- The Sony Burano 8K digital cinema camera offers up to 8.6K video capture in a compact, full-frame form.
The EASYRIG MINIMAX is designed for productions requiring extensive handheld camerawork with cameras weighing 4.4 to 15.4 lb.
Available Focal Lengths for SOVIET MKII (IRONGLASS REHOUSED) :
20mm (T3.6)
28mm (T3.6)
37mm (T2.9)
50mm (T2.1)
58mm (T2.1)
85mm (T2.1)
135mm (T2.9)
The LAOWA 9mm ZERO-D is a compact, ultra-wide rectilinear lens with a 134.8° field of view and minimal distortion, allowing for precise framing. Its close-focusing capability lets you capture subjects as near as 4.7 inches with ease.
The LAOWA 10mm ZERO-D (by GL OPTICS) [LPL] lens renders the world with breathtaking rectilinear accuracy. Its 15-element design delivers pristine clarity, while the T3.1 aperture unlocks stunning low-light performance.
COMES WITH ADJUSTABLE PIPE RAILS KIT AND BABY COMBO STANDS
The DANA DOLLY is a heavy duty camera dolly platform that rides on 16 custom modified soft polyurethane wheels that resist flat spotting and use ABEC-7-rated precision bearings providing you with extremely smooth dolly shots.
Available Focal Lengths for SECOND REEF CORAL ANAMORPHIC FF:
50mm (T2.6)
75mm (T2.8)
90mm (T2.8)
The ARRI SIGNATURE ZOOM 45-135mm T2.8 [LPL] lens produces attractive, organic images while covering sensor sizes ranging from Super 25 to full-frame.
The MASTERBUILT SUPERSCOPE 13mm X FLARE lens delivers stunning super flares, soft contrast, edge fall-off, and beautiful background separation.
The FUJINON DUVO HZK14-100mm T2.9 lens is a lightweight, user-friendly option weighing just 2.54kg (5.6lb). It offers an exceptionally wide field of view, extending to telephoto with a 7.1x zoom range, allowing for virtually limitless camera positioning on any production
FLANDERS-SCIENTIFIC 16'' DM160 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
The CANON FD 50-300mm T4.9 lens is a versatile zoom lens with full-frame sensor coverage, a 6 ft. close focus, and a 15-blade iris for smooth bokeh. Its compact design and extensive zoom range make it ideal for various shooting situations, from documentaries to wildlife photography.
Available Focal Lengths forCANON RANGEFINDER (by GL OPTICS) [LPL]:
28mm (T2.9) 35mm (T2) 50mm (T1.5) 85mm (T1.9) 100mm (T2) 135mm (T3.5)
APUTURE AMARAN PT4C 4-FOOT RGB LED TUBE LIGHT KIT:
- 2x 4-Foot Battery-Powered RGBWW LED Pixel Tubes For Creators
- Additional Mini Tripod Floor Stands & USB-C to DMX Adapters to Expand Creativity & Enhance Functionality
- Design Unique & Dynamic Pixelated Effects with 16 Independently Controllable Pixels
- Produces Stunning Skin Tones with Full Color RGBWW Tunability
- Ready-Made Mounting Solutions: 5-Sided End Caps & 3/8-16in Screw Threads for Quick Positioning & Rigging
The APUTURE AMARAN PT2C 2-FOOT RGB LED TUBE LIGHT KIT Includes:
- 2 PT2c lights
- Additional mini tripod floor stands
- USB-C to DMX adapters for expanded wireless control
APUTURE AMARAN P60C 3-LIGHT RGBWW LED PANEL KIT:
- 60W Output RGBWW Lensed LED Panel & 78W Max Power Draw
- 5,900 lux @ 1 meter (5600K) & Tunable CCT from 2,500K to 7,500K
- Tunable Green-Magenta Adjustment (Full Plus/Minus Green
- CRI: 95+, TLCI: 96+, SSI (Tungsten): ≥83, SSI (D56): ≥74
- Built-in Lighting FX: Lightning, Paparazzi, Strobe, Cop Car, Fireworks , Pulsing, Faulty Bulb, Fire, TV, Party Lights
APUTURE AMARAN 300C:
- 300W RGBWW Full-Color Bowens Mount Point Source LED
- Picture-Perfect Color Quality with Color Tunable RGBWW Chipset
- Color-Blending Optical Design: Compatible with Soft Light and Optical Bowens Mount Modifiers
- High-Quality Output: 26,580+ lux @ 1m with Hyper Reflector (5,600K)
APUTURE LS 60X BI-COLOR LED FOCUSING FLOOD LIGHT :
- 60W Expanded Bi-Color Adjustable Focusing LED
- Custom Aspherical Optics: Adjustable 15º-45º Spot-Flood Beam Angle
APUTURE 600X PRO LED LIGHT STORM (GOLD MOUNT):
- 600W Bi-Color Bowens Mount Point-Source LED with Precision Color-Blending Optical Design
- Impressive Output: 5,610+ lux @ 3m with LS 600 Series Hyper Reflector (5,600K)
- Expanded Bi-Color CCT Range: 2,700K 6,500K
The ARRI ZOOM MAIN UNIT ZMU-4 seamlessly transitions between wired and wireless configurations. The ZMU supports all the new radio module options available for the Hi-5 hand unit.
The ARRI Operator Control Unit OCU-1 enables camera operators to swiftly assume command of any lens function, even with lens motors engaged. Operators can instantly override and regain control of focus, zoom, and iris from the Hi-5 and WCU-4 with a simple button press.
The FUJINON DUVO HZK 24-300mm PORTABLE PL MOUNT ZOOM lens is a compact and lightweight powerhouse. With a 12.5x zoom range (24mm to 300mm, expandable to 36mm to 450mm), its superior optical quality and remote control options make it a versatile choice for professional shooting.
Available Focal Lengths for CANON FD:
14mm (T2.9) 20mm (T2.9) 24mm (T1.5) 28mm (T2.1) 35mm (T2.1) 55mm (T1.3) 85mm (T1.3) 135mm (T2.1) 300mm (f/2.8) 600mm (f/4.5)
The FREELENSING CINE UNIVERSAL TILT & SHIFT & SWING SYSTEM is a system that leaves the lens virtually suspended in front of the camera sensor allowing the operator a fast and intuitive movement.
SMALL HD CINE 24" 4K HIGH BRIGHT Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
Available Focal Lengths for MINOLTA ROKKOR:
21mm (T2.9) 24mm (T2.9) 28mm (T2.1) 35mm (T1.9) 45mm (T2.1) 50mm (T1.3) 58mm (T1.3) 85mm (T1.8) 100mm (T2.1) 135mm (T2.9) 200mm (T2.9)
The RED 18-50mm T3 ZOOM PL is a compact and versatile zoom lens with a T3 aperture, suitable for a wide range of filming applications.
The SONY FE 200-600mm F/5.6-6.3 is a super-telephoto zoom lens with a variable aperture, ideal for capturing distant subjects with high clarity.
The SONY FE 24-105mm F4 G OSS is a full-frame standard zoom lens with a constant F4 aperture, it delivers a consistent performance across the focal range.
CANON CN-E 20-50mm T2.4 is a versatile cinema zoom lens with a constant T2.4 aperture, providing excellent low-light performance and cinematic depth of field.
FLANDERS-SCIENTIFIC 21.5" DM211 Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
The SONY 25" BVM-F250 OLED Monitor delivers outstanding black performance, a quick response with virtually no motion blur, and a wide color gamut ensuring outstanding performance for reference monitoring applications in the broadcast industry.
SONY 24" LMD- A240 LCD VIDEO Monitor Includes: Hood, Rear Bracket for C-Stand, (1) 25-ft BNC Cable, (1) 50-ft BNC Cable and Gold Mount Battery Plate.
The SMALL HD 502 BRIGHT Monitor brings a bright 1000 cd/m² panel to the compact platform. While the 5" display is bright it doesn't sacrifice resolution, yet it won't overwhelm a DSLR or mirrorless camera if secured to the accessory shoe.
FUJINON DUVO 37.5mm-1500mm F4.2-7.5 PL MOUNT BOX lens is the Fujinon HZK25-1000mm with integrated 1.5X extender engaged.
The CANON CINE-SERVO 37.5-375mm T4.4-5.9 (25-250mm with integrated 1.5X extender engaged) is suitable for various shooting scenarios, including ENG/EFP and documentary-style shoots.
The focal length of the ANGENIEUX OPTIMO 28-340mm T3.2 with the addition of the Optima Magnus extender becomes 32-385mm.
The ANGENIEUX EZ-3 S35 45-165mm T2.3 lens is convertible between Super 35 and Full-Frame format.
The ANGENIEUX EZ-3 FF/VV 68-250mm T3.5 lens is a versatile cinema zoom lens that is compatible with both Super35 and Full Frame/VistaVision cameras. It features interchangeable rear optics, manual lens control rings, and a fast maximum aperture of T3.5.
The LAOWA 12mm T2.9 ZERO-D CINE is a wide-angle lens optimized for digital cinematography. It has a wide 122° angle of view and is lightweight and compact. It is ideal for shooting scenarios that require a wide range of focal lengths.
The COOKE VAROTAL/i 85-215mm T2.9 is a full-frame zoom lens for digital cinema and film cameras. It has a wide to telephoto focal length range of 85 to 215mm and a T2.9 to T22 aperture. It is ideal for shooting scenarios that require a wide range of focal lengths.
The COOKE VAROTAL/i 30-95mm T2.9 is a full-frame zoom lens for digital cinema and film cameras. It has a wide to telephoto focal length range of 30 to 95mm and a T2.9 to T22 aperture. The lens is ideal for shooting scenarios that require a wide range of focal lengths.
The Canon DIGISUPER 95 - XJ95 X8.6B 8.6-820MM 1:1.7 COMPLETE is a super-telephoto lens with a 95x zoom range and a wide focal length of 8.6mm.
APUTURE 600D LED LIGHT STORM (GOLD MOUNT):
- 600W Daylight-Balanced Bowens Mount Point-Source LED
- Comparable to 1,200W HMI: 8,500+ lux @ 3m with LS 600c Series Hyper Reflector
- Streamlined Control Box: Maintains Many LS 600d Pro's Controls at 50% Weight
- Controls: Sidus Link, 5-Pin DMX512 In & Out, 2.4GHz Remote
- Universal Bowens Mount: Compatible with Soft Light and Optical Bowens Mount Modifiers
APUTURE 300X LED LIGHT STORM (GOLD MOUNT):
- 300W Bi-Color Bowens Mount Point-Source LED
- Expanded Vari-White CCT Range: 2,700K-6,500K Tunable White Point
- Color-Blending Optical Design: Compatible with Optical & Soft Light Bowens Mount Modifiers
- Enhanced Output: Up to 56,000+ lux with Fresnel 2X
- Robust Design: Handbrake Locking Yoke with 360º Rotation, All-In-One Silent Control Box
Available Focal Lengths for NIKON-NIKKOR AIS:
14mm (T2.9) 18mm (T2.9) 24mm (T2.1) 28mm (T2.1) 35mm (T1.5) 50mm (T1.3) 58mm (T1.3) 85mm (T1.5) 105mm (T1.9) 135mm (T2.1)
The LAOWA 24mm T8.0 FF PRO2BE MACRO 3-LENS SET contains:
- LAOWA 24mm T8.0 2X FF DIRECT VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF 35-DEGREE VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF PERISCOPE VIEW PRO2BE MACRO PL LENS
The SONY E 16-35mm GM F2.8 lens is a top-tier wide-angle zoom lens designed for Sony E-mount mirrorless cameras. It excels in landscape, architectural, and low-light photography. With advanced optics, weather-sealing, and exceptional image quality, it's a top choice for professional photographers and enthusiasts.
The ARRI HI-5 FF // C-FORCE MINI MOTOR KIT offers advanced wireless multi-axis camera and lens control via a large knob, instant reconnection, a high-contrast touchscreen LCD, powerful signal, and a modular, highly customizable design.
The RED V-RAPTOR XL is an 8K digital cinema camera with high frame rates, fast sensor scan, RAW recording, and cloud integration.
The SIGMA 18-35mm f/1.8 is a versatile, high-quality zoom lens with exceptional optical performance and fast aperture. It's a valuable tool for photographers looking for excellent image quality and creative control in a wide range of photographic scenarios.
The FUJINON HA42X9.7-BERD-U48 its a high-quality broadcast zoom lenses designed for professional ENG and HDTV production. These lenses are known for their optical precision, versatile zoom ranges, and rugged build quality. This makes them indispensable tools for broadcasting professionals who require reliability and image quality in various shooting scenarios.
The SONY FE 70-200mm f/2.8 GM OSS II is a premium telephoto zoom lens designed for professional and advanced photographers. It excels in terms of optical quality, autofocus performance, and versatility, making it a top choice for a wide range of photography applications.
The ROKINON 24mm SHIFT & TILT F3.5 is designed for creative and technical photography applications, particularly architectural and perspective control photography. These lenses offer manual control over tilt and shift movements, allowing photographers to achieve specific visual results that may not be possible with standard lenses.
The TOKINA 11-16mm PL MOUNT T3.0 is a professional cine ideal for wide-angle cinematograph. This includes landscape shots, architectural photography, and dynamic scenes, making it a versatile choice for filmmakers seeking high optical quality in a wide-angle zoom lens.
The TOKINA DUCLOS 11-16mm PL MOUNT T2.8 is a cine zoom lens designed for wide-angle cinematography with a focus on optical quality and cine-friendly features. Its fast aperture and wide perspective makes it a valuable tool for various filmmaking scenarios.
The ANGENIEUX EZ-2 S35 15-40mm T2 is a professional cinema zoom lens known for its exceptional versatility and image quality. With a focal length range of 15mm to 40mm and a fast T2 aperture, it's perfect for capturing a wide range of cinematic shots, from wide-angle to standard perspectives.
The ANGENIEUX EZ-1 S35 30-90mm T2 lens is a versatile and high-quality cinema lens designed for professional filmmakers. With a constant wide aperture, interchangeable mounts, and a zoom range from 30mm to 90mm, it offers flexibility in framing. It suits various shooting scenarios, including narrative filmmaking, documentaries, and low-light conditions.
The CANON DREAM 50mm T0.95 FF LPL lens is an exceptional and highly creative lens with an ultra-wide aperture, perfect for achieving a cinematic aesthetic with ultra-shallow depth of field, artistic focus control, and stunning low-light performance.
MASTERBUILT 160mm T1.8 ANASTIGMAT is a single 160mm focal length prime that provides a sharp, even image with attractive focus roll-off and a warm aesthetic flare with minimal chromatic aberration. The lens renders a painterly background and a sharp foreground. Available in LPL mount only.
The ELEMENT TECHNICA MANTIS HANDHELD RIG is a shoulder mounting solution for film and digital motion picture cameras. It includes a shoulder pad and dovetail, a crossbar, and a universal handle kit.
The RED CLUTCH HANDHELD RIG is an assembly of support accessories that form a highly configurable and adjustable shoulder support shooting rig.
The READY RIG w/ "VEGA" UPGRADE support unit enhances boom movements while reducing footsteps and bounce motion.
The EASYRIG VARIO 5 is a body-worn support system that is adjustable to support camera rigs weighing 11 to 38 lb.
The EASYRIG VARIO 5 w/ "STABIL" ARM is an adjustable, body-worn support system for camera rigs weighing 11 to 38 lb.
The DJI RONIN 2 GIMBAL w/ EXTENSIONS is a motorized stabilization system suitable for a range of camera and lens configurations, boasting a payload capacity of 30 lbs.
The DJI RONIN RS2 is a pro camera stabilizer for DSLR and compact cinema cameras with a 1.3kg gimbal and 4.5kg payload.
- C-STANDS, COMBO AND ROLLING COMBO STANDS, FLAGS AND NETS, GELLED FRAMES, RAGS, FRAMES, APPLE BOXES, CLAMPS, SANDBAGS, STINGERS, AND MORE.
IKAN HELIA HF40 3-LIGHT KIT:
- Bi-Color Light adjustable from 2700K-5600K
- 4″ Fresnel with flood to spot
- High CRI and TLCI
- Can be powered by Pro V-Mount Battery
- Flicker feature allows slow to fast strobe
- Large digital readout for easy adjustment
- Long LED Lifespan
- Barn Doors Included
- Includes Hard Case with Wheels
IKAN IFB576 PANEL 3- LIGHT KIT:
- Color Temperature of 3200K – 5600K
- (3) IFB576 Fixtures with Stands and Bags
- Ultra-Light, Compact, Dual-Color Light
- LCD Touch-Screen Controller with Dimmer Knobs
- Includes Pro Battery Plate for Anton Bauer & Sony V-Mount
- Includes Yoke Mount, Barn Doors with Intensifiers, and Diffuser
The LITEPANELS CROMA LED features the newest LED Surface Mount Technology which guarantees images with perfect color rendition. The LED panel embeds innovative lenses which have been designed to achieve improved optical efficiency.
The LITEPANELS ASTRA 1'x 1' (BI-COLOR) LED PANEL Light is adjustable from 3200K to 5600K and adapts to fit your lighting needs, all in a lightweight and compact fixture.
The LITEPANELS GEMINI 2x1 BI-COLOR LED SOFT PANEL has more creative options than ever, from a beautiful soft white light to full RGBWW. Gemini delivers the instant flexibility you need for endless creative lighting options in one unique easy-to-handle fixture.
The SOURCE 4 LEKO light uses revolutionary technology that gives you a clean white beam for unequaled imaging, crisp pattern projection, and a bright, even field.
The LECTROSONICS WIRELESS IFB SYSTEMS is a high-quality IFB transmitter designed for applications where long operating range and great audio quality are needed, such as broadcasting, film, and theater. The sleek, simple box can be used as a stand-alone unit, or patched into other widely-used intercom systems.
The ZOOM H6 HANDY RECORDER (4 INPUTS) features advanced preamps and interchangeable capsules, offering unmatched versatility and award-winning audio quality.
The SOUND DEVICES 552 (5 ANA in, 3 SPLIT OUT, 2 TRACK) combines professional-quality analog and digital technologies in a robust metal housing to provide a compact and lightweight mixing and recording solution for a variety of applications. The unit features 5 transformer-balanced XLR mic inputs, each with its own limiter and sweepable high-pass filter.
The SOUND DEVICES 633 (6 ANA in, 10 TRACKS) is designed for production audio mixing and recording on set and in the field. The unit is housed in a compact lightweight molded metalized carbon-fiber chassis and features six analog inputs: three XLR microphone preamplifier inputs with selectable phantom power, high-pass filters, input limiters, faders and variable pans, as well as three line-level TA3 (mini-XLR) inputs.
The SOUND DEVICES 664 (12 ANA in, 4 AUX OUT, 16 TRACKS) starts with a low-noise, transformerless preamplifier section, offering pristine audio quality. It features an intuitive mixing surface, digitally-controlled routing, analog inserts, and auxiliary busses, culminating in versatile and abundant output connectivity.
The SOUND DEVICES SCORPIO (32-CHANNEL/36-TRACK) features 16 mic/line preamplifiers, 32 channels of Dante input and output, AES input and output, 12 analog outputs, and multiple headphone outputs.
The TANGO 2 SWING HEAD allows the camera operator to quickly level the horizon, regardless of the weight of the camera and lens selected. It has a convenient third axis: whatever fluid or geared head is chosen, the panoramic movement remains horizontal and the tilt stays vertical.
The MANFROTTO 502 HEAD features variable fluid drag system for pan and tilt movements. It has a maximum capacity of 10kg and features a Ø75mm half ball connection to ensure compatibility with most equipment today.
The E-IMAGE GH40 PLUS 150mm BALL is a heavy duty Fluid Action Head specifically designed to support Film and Studio cameras weighing up to 40kg (88lbs). Counterbalance mechanism is activated by a 9-position easy grip selector; while the fluid control system allows the damping levels to range from "0" for freewheeling to 9 for maximum drag on both pan and tilt modes.
The E-IMAGE GH25 HEAD 100mm BALL is a heavy duty fluid specially designed to support heavier ENG and EFP camcorders weighing up to 25kg (55lbs). It features 15 steps counterbalance system with a 2.8" (70mm) sliding plate for perfect balance, and 7 steps of drag plus zero in both pan and tilt.
The E-IMAGE G15 HEAD 100mm BALL supports cameras and accessories weighing up to 39.6 lb and features a 100mm half ball for quick leveling adjustments. It includes 10 counterbalance steps, allowing for precise adjustment when using lighter cameras.
The E-IMAGE GH03 75mm HEAD 75mm BALL supports cameras and accessories weighing up to 11 pounds. It features an Easy Lock Baseplate system that combines the balance adjustment of a sliding baseplate with the ease of a quick release system.
The SACHTLER CINE 30 HEAD 150mm BALL has a sideload platform that allows for simple and secure mounting of heavily accessorised camera setups, ensuring safety without compromising efficiency. It has a payload range that spans from 3 kg to 32 kg (7 to 71 lbs).
The SACHTLER VIDEO 25 PLUS HEAD 150mm BALL is a remarkably lightweight fluid head designed for studio and outside broadcast use. It comfortably supports payloads of up to 35 kg and features a seven-step drag system, ensuring smooth and precise shots at any drag level.
The SACHTLER VIDEO 18 HEAD S2 100mm BALL has a sliding balance plate with a 4.72" sliding range, supporting cameras and rigs from 4 to 48.5 lbs. It features seven grades of pan and tilt drag, a zero setting for completely free movement, 16 steps of counterbalance, plus a Boost Button.
The O'CONNOR 1040 FLUID HEAD w/ FLOWTECH CF LEGS combines lightweight design with exceptional stability. It features a stepless, ultra-smooth pan and tilt fluid drag system, custom-designed for precise control. The OConnor Sinusoidal Counterbalance system ensures true, accurate balance at any point within the tilt range.
The O'CONNOR 2560 FLUID HEAD is specifically designed for modern digital cameras. Weighing under 18 pounds, it can support camera payloads of up to 66 pounds with a 6" center of gravity above the platform.
The O'CONNOR 2575D FLUID HEAD has become the standard for film production. The head includes OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range.
The O'CONNOR 120EX FLUID HEAD is the only product on the market capable of balancing an impressive capacity range of 30 to 240 lbs. It achieves its maximum payload at a tilt range of ±60°.
The TERADEK SERV PRO w/ LINK DUAL-BAND WI-FI ROUTER (STREAM LOCALLY TO PHONES/TABLETS) connects cameras via SDI or HDMI and transmits signals up to 1080p over Wi-Fi or Ethernet. The Link dual-band Wi-Fi router extends the signal from the Serv Pro units up to 1000 feet without degradation.
The TERADEK COLR (LUT BOX) is a real-time LUT box, camera control bridge, and HDMI/SDI cross-converter in one tiny pack. It integrates with Pomfort LiveGrade Pro, allowing DITs and colorists to give everyone the right look.
The VAXIS STORM 3000 DV WIRELESS VIDEO SYSTEM transmits visually lossless, uncompressed video signals to any Vaxis Storm receiver with zero latency. The unit features a dual V-mount plate which allows you to attach it to the V-mount plate on your camera and mount a V-mount battery on the other side, providing pass-through power to both the transmitter and the camera simultaneously.
The TERADEK BOLT 750 4k WIRELESS VIDEO SYSTEM is a real-time wireless video transmission system that supports 1080p and 2160p video signals at 60FPS with less than 1ms of delay at up to 750 feet. Key features include increased range, faster reconnection times, easier setup with Bluetooth App for iOS or Android, and more stable connectivity.
The TERADEK BOLT 10000 WIRELESS VIDEO SYSTEM can receive an HD or SD video signal from a Teradek Bolt 3000 transmitter up to 10,000' away. Both SDI and HDMI outputs are available on the receiver, and incoming HDMI or SDI signals can be converted to either output.
The TERADEK BOLT 3000 WIRELESS VIDEO SYSTEM transmits uncompressed 1080p video wirelessly over 3000 feet line-of-sight.
The TERADEK BOLT 1000 WIRELESS VIDEO SYSTEM transmits uncompressed video signals over distances of up to 1000 feet.
The TERADEK BOLT 500 WIRELESS VIDEO SYSTEM wirelessly transmits lossless SDI video over distances of up to 500 feet.
The KESSLER 3-FOOT CINESLIDER (AVAILABLE w/ MOTOR) is an extremely heavy-duty and durable camera slider designed for the heaviest rigs while still remaining portable and lightweight.
The KESSLER 5-FOOT CINESLIDER (AVAILABLE w/ DIGITAL REV HEAD FOR SLIDE/PAN/TILT – PROGRAMMABLE UP TO 20 LBS) is an extremely heavy-duty and durable camera slider designed for the heaviest rigs while still remaining portable and lightweight.
The CINEPED 2.0 ROTATIONAL SLIDER [3.5’] is great for any fast-paced production as it can deliver the quality, speed, and efficiency.
The SHURE PSM 300 delivers reliable wireless freedom across every corner of the stage. Its patented Audio Reference Companding technology ensures crystal-clear sound with ultra-low noise and no artifacts.
The EARTECH WIRELESS COMMUNICATION HEADSETS w/ HUB provide professional full duplex wireless communication literally right “Out of The Box”.
UP TO 50 UNITS AVAILABLE WITH SURVEILLANCE-STYLE HEADSETS AND MULTI CHARGING HUB
The LIVEU LU600 w/ BACKPACK has set the standard for portable video transmission, providing excellent video performance with extreme bandwidth efficiency.
The TERADEK CUBE 655 ENCODER s a real-time H.264 encoder with 3G-SDI and HDMI inputs. It encodes up to 1080p video at bit rates up to 15 Mbps, allowing for high-quality images to be streamed over Ethernet, Wi-Fi, or USB.
The OPENGEAR oGx FRAME w/ CARDS (DA'S, TC, AUDIO, TRI LEVEL SYNC, ETC...) has superior flexibility, power and control. uilt for today’s baseband, hybrid and IP facilities it is the broadcast world’s first and only open-hardware platform.
The ROSS NK-3G ROUTER 34x34 can be integrated into larger NK router systems with combinations of audio, video and machine control routers, and iscompatible with all NK control panels or external control via the NK-3RD, NK-SCP/A or NK-GPI.
The BLACKMAGIC TERANEX 2D is an advanced-quality standards converter as well as video format converter and capture and playback device all-in-one. It can convert from most any television format to any other television format in the highest quality.
JUST IN!FUJINON DUVO HZK25-1000mm FUJINON DUVO HZK25-1000mmCALL TODAY TO PLACE YOUR NEXT RENTAL ORDER! (+1) 305 597 7359
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