEK BOLT 1000 WIRELESS VIDEO SYSTEM transmits uncompressed video signals over distances of up to 1000 feet.
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The TERADEK BOLT 3000 WIRELESS VIDEO SYSTEM transmits uncompressed 1080p video wirelessly over 3000 feet line-of-sight.
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The TERADEK BOLT 10000 WIRELESS VIDEO SYSTEM can receive an HD or SD video signal from a Teradek Bolt 3000 transmitter up to 10,000' away. Both SDI and HDMI outputs are available on the receiver, and incoming HDMI or SDI signals can be converted to either output.
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The TERADEK BOLT 750 4k WIRELESS VIDEO SYSTEM is a real-time wireless video transmission system that supports 1080p and 2160p video signals at 60FPS with less than 1ms of delay at up to 750 feet. Key features include increased range, faster reconnection times, easier setup with Bluetooth App for iOS or Android, and more stable connectivity.
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The VAXIS STORM 3000 DV WIRELESS VIDEO SYSTEM transmits visually lossless, uncompressed video signals to any Vaxis Storm receiver with zero latency. The unit features a dual V-mount plate which allows you to attach it to the V-mount plate on your camera and mount a V-mount battery on the other side, providing pass-through power to both the transmitter and the camera simultaneously.
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The TERADEK COLR (LUT BOX) is a real-time LUT box, camera control bridge, and HDMI/SDI cross-converter in one tiny pack. It integrates with Pomfort LiveGrade Pro, allowing DITs and colorists to give everyone the right look.
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The TERADEK SERV PRO w/ LINK DUAL-BAND WI-FI ROUTER (STREAM LOCALLY TO PHONES/TABLETS) connects cameras via SDI or HDMI and transmits signals up to 1080p over Wi-Fi or Ethernet. The Link dual-band Wi-Fi router extends the signal from the Serv Pro units up to 1000 feet without degradation.
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The SOUND DEVICES 664 (12 ANA in, 4 AUX OUT, 16 TRACKS) starts with a low-noise, transformerless preamplifier section, offering pristine audio quality. It features an intuitive mixing surface, digitally-controlled routing, analog inserts, and auxiliary busses, culminating in versatile and abundant output connectivity.
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The LECTROSONICS WIRELESS IFB SYSTEMS is a high-quality IFB transmitter designed for applications where long operating range and great audio quality are needed, such as broadcasting, film, and theater. The sleek, simple box can be used as a stand-alone unit, or patched into other widely-used intercom systems.
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The SOURCE 4 LEKO light uses revolutionary technology that gives you a clean white beam for unequaled imaging, crisp pattern projection, and a bright, even field.
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C-STANDS, COMBO AND ROLLING COMBO STANDS, FLAGS AND NETS, GELLED FRAMES, RAGS, FRAMES, APPLE BOXES, CLAMPS, SANDBAGS, STINGERS, AND MORE.
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The READY RIG w/ "VEGA" UPGRADE support unit enhances boom movements while reducing footsteps and bounce motion.
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The SONY E 16-35mm GM F2.8 lens is a top-tier wide-angle zoom lens designed for Sony E-mount mirrorless cameras. It excels in landscape, architectural, and low-light photography. With advanced optics, weather-sealing, and exceptional image quality, it's a top choice for professional photographers and enthusiasts.
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The Canon DIGISUPER 95 - XJ95 X8.6B 8.6-820MM 1:1.7 COMPLETE is a super-telephoto lens with a 95x zoom range and a wide focal length of 8.6mm.
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The LAOWA 12mm T2.9 ZERO-D CINE is a wide-angle lens optimized for digital cinematography. It has a wide 122° angle of view and is lightweight and compact. It is ideal for shooting scenarios that require a wide range of focal lengths.
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FUJINON DUVO 37.5mm-1500mm F4.2-7.5 PL MOUNT BOX lens is the Fujinon HZK25-1000mm with integrated 1.5X extender engaged.
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The RED 18-50mm T3 ZOOM PL is a compact and versatile zoom lens with a T3 aperture, suitable for a wide range of filming applications.
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Available Focal Lengths forCANON RANGEFINDER (by GL OPTICS) [LPL]:
28mm (T2.9) 35mm (T2) 50mm (T1.5) 85mm (T1.9) 100mm (T2) 135mm (T3.5)
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The ARRI SIGNATURE ZOOM 45-135mm T2.8 [LPL] lens produces attractive, organic images while covering sensor sizes ranging from Super 25 to full-frame.
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Available Focal Lengths for SECOND REEF CORAL ANAMORPHIC FF:
50mm (T2.6)
75mm (T2.8)
90mm (T2.8)
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COMES WITH ADJUSTABLE PIPE RAILS KIT AND BABY COMBO STANDS
The DANA DOLLY is a heavy duty camera dolly platform that rides on 16 custom modified soft polyurethane wheels that resist flat spotting and use ABEC-7-rated precision bearings providing you with extremely smooth dolly shots.
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The LAOWA 10mm ZERO-D (by GL OPTICS) [LPL] lens renders the world with breathtaking rectilinear accuracy. Its 15-element design delivers pristine clarity, while the T3.1 aperture unlocks stunning low-light performance.
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The LAOWA 9mm ZERO-D is a compact, ultra-wide rectilinear lens with a 134.8° field of view and minimal distortion, allowing for precise framing. Its close-focusing capability lets you capture subjects as near as 4.7 inches with ease.
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Available Focal Lengths for SOVIET MKII (IRONGLASS REHOUSED) :
20mm (T3.6)
28mm (T3.6)
37mm (T2.9)
50mm (T2.1)
58mm (T2.1)
85mm (T2.1)
135mm (T2.9)
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The EASYRIG MINIMAX is designed for productions requiring extensive handheld camerawork with cameras weighing 4.4 to 15.4 lb.
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The UNDEAD OPTICS AIRES is a single-coated set of LPL-mount rehoused vintage cinema lenses with a 95mm front diameter and full-frame coverage. Available focal lengths in this listing: 32mm (f1.8) and 45mm (f1.7).
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The ARRI Alexa 35 Xtreme raises the bar even further with a high-speed ARRICORE codec and Sensor Overdrive, pushing frame rates up to 660 fps while keeping the same 4.6K sensor and REVEAL color science.
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The DJI Ronin 4D fuses a full-frame cinema camera, 4-axis active stabilization, LiDAR autofocus, and long-range wireless transmission into one highly integrated, modular system — delivering dolly-smooth handheld footage without a separate gimbal operator.
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The Pixboom Spark is a compact 4.6K Super 35 global shutter cinema camera built for extreme slow motion, capturing up to 1000 fps at 4K and 4.6K Open Gate at 670 fps with clean, low-light performance and unlimited RAW recording.
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The Laowa FF 8-15mm T2.9 Fisheye Zoom is a full-frame cine lens that swings from a 180° circular fisheye at 8mm to a full-frame rectangular fisheye at 15mm, holding a constant T2.9 aperture across the entire range.
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The Laowa 15-24mm T8 Probe Zoom is the widest full-frame probe lens on the market, combining a 1.6x zoom range with four interchangeable viewing modules — Direct, 35°, 90°, and Periscope — for perspectives no conventional lens can reach.
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The IBE Raptor Macro Primes are a full-frame T2.9 macro lens set — 100mm, 150mm, and 180mm — delivering true 1:1 magnification from macro focus to infinity with the shallow depth of field and organic look of large-format cine glass.
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The IBE Raptor Scope FF is a full-frame, snorkel-style periscope lens delivering unlimited 360° pan, tilt, and roll with continuous image rotation — opening up camera angles and moves that no conventional lens can reach.
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UP TO 50 UNITS AVAILABLE WITH SURVEILLANCE-STYLE HEADSETS AND MULTI CHARGING HUB
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The RED MONSTRO 8K 40.96 x 21.6mm sensor takes advantage of full-frame 35mm lenses, recording at rates up to 60 fps at full resolution. Higher frame rates, up to 300 fps, can be made available by windowing the sensor to lower resolutions.
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The SONY VENICE + RIALTO EXTENSION SYSTEM enables cabled separation of the VENICE camera body and image sensor block. It provides a flexible design configuration within a single camera body, increasing its mobility without lessening the full-frame image quality.
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The RED DSMC2 GEMINI 5K is a powerful, dual sensitivity camera that offers the ability to shoot in either low light or standard modes. THE DSMC2 GEMINI offers cleaner, less-noisy images in low-light conditions as well as improved performance in shadows.
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The LITEPANELS CROMA LED features the newest LED Surface Mount Technology which guarantees images with perfect color rendition. The LED panel embeds innovative lenses which have been designed to achieve improved optical efficiency.
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The TILTA NUCLEUS-NANO 1- CHANNEL can be used to wirelessly control the focus of most DSLR, mirrorless, or cine-style lenses. The core of the system is the pairing of the focus control motor and the focus handwheel. The units can connect to each other from 300' away, and can be mounted in a variety of ways.
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The MANFROTTO 502 HEAD features variable fluid drag system for pan and tilt movements. It has a maximum capacity of 10kg and features a Ø75mm half ball connection to ensure compatibility with most equipment today.
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