The PANASONIC VARICAM 35 features a new sensor that captures over 14 stops of dynamic range, allowing it to handle high-contrast scenes with exceptional detail. The camera supports a wide range of codecs and formats, including Panasonic's AVC-ULTRA family of advanced codecs, Apple ProRes, and 3.5 Mbps proxy recordings.
The SONY FX9 6K revolutionizes full-frame cinematography by using advanced technology to improve on-the-go shooting. The full-frame electronic variable ND filter transforms possibilities for shooting in variable lightning conditions. The back-illuminated full-frame 6k sensor ensures that subtle details and textures are captured beyond those by conventional 4k sensors.
Available Focal Lengths for MAMIYA DUCLOS SEKOR-C:
24mm (f/4) 35mm (f/3.5) 45mm (f/2.8) 55mm (f/2.8) 70mm (f/2.8) 80mm (f/2.8) 110mm (f/2.8) 150mm (f/4) 210mm (f/4)
The PANASONIC AG-HPX610 features a 2/3 type lens mount, enabling the use of industry standard lenses ensuring total flexibility. The AG-HPX610 features a MOS sensor that provides excellent image quality with high sensitivity and low noise.
The FUJINON DUVO HZK25-1000mm box lens is primarily designed for professional broadcast and cinematography applications. However, it can be used to shoot a wide range of content, including sports events, wildlife documentaries, news broadcasts, concerts, and feature films.
The TERADEK RT MOTION 3-CHANNEL WIRELESS FIZ wirelessly controls lens focus, iris, and zoom, featuring the upgraded MOTR.S lens motor.
The ARRI WCU-4 WIRELESS FOLLOW FOCUS SYSTEM is a lightweight and ergonomic hand unit that provides precise 3-axis lens control. It features a clear lens data display, lens mapping to pre-marked focus rings, and advanced focus tracking capabilities.
The ARRI SXU-1 WIRELESS FOLLOW FOCUS SYSTEM is a simple, single-channel hand unit that can be set up to control focus, iris or zoom. It can be used alongside the Hi-5 and WCU-4 for seperate iris control.
The DJI FOCUS 1-CHANNEL WIRELESS FIZ uses brushless motors for unheard of levels of precision and accuracy. The brushless motor puts just ±0.02° of accuracy in your hands so that turning the remote is just like turning the lens itself. It also features high torque and a fast reaction speed so you can keep your subject in focus no matter how it moves.
THE HD HOUSE FILTER COLLECTION INCLUDES:
- ND
- ND GRADUATED
- IRND
- POLA
- ROTA POLA
- GLIMMER GLASS
- BLACK GLIMMER GLASS
- BRONZE GLIMMER GLASS
- REGULAR PRO MIST
- BLACK PRO MIST
- HOLLYWOOD BLACK MAGIC
- BLACK SATIN
- PEARLESCENT
- CLASSIC SOFT
- RADIANT SOFT
- LOW CON
- REGULAR STREAK
- BLUE STREAK
- GOLD STREAK
- CORAL
- BLUE
- GOLD
- CORAL GRADS
- SUNSET GRADS
- ANTIQUE SUEDE GRADS
- STAR FILTERS
- DIOPTERS
- SPLIT DIOPTERS
- “STRIP” DIOPTERS
- ROTA SPLIT DIOPTERS
- CLEAR
IF YOU NEED SOMETHING THAT ISN’T ON THIS LIST, LET US KNOW!
The SMALL HD DP 4 Monitor features HDMI, component, and composite video inputs supporting video signals up to 1920 x 1080.
The AJA KI PRO ULTA 12G DCI/UHD/HD RECORDER AND PLAYER is a multi-channel Apple ProRes® recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode, a 4K/UltraHD/2K/HD Apple ProRes or Avid DNxHR® recorder and player.
The SOUND DEVICES PIX 270i (64 CHANNELS MULTITRACK MADI/DANTE/VIDEO) is a rack-mountable, production video recorder with extensive audio and video processing capabilities. The foundation of the PIX 270i is hardware-based, 10-bit video up/down/cross conversion, and hardware-based encoding to Apple ProRes and Avid DNxHD codecs.
The DECIMATOR MD-CROSS V2 features both HDMI and 3G-SDI inputs, capable of cross-converting either signal to the other. It includes a built-in scaler and frame rate converter, allowing seamless conversion of the input signal to your desired output standard.
The BLACKMAGIC TERANEX 2D is an advanced-quality standards converter as well as video format converter and capture and playback device all-in-one. It can convert from most any television format to any other television format in the highest quality.
The ROSS NK-3G ROUTER 34x34 can be integrated into larger NK router systems with combinations of audio, video and machine control routers, and iscompatible with all NK control panels or external control via the NK-3RD, NK-SCP/A or NK-GPI.
The OPENGEAR oGx FRAME w/ CARDS (DA'S, TC, AUDIO, TRI LEVEL SYNC, ETC...) has superior flexibility, power and control. uilt for today’s baseband, hybrid and IP facilities it is the broadcast world’s first and only open-hardware platform.
The TERADEK CUBE 655 ENCODER s a real-time H.264 encoder with 3G-SDI and HDMI inputs. It encodes up to 1080p video at bit rates up to 15 Mbps, allowing for high-quality images to be streamed over Ethernet, Wi-Fi, or USB.
The LIVEU LU600 w/ BACKPACK has set the standard for portable video transmission, providing excellent video performance with extreme bandwidth efficiency.
The CINEPED 2.0 ROTATIONAL SLIDER [3.5’] is great for any fast-paced production as it can deliver the quality, speed, and efficiency.
The TERADEK BOLT 500 WIRELESS VIDEO SYSTEM wirelessly transmits lossless SDI video over distances of up to 500 feet.
The TERADEK BOLT 1000 WIRELESS VIDEO SYSTEM transmits uncompressed video signals over distances of up to 1000 feet.
The TERADEK BOLT 3000 WIRELESS VIDEO SYSTEM transmits uncompressed 1080p video wirelessly over 3000 feet line-of-sight.
The TERADEK BOLT 10000 WIRELESS VIDEO SYSTEM can receive an HD or SD video signal from a Teradek Bolt 3000 transmitter up to 10,000' away. Both SDI and HDMI outputs are available on the receiver, and incoming HDMI or SDI signals can be converted to either output.
The TERADEK BOLT 750 4k WIRELESS VIDEO SYSTEM is a real-time wireless video transmission system that supports 1080p and 2160p video signals at 60FPS with less than 1ms of delay at up to 750 feet. Key features include increased range, faster reconnection times, easier setup with Bluetooth App for iOS or Android, and more stable connectivity.
The VAXIS STORM 3000 DV WIRELESS VIDEO SYSTEM transmits visually lossless, uncompressed video signals to any Vaxis Storm receiver with zero latency. The unit features a dual V-mount plate which allows you to attach it to the V-mount plate on your camera and mount a V-mount battery on the other side, providing pass-through power to both the transmitter and the camera simultaneously.
The TERADEK COLR (LUT BOX) is a real-time LUT box, camera control bridge, and HDMI/SDI cross-converter in one tiny pack. It integrates with Pomfort LiveGrade Pro, allowing DITs and colorists to give everyone the right look.
The TERADEK SERV PRO w/ LINK DUAL-BAND WI-FI ROUTER (STREAM LOCALLY TO PHONES/TABLETS) connects cameras via SDI or HDMI and transmits signals up to 1080p over Wi-Fi or Ethernet. The Link dual-band Wi-Fi router extends the signal from the Serv Pro units up to 1000 feet without degradation.
The SOUND DEVICES 664 (12 ANA in, 4 AUX OUT, 16 TRACKS) starts with a low-noise, transformerless preamplifier section, offering pristine audio quality. It features an intuitive mixing surface, digitally-controlled routing, analog inserts, and auxiliary busses, culminating in versatile and abundant output connectivity.
The LECTROSONICS WIRELESS IFB SYSTEMS is a high-quality IFB transmitter designed for applications where long operating range and great audio quality are needed, such as broadcasting, film, and theater. The sleek, simple box can be used as a stand-alone unit, or patched into other widely-used intercom systems.
The SOURCE 4 LEKO light uses revolutionary technology that gives you a clean white beam for unequaled imaging, crisp pattern projection, and a bright, even field.
- C-STANDS, COMBO AND ROLLING COMBO STANDS, FLAGS AND NETS, GELLED FRAMES, RAGS, FRAMES, APPLE BOXES, CLAMPS, SANDBAGS, STINGERS, AND MORE.
The READY RIG w/ "VEGA" UPGRADE support unit enhances boom movements while reducing footsteps and bounce motion.
The SONY E 16-35mm GM F2.8 lens is a top-tier wide-angle zoom lens designed for Sony E-mount mirrorless cameras. It excels in landscape, architectural, and low-light photography. With advanced optics, weather-sealing, and exceptional image quality, it's a top choice for professional photographers and enthusiasts.
The Canon DIGISUPER 95 - XJ95 X8.6B 8.6-820MM 1:1.7 COMPLETE is a super-telephoto lens with a 95x zoom range and a wide focal length of 8.6mm.
The LAOWA 12mm T2.9 ZERO-D CINE is a wide-angle lens optimized for digital cinematography. It has a wide 122° angle of view and is lightweight and compact. It is ideal for shooting scenarios that require a wide range of focal lengths.
FUJINON DUVO 37.5mm-1500mm F4.2-7.5 PL MOUNT BOX lens is the Fujinon HZK25-1000mm with integrated 1.5X extender engaged.
The RED 18-50mm T3 ZOOM PL is a compact and versatile zoom lens with a T3 aperture, suitable for a wide range of filming applications.
Available Focal Lengths forCANON RANGEFINDER (by GL OPTICS) [LPL]:
28mm (T2.9) 35mm (T2) 50mm (T1.5) 85mm (T1.9) 100mm (T2) 135mm (T3.5)
The ARRI SIGNATURE ZOOM 45-135mm T2.8 [LPL] lens produces attractive, organic images while covering sensor sizes ranging from Super 25 to full-frame.
Available Focal Lengths for SECOND REEF CORAL ANAMORPHIC FF:
50mm (T2.6)
75mm (T2.8)
90mm (T2.8)
COMES WITH ADJUSTABLE PIPE RAILS KIT AND BABY COMBO STANDS
The DANA DOLLY is a heavy duty camera dolly platform that rides on 16 custom modified soft polyurethane wheels that resist flat spotting and use ABEC-7-rated precision bearings providing you with extremely smooth dolly shots.
The LAOWA 10mm ZERO-D (by GL OPTICS) [LPL] lens renders the world with breathtaking rectilinear accuracy. Its 15-element design delivers pristine clarity, while the T3.1 aperture unlocks stunning low-light performance.
The LAOWA 9mm ZERO-D is a compact, ultra-wide rectilinear lens with a 134.8° field of view and minimal distortion, allowing for precise framing. Its close-focusing capability lets you capture subjects as near as 4.7 inches with ease.
Available Focal Lengths for SOVIET MKII (IRONGLASS REHOUSED) :
20mm (T3.6)
28mm (T3.6)
37mm (T2.9)
50mm (T2.1)
58mm (T2.1)
85mm (T2.1)
135mm (T2.9)
The EASYRIG MINIMAX is designed for productions requiring extensive handheld camerawork with cameras weighing 4.4 to 15.4 lb.
UP TO 50 UNITS AVAILABLE WITH SURVEILLANCE-STYLE HEADSETS AND MULTI CHARGING HUB
The RED MONSTRO 8K 40.96 x 21.6mm sensor takes advantage of full-frame 35mm lenses, recording at rates up to 60 fps at full resolution. Higher frame rates, up to 300 fps, can be made available by windowing the sensor to lower resolutions.
The SONY VENICE + RIALTO EXTENSION SYSTEM enables cabled separation of the VENICE camera body and image sensor block. It provides a flexible design configuration within a single camera body, increasing its mobility without lessening the full-frame image quality.
The RED DSMC2 GEMINI 5K is a powerful, dual sensitivity camera that offers the ability to shoot in either low light or standard modes. THE DSMC2 GEMINI offers cleaner, less-noisy images in low-light conditions as well as improved performance in shadows.
The LITEPANELS CROMA LED features the newest LED Surface Mount Technology which guarantees images with perfect color rendition. The LED panel embeds innovative lenses which have been designed to achieve improved optical efficiency.
The TILTA NUCLEUS-NANO 1- CHANNEL can be used to wirelessly control the focus of most DSLR, mirrorless, or cine-style lenses. The core of the system is the pairing of the focus control motor and the focus handwheel. The units can connect to each other from 300' away, and can be mounted in a variety of ways.
The MANFROTTO 502 HEAD features variable fluid drag system for pan and tilt movements. It has a maximum capacity of 10kg and features a Ø75mm half ball connection to ensure compatibility with most equipment today.
The SONY VENICE 6K is a professional cinema camera with a newly developed full-frame sensor, customizable features, and exceptional color science. It offers high frame rates, dual base ISO, and a user-friendly design.
RED DSMC2 HELIUM 8K has a 35.4MP S35 CMOS sensor which allows for up to 8K-resolution black-and-white (monochrome) images. It has multiple capture rates including up to 60 fps 8K, 120 fps in 4K, and 240 fps. It provides versatile workflow options with REDCODE RAW, ProRes, and DNx recording.
Described as "weird but genius," the CANON LAOWA 24mm F14 2x MACRO PROBE LENS w/ LIGHT from Venus Optics is a unique lens designed for close-up shooting.
The E-IMAGE GH03 75mm HEAD 75mm BALL supports cameras and accessories weighing up to 11 pounds. It features an Easy Lock Baseplate system that combines the balance adjustment of a sliding baseplate with the ease of a quick release system.
Available Focal Lengths for ROKINON CINE DS:
8mm (T3.8) 10mm (T3.1) 12mm (T3.1) 14mm (T3.1) 16mm (T2.2) 20mm (T1.9) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 100mm Macro (T3.1) 135mm (T2.2)
The CANON 10-22mm F3.5 wide-angle zoom is designed for APS-C-format EF-S-mount DSLRs and provides a 16-35.2mm equivalent focal length range.
The CANON 10-18mm F/4.5-5.6 EF-S wide-angle zoom is designed for APS-C-format Canon EF-S-mount DSLRs and provides a 16-28.8mm equivalent focal length range.
The ARRI LCUBE 1 is a miniature multi-purpose signal converter that converts LBUS protocols to serial protocols and vice versa.
The TV LOGIC 5.6" VFM-056W is available in two configurations and is ideal for HD-SLR production.
The SHURE PSM 300 delivers reliable wireless freedom across every corner of the stage. Its patented Audio Reference Companding technology ensures crystal-clear sound with ultra-low noise and no artifacts.
The ZOOM H6 HANDY RECORDER (4 INPUTS) features advanced preamps and interchangeable capsules, offering unmatched versatility and award-winning audio quality.
The ELEMENT TECHNICA MANTIS HANDHELD RIG is a shoulder mounting solution for film and digital motion picture cameras. It includes a shoulder pad and dovetail, a crossbar, and a universal handle kit.
The APUTURE AMARAN PT2C 2-FOOT RGB LED TUBE LIGHT KIT Includes:
- 2 PT2c lights
- Additional mini tripod floor stands
- USB-C to DMX adapters for expanded wireless control
The ARRI FF-4 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 1:2 knob-to-gear ratio for smooth, accurate focus pulls on a variety of lenses.
The ARRI FF-5 MANUAL FOLLOW FOCUS SYSTEM consists of a single-sided follow focus with one standard knob. It is designed with a 2:1 knob-to-gear ratio for smooth, accurate focus pulls on cine-style lenses.
The E-IMAGE G15 HEAD 100mm BALL supports cameras and accessories weighing up to 39.6 lb and features a 100mm half ball for quick leveling adjustments. It includes 10 counterbalance steps, allowing for precise adjustment when using lighter cameras.
The E-IMAGE GH25 HEAD 100mm BALL is a heavy duty fluid specially designed to support heavier ENG and EFP camcorders weighing up to 25kg (55lbs). It features 15 steps counterbalance system with a 2.8" (70mm) sliding plate for perfect balance, and 7 steps of drag plus zero in both pan and tilt.
Available Focal Lengths for ROKINON XEEN:
14mm (T3.1) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 135mm (T2.2)
GLOBAL DYNAMICS UNITED 24mm F2.8 is perfect for RED cameras with Canon Mount, Canon 7D and other Canon APS-C cameras, Sony Nex / A7 with AF Canon adapter.
The GLOBAL DYNAMICS UNITED 40mm F2.8 lens is a very artful and beautiful lens for close-up shots of small objects.
CANON 50mm STM F1.8 is a perfect lens portraits, action, and even night time photography.
This CANON 60mm MACRO F2.8 lens is an excellent multi-purpose lens that's equally at home shooting macro shots, portraits, or available-light photos.
The CANON 16-35mm F2.8 lens is an ultrawide lens for professional news, sports, and action shooting.
CANON 24-70mm F2.8 with a standard focal length zoom range is a versatile, all-purpose lens for all types of photography ventures. From portraits and landscapes to travel and everyday photography.
CANON 70-200mm EF MOUNT L IS II USM F2.8 is a great lens for portrait and sport photography.
Available Focal Lengths for SONY G MASTER (GM) FOCAL LENS FE SERIES:
14mm (F1.8) 20mm (F1.8) 24mm (F1.4) 35mm (F1.4) 50mm (F1.4) 85mm (F1.4) 90mm Macro (F2.8) 100mm (F2.8) 135mm (F1.8)
Designed to satisfy 4K production requirements, the SONY FE PZ 28-135mm G OSS F4 lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system.
The SACHTLER VIDEO 18 HEAD S2 100mm BALL has a sliding balance plate with a 4.72" sliding range, supporting cameras and rigs from 4 to 48.5 lbs. It features seven grades of pan and tilt drag, a zero setting for completely free movement, 16 steps of counterbalance, plus a Boost Button.
The SACHTLER VIDEO 25 PLUS HEAD 150mm BALL is a remarkably lightweight fluid head designed for studio and outside broadcast use. It comfortably supports payloads of up to 35 kg and features a seven-step drag system, ensuring smooth and precise shots at any drag level.
The E-IMAGE GH40 PLUS 150mm BALL is a heavy duty Fluid Action Head specifically designed to support Film and Studio cameras weighing up to 40kg (88lbs). Counterbalance mechanism is activated by a 9-position easy grip selector; while the fluid control system allows the damping levels to range from "0" for freewheeling to 9 for maximum drag on both pan and tilt modes.
The SOUND DEVICES 552 (5 ANA in, 3 SPLIT OUT, 2 TRACK) combines professional-quality analog and digital technologies in a robust metal housing to provide a compact and lightweight mixing and recording solution for a variety of applications. The unit features 5 transformer-balanced XLR mic inputs, each with its own limiter and sweepable high-pass filter.
The RED CLUTCH HANDHELD RIG is an assembly of support accessories that form a highly configurable and adjustable shoulder support shooting rig.
The SMALL HD 502 BRIGHT Monitor brings a bright 1000 cd/m² panel to the compact platform. While the 5" display is bright it doesn't sacrifice resolution, yet it won't overwhelm a DSLR or mirrorless camera if secured to the accessory shoe.
APUTURE LS 60X BI-COLOR LED FOCUSING FLOOD LIGHT :
- 60W Expanded Bi-Color Adjustable Focusing LED
- Custom Aspherical Optics: Adjustable 15º-45º Spot-Flood Beam Angle
APUTURE AMARAN P60C 3-LIGHT RGBWW LED PANEL KIT:
- 60W Output RGBWW Lensed LED Panel & 78W Max Power Draw
- 5,900 lux @ 1 meter (5600K) & Tunable CCT from 2,500K to 7,500K
- Tunable Green-Magenta Adjustment (Full Plus/Minus Green
- CRI: 95+, TLCI: 96+, SSI (Tungsten): ≥83, SSI (D56): ≥74
- Built-in Lighting FX: Lightning, Paparazzi, Strobe, Cop Car, Fireworks , Pulsing, Faulty Bulb, Fire, TV, Party Lights
With a compact design for solo shooters, travel applications, and ideal B cam footage, the SONY FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a "cage-free" design offering the ability to secure various accessories directly to the camera body.
Available Focal Lengths for SIGMA CINE:
14mm (T2) 20mm (T1.5) 24mm (T1.5) 28mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 105mm (T1.5) 135mm (T2)
Bring your subjects closer while shooting sports or wildlife with the EF CANON 300mm F4 telephoto lens.
A fast, standard zoom favored for its versatility, the SONY FE 24-70mm f/2.8 GM has a wide-angle to a short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f/2.8 constant maximum aperture.
The GoPro HERO10 BLACK is one of the most versatile cameras in the game, delivering all-out speed and ultimate ease. Powered by the revolutionary GP2 processor, the GoPro HERO10 BLACK shoots 5.3K video with higher frame rates, 23MP photos, enhanced low-light performance and game-changing HyperSmooth 4.0 video stabilization in all modes.
The ARRI AMC-1 allows control of focus, iris, and zoom through its LBUS interface. It supports up to three daisy-chained cforce motors and is compatible with WCU-4, SXU-1, Master Grips, and cmotion units.
The TV LOGIC 7.4" LVW-074W is an ideal monitor for the latest compact cinema cameras. The LVM-074W offers a wide range of professional features including: Waveform/Vectorscope, built-in HDMI to HD-SDI conversion output, Horizontal and Vertical Image Flip, Focus Assist, Audio Level Meter and more.
The DECIMATOR D-MON-6s // 6x1 MULTIVIEW can be used as either a one to six-channel Multiviewer or as a six-to-one input multiplexer. It supports six independent SDI inputs with active loop-through outputs, or you can view all six inputs on one optional monitor.
The SACHTLER CINE 30 HEAD 150mm BALL has a sideload platform that allows for simple and secure mounting of heavily accessorised camera setups, ensuring safety without compromising efficiency. It has a payload range that spans from 3 kg to 32 kg (7 to 71 lbs).
The SOUND DEVICES SCORPIO (32-CHANNEL/36-TRACK) features 16 mic/line preamplifiers, 32 channels of Dante input and output, AES input and output, 12 analog outputs, and multiple headphone outputs.
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