The FUJINON DUVO HZK14-100mm T2.9 lens is a lightweight, user-friendly option weighing just 2.54kg (5.6lb). It offers an exceptionally wide field of view, extending to telephoto with a 7.1x zoom range, allowing for virtually limitless camera positioning on any production
The MASTERBUILT SUPERSCOPE 13mm X FLARE lens delivers stunning super flares, soft contrast, edge fall-off, and beautiful background separation.
The CANON FD 50-300mm T4.9 lens is a versatile zoom lens with full-frame sensor coverage, a 6 ft. close focus, and a 15-blade iris for smooth bokeh. Its compact design and extensive zoom range make it ideal for various shooting situations, from documentaries to wildlife photography.
The FUJINON DUVO HZK25-1000mm box lens is primarily designed for professional broadcast and cinematography applications. However, it can be used to shoot a wide range of content, including sports events, wildlife documentaries, news broadcasts, concerts, and feature films.
The FUJINON DUVO HZK 24-300mm PORTABLE PL MOUNT ZOOM lens is a compact and lightweight powerhouse. With a 12.5x zoom range (24mm to 300mm, expandable to 36mm to 450mm), its superior optical quality and remote control options make it a versatile choice for professional shooting.
Available Focal Lengths for MASTERBUILT SOFT FLARE:
14.5mm (T1.4) 18mm (T1.4) 25mm (T1.4) 35mm (T1.4) 50mm (T1.4) 85mm (T1.4) 105mm (T 1.4) 135mm (T1.4)
MASTERBUILT 160mm T1.8 ANASTIGMAT is a single 160mm focal length prime that provides a sharp, even image with attractive focus roll-off and a warm aesthetic flare with minimal chromatic aberration. The lens renders a painterly background and a sharp foreground. Available in LPL mount only.
Available Focal Lengths for TRIBE BLACKWING7 T-TUNED:
17mm (T1.9) 20.7mm (T1.9) 23.7mm (T1.9) 27mm (T1.9) 37mm (T1.9) 47mm (T1.9) 57mm (T1.9) 77mm (T1.8) 107mm (T1.8) 137mm (T2.0)
[ALSO AVAILABLE "SKINNED"]Available Focal Lengths for COOKE PANCHRO/i CLASSIC FF:
18mm (T2.2) 25mm (T2.2) 32mm (T2.2) 50mm(T2.2) 65mm Macro (T2.4) 75mm (T2.2) 100mm (T2.6) 135mm (T2.8)
Available Focal Lengths for CANON FD:
14mm (T2.9) 20mm (T2.9) 24mm (T1.5) 28mm (T2.1) 35mm (T2.1) 55mm (T1.3) 85mm (T1.3) 135mm (T2.1) 600mm (f/4.5)
Available Focal Lengths for MINOLTA ROKKOR:
21mm (T2.9) 24mm (T2.9) 28mm (T2.1) 35mm (T1.9) 45mm (T2.1) 50mm (T1.3) 58mm (T1.3) 85mm (T1.8) 100mm (T2.1) 135mm (T2.9) 200mm (T2.9)
The ARRI SIGNATURE 65-300mm T2.8 Signature Zoom with 1.7x Extender produces attractive, organic images while covering sensor sizes ranging from Super35 to full-frame.
FUJINON PREMISTA 80-250mm T2.9-3.5 is well-suited for a wide range of shooting scenarios, from documentary and event videography to high-end commercial and feature film productions.
Available Focal Lengths for NIKON-NIKKOR AIS:
14mm (T2.9) 18mm (T2.9) 24mm (T2.1) 28mm (T2.1) 35mm (T1.5) 50mm (T1.3) 58mm (T1.3) 85mm (T1.5) 105mm (T1.9) 135mm (T2.1)
Available Focal Lengths for CANON RANGEFINDER:
28mm (T2.9) 35mm (T2) 50mm (T1.5) 85mm (T1.9) 100mm (T2) 135mm (T3.5)
The COOKE VAROTAL/i 30-95mm T2.9 is a full-frame zoom lens for digital cinema and film cameras. It has a wide to telephoto focal length range of 30 to 95mm and a T2.9 to T22 aperture. The lens is ideal for shooting scenarios that require a wide range of focal lengths.
Available Focal Lengths for MAMIYA DUCLOS SEKOR-C:
24mm (f/4) 35mm (f/3.5) 45mm (f/2.8) 55mm (f/2.8) 70mm (f/2.8) 80mm (f/2.8) 110mm (f/2.8) 150mm (f/4) 210mm (f/4)
Available Focal Lengths for COOKE ANAMORPHIC/i SPECIAL FLAIR 1.8X FF:
32mm (T2.3) 40mm (T2.3) 50mm (T2.3) 75mm (T2.3) 85mm Macro (T2.8) 100mm (T2.3) 135mm (T2.3) 180mm (T2.9)
The COOKE VAROTAL/i 85-215mm T2.9 is a full-frame zoom lens for digital cinema and film cameras. It has a wide to telephoto focal length range of 85 to 215mm and a T2.9 to T22 aperture. It is ideal for shooting scenarios that require a wide range of focal lengths.
The focal length of the ANGENIEUX OPTIMO 28-340mm T3.2 with the addition of the Optima Magnus extender becomes 32-385mm.
The ANGENIEUX OPTIMO 28-340mm T3.2 captures various shots, from wide landscape shots to close-ups, making it a versatile choice for feature film productions.
ANGENIEUX OPTIMO 19.5-94mm provides cinematographers and videographers with a flexible and reliable lens that can handle a wide range of shooting scenarios.
The ultra-wide 12mm angle of view available with this versatile SONY FE 12-24mm F2.8 GM lens makes it possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye.
The SONY E 16-35mm GM F2.8 lens is a top-tier wide-angle zoom lens designed for Sony E-mount mirrorless cameras. It excels in landscape, architectural, and low-light photography. With advanced optics, weather-sealing, and exceptional image quality, it's a top choice for professional photographers and enthusiasts.
A fast, standard zoom favored for its versatility, the SONY FE 24-70mm f/2.8 GM has a wide-angle to a short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f/2.8 constant maximum aperture.
The SONY FE 24-105mm F4 G OSS is a full-frame standard zoom lens with a constant F4 aperture, it delivers a consistent performance across the focal range.
The Canon DIGISUPER 95 - XJ95 X8.6B 8.6-820MM 1:1.7 COMPLETE is a super-telephoto lens with a 95x zoom range and a wide focal length of 8.6mm.
The ANGENIEUX EZ-1 S35 30-90mm T2 lens is a versatile and high-quality cinema lens designed for professional filmmakers. With a constant wide aperture, interchangeable mounts, and a zoom range from 30mm to 90mm, it offers flexibility in framing. It suits various shooting scenarios, including narrative filmmaking, documentaries, and low-light conditions.
The ANGENIEUX EZ-2 S35 15-40mm T2 is a professional cinema zoom lens known for its exceptional versatility and image quality. With a focal length range of 15mm to 40mm and a fast T2 aperture, it's perfect for capturing a wide range of cinematic shots, from wide-angle to standard perspectives.
The ANGENIEUX EZ-3 S35 45-165mm T2.3 lens is convertible between Super 35 and Full-Frame format.
ANGENIEUX OPTIMO STYLE 16-40mm T2.8 is suitable for a wide range of film and video productions, including feature films, documentaries, commercials, music videos, and more.
ANGENIEUX OPTIMO STYLE 30-76mm ZOOM T2.8 lens is commonly used in film and television production, offering high image quality, accurate color reproduction, smooth focus, and zoom control.
The ANGENIEUX EZ-1 FF/VV 45-135mm T3 provides versatility, high image quality, and a compact size making it a popular choice for many productions.
ANGENIEUX EZ-2 FF/VV 22-60mm T3 lens is designed for professional filmmakers, providing high image quality and versatility in a compact and lightweight package.
CANON CINE-SERVO 25-250mm T2.95-3.95 has a wide focal length range, fast aperture, and a servo zoom that makes it suitable for various shooting scenarios.
The ANGENIEUX EZ-3 FF/VV 68-250mm T3.5 lens is a versatile cinema zoom lens that is compatible with both Super35 and Full Frame/VistaVision cameras. It features interchangeable rear optics, manual lens control rings, and a fast maximum aperture of T3.5.
The CANON CINE-SERVO 37.5-375mm T4.4-5.9 (25-250mm with integrated 1.5X extender engaged) is suitable for various shooting scenarios, including ENG/EFP and documentary-style shoots.
CANON CN-E 20-50mm T2.4 is a versatile cinema zoom lens with a constant T2.4 aperture, providing excellent low-light performance and cinematic depth of field.
Available Focal Lengths for ARRI ULTRA PRIME:
12mm (T2) 14mm (T1.9) 16mm (T1.9) 20mm (T1.9) 24mm (T1.9) 28mm (T1.9) 32mm (T1.9) 40mm (T1.9) 50mm (T1.9) 65mm (T1.9) 85mm (T1.9) 100mm (T1.9) 135mm (T1.9)
Available Focal Lengths for COOKE ANAMORPHIC/i 2x SPECIAL FLAIR:
25mm (T2.3) 32mm (T2.3) 40mm (T2.3) 50mm (T2.3) 65mm Macro (T2.6) 75mm (T2.3) 100mm (T2.3) 135mm (T2.3) 180mm (T2.8)
Available Focal Lengths for COOKE ANAMORPHIC/i 2X:
25mm (T2.3) 32mm (T2.3) 50mm (T2.3) 65mm Macro (T2.6) 75mm (T2.3) 100mm (T2.3)
For those who want the ultimate in image quality for tabletop cinematography, product shots, close-up inserts on feature films, or any other applications that require a macro lens, the ARRI MACRO 100mm T3 delivers images of breathtaking beauty.
The CENTURY/NIKKOR 8MM FISHEYE WIDE ANGLE T2.8 lens can be used creatively in other shooting scenarios. It's important to experiment and explore different compositions and subjects to make the most of this lens's unique perspective and distortion characteristics.
Available Focal Lengths for COOKE S8/i:
18mm (T1.4) 25mm (T1.4) 32mm (T1.4) 40mm (T1.4) 50mm (T1.4) 75mm (T1.4) 100mm (T1.4) 135mm (T1.4)
Available Focal Lengths for COOKE S7/i:
16mm (T2) 18mm (T2) 21mm (T2) 25mm (T2) 32mm (T2) 40mm (T2) 50mm (T2) 60mm Macro (T2) 65mm (T2) 75mm (T2) 100mm (T2) 135mm (T2) 180mm (T2)
Available Focal Lengths for ARRI SIGNATURE PRIME:
15mm (T1.8) 18mm (T1.8) 21mm (T1.8) 25mm (T1.8) 29mm (T1.8) 35mm (T1.8) 47mm (T1.8) 58mm (T1.8) 75mm (T1.8) 95mm (T1.8) 125mm (T1.8) 150mm (T1.8)
Available Focal Lengths for ZEISS SUPREME:
18mm (T1.5) 21mm (T1.5) 25mm (T1.5) 29mm (T1.5) 35mm (T1.5) 50mm (T1.5) 65mm (T1.5) 85mm (T1.5) 100mm (T1.5) 135mm (T1.5) 150mm (T1.8)
Available Focal Lengths for SIGMA CINE:
14mm (T2) 20mm (T1.5) 24mm (T1.5) 28mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 105mm (T1.5) 135mm (T2)
Available Focal Lengths for SCHNEIDER ISCO4ALL SET:
43mm (T2.4) 58mm (T2.4) 85mm (T2.4)
+ ISCORAMA 54 CU - 1.5X
Available Focal Lengths for ROKINON XEEN:
14mm (T3.1) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 135mm (T2.2)
The CANON DREAM 50mm T0.95 FF LPL lens is an exceptional and highly creative lens with an ultra-wide aperture, perfect for achieving a cinematic aesthetic with ultra-shallow depth of field, artistic focus control, and stunning low-light performance.
Available Focal Lengths for ROKINON CINE DS:
8mm (T3.8) 10mm (T3.1) 12mm (T3.1) 14mm (T3.1) 16mm (T2.2) 20mm (T1.9) 24mm (T1.5) 35mm (T1.5) 50mm (T1.5) 85mm (T1.5) 100mm Macro (T3.1) 135mm (T2.2)
The ROKINON 24mm SHIFT & TILT F3.5 is designed for creative and technical photography applications, particularly architectural and perspective control photography. These lenses offer manual control over tilt and shift movements, allowing photographers to achieve specific visual results that may not be possible with standard lenses.
The LAOWA 12mm T2.9 ZERO-D CINE is a wide-angle lens optimized for digital cinematography. It has a wide 122° angle of view and is lightweight and compact. It is ideal for shooting scenarios that require a wide range of focal lengths.
The LAOWA 24mm T8.0 FF PRO2BE MACRO 3-LENS SET contains:
- LAOWA 24mm T8.0 2X FF DIRECT VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF 35-DEGREE VIEW PRO2BE MACRO PL LENS
- LAOWA 24mm T8.0 2X FF PERISCOPE VIEW PRO2BE MACRO PL LENS
The LAOWA 24mm T14 2X PERIPROBE captures sharp magnified shots with full frame camera sensors using their Leica L-mount and has a focal length of 24mm.
Described as "weird but genius," the CANON LAOWA 24mm F14 2x MACRO PROBE LENS w/ LIGHT from Venus Optics is a unique lens designed for close-up shooting.
The CANON 10-18mm F/4.5-5.6 EF-S wide-angle zoom is designed for APS-C-format Canon EF-S-mount DSLRs and provides a 16-28.8mm equivalent focal length range.
The CANON 10-22mm F3.5 wide-angle zoom is designed for APS-C-format EF-S-mount DSLRs and provides a 16-35.2mm equivalent focal length range.
The CANON 16-35mm F2.8 lens is an ultrawide lens for professional news, sports, and action shooting.
CANON 24-70mm F2.8 with a standard focal length zoom range is a versatile, all-purpose lens for all types of photography ventures. From portraits and landscapes to travel and everyday photography.
Bring your subjects closer while shooting sports or wildlife with the EF CANON 300mm F4 telephoto lens.
CANON 50mm STM F1.8 is a perfect lens portraits, action, and even night time photography.
This CANON 60mm MACRO F2.8 lens is an excellent multi-purpose lens that's equally at home shooting macro shots, portraits, or available-light photos.
CANON 70-200mm EF MOUNT L IS II USM F2.8 is a great lens for portrait and sport photography.
CANON CINE-SERVO 17-120mm T2.95 is a high-end cine lens designed for professional filmmakers and videographers who require a high-quality zoom lens for their projects.
CANON 30-300mm T2.95-3.7 is ideal for filmmakers who need a versatile lens that can cover a wide range of focal lengths. Its fast aperture, smooth manual focus, and zoom control make it well-suited for capturing high-quality cinematic shots.
The CANON CN-E 18-80mm T4.4 Compact-Servo Lens combines the functionality of Canon's EF lenses with the features and performance of their CN-E lineup.
The FUJINON CABRIO 20-120mm is a well-performing cinema lens that functions well as an all-around documentary zoom. The lens is solidly built, with well-designed lens rings that operate smoothly.
SIGMA 18-35mm CINE covers everything from wide-angle to telephoto, enabling cinematographers to achieve a wide range of expressive goals.
The SIGMA 50-100mm CINE T2 is a good choice for various video production scenarios, such as interviews, medium to close-up shots, and even some wide-angle shots. Additionally, its Hyper Sonic Motor (HSM) for fast, quiet autofocus and full-time manual focus override makes it great for situations where noise needs to be minimized, like live events, conferences, stage performances, etc.
The COOKE VAROTAL 18-100mm T3 lens is suitable for use in various applications, including documentary, narrative, and commercial production, where the ability to adjust the framing and focus of the shot quickly may be necessary.
The TOKINA DUCLOS 11-16mm PL MOUNT T2.8 is a cine zoom lens designed for wide-angle cinematography with a focus on optical quality and cine-friendly features. Its fast aperture and wide perspective makes it a valuable tool for various filmmaking scenarios.
The TOKINA 11-16mm PL MOUNT T3.0 is a professional cine ideal for wide-angle cinematograph. This includes landscape shots, architectural photography, and dynamic scenes, making it a versatile choice for filmmakers seeking high optical quality in a wide-angle zoom lens.
The TOKINA CINEMA AT-X 100mm MACRO is a specialized cine lens ideal for close-up macro cinematography, delivering exceptional clarity and detail in close-range shots.
The ZEISS 50mm MACRO T2.1 lens is a top-quality macro lens that provides excellent image quality and precise focusing for capturing detailed close-up shots.
GLOBAL DYNAMICS UNITED 24mm F2.8 is perfect for RED cameras with Canon Mount, Canon 7D and other Canon APS-C cameras, Sony Nex / A7 with AF Canon adapter.
The GLOBAL DYNAMICS UNITED 40mm F2.8 lens is a very artful and beautiful lens for close-up shots of small objects.
The FUJINON HA42X9.7-BERD-U48 its a high-quality broadcast zoom lenses designed for professional ENG and HDTV production. These lenses are known for their optical precision, versatile zoom ranges, and rugged build quality. This makes them indispensable tools for broadcasting professionals who require reliability and image quality in various shooting scenarios.
The RED 18-50mm T3 ZOOM PL is a compact and versatile zoom lens with a T3 aperture, suitable for a wide range of filming applications.
The RED 50-150mm T2.8 ZOOM is excellent for wide shots and capturing expansive landscapes. While the 150mm end is ideal for telephoto shots, such as portraits and action scenes, the T2.8 aperture allows for low-light performance and shallow depth of field, which is helpful for many shots, including portraits, landscapes, and action scenes.
The RED ZOOM 18-85mm T2.9 lens has a focal length range of 18mm to 85mm, providing a wide variety of creative options for capturing different shots. From expansive landscapes to intimate close-ups, the lens allows filmmakers to adapt swiftly to changing shooting conditions without having to switch lenses. Its aperture ensures excellent low-light performance and the ability to achieve a shallow depth of field for artistic focus effects.
The SCHNEIDER XENON FF 75mm is an excellent portrait and interview lens with a narrow, isolated field of view.
The SIGMA 18-35mm f/1.8 is a versatile, high-quality zoom lens with exceptional optical performance and fast aperture. It's a valuable tool for photographers looking for excellent image quality and creative control in a wide range of photographic scenarios.
The SIGMA 24-70mm has the performance and functionality that pros in all fields required.
SIGMA 50-100mm DC HSM Art F1.8 A mid-tele zoom lens that delivers prime lens-level image quality.
The SONY FE 70-200mm f/2.8 GM OSS II is a premium telephoto zoom lens designed for professional and advanced photographers. It excels in terms of optical quality, autofocus performance, and versatility, making it a top choice for a wide range of photography applications.
The SONY FE 200-600mm F/5.6-6.3 is a super-telephoto zoom lens with a variable aperture, ideal for capturing distant subjects with high clarity.
Designed to satisfy 4K production requirements, the SONY FE PZ 28-135mm G OSS F4 lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system.
Available Focal Lengths for SONY G MASTER (GM) FOCAL LENS FE SERIES:
14mm (F1.8) 20mm (F1.8) 24mm (F1.4) 35mm (F1.4) 50mm (F1.4) 85mm (F1.4) 90mm Macro (F2.8) 100mm (F2.8) 135mm (F1.8)
ZEISS 15-30mm T2.9 COMPACT ZOOM advanced optics and build quality make it ideal for high-end cinematography and demanding shooting conditions.
ZEISS 28-80mm T2.9 COMPACT ZOOM lens is versatile and reliable for a wide range of professional filming and photography needs.
The ZEISS 70-200mm T2.9 COMPACT ZOOM is ideal for various shooting situations, including portraits, sports, and nature photography. It is often used by professional videographers and photographers.
FUJINON DUVO 37.5mm-1500mm F4.2-7.5 PL MOUNT BOX lens is the Fujinon HZK25-1000mm with integrated 1.5X extender engaged.
![MINOLTA Rokkor (Superspeed) Primes [GL Optics Rehoused]. HD House rental lenses.](https://thehdhouse.com/wp-content/uploads/2024/05/Minolta-Rokkor-HD-House-500x500.png)
